My mistress' eyes are nothing like the sun; Coral is far more red, than her lips red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go, -- My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.
Seven Dark Lady Sonnets
Song Cycle by David Passmore (b. 1954)
1. My mistress' eyes are nothing like the sun
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 130
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 130, first published 1857
- ITA Italian (Italiano) (Ferdinando Albeggiani) , "Gli occhi della mia donna non sono come il sole", copyright © 2009, (re)printed on this website with kind permission
2. O me! what eyes hath Love put in my head
O me! what eyes hath Love put in my head, Which have no correspondence with true sight; Or, if they have, where is my judgment fled, That censures falsely what they see aright? If that be fair whereon my false eyes dote, What means the world to say it is not so? If it be not, then love doth well denote Love's eye is not so true as all men's: no, How can it? O! how can Love's eye be true, That is so vexed with watching and with tears? No marvel then, though I mistake my view; The sun itself sees not, till heaven clears. O cunning Love! with tears thou keep'st me blind, Lest eyes well-seeing thy foul faults should find.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 148
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 148, first published 1857
3. How oft when thou, my music, music play'st
How oft when thou, my music, music play'st, Upon that blessed wood whose motion sounds With thy sweet fingers when thou gently sway'st The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap, To kiss the tender inward of thy hand, Whilst my poor lips which should that harvest reap, At the wood's boldness by thee blushing stand! To be so tickled, they would change their state And situation with those dancing chips, O'er whom thy fingers walk with gentle gait, Making dead wood more bless'd than living lips. Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 128
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 128, first published 1857
- GER German (Deutsch) (Richard Flatter) , appears in Die Fähre, Englische Lyrik aus fünf Jahrhunderten, first published 1936
- ITA Italian (Italiano) (Ferdinando Albeggiani) , "Quando tu , musica mia, musica ricavi", copyright © 2007, (re)printed on this website with kind permission
4. The expense of spirit in a waste of shame
The expense of spirit in a waste of shame Is lust in action: and till action, lust Is perjur'd, murderous, bloody, full of blame, Savage, extreme, rude, cruel, not to trust; Enjoy'd no sooner but despised straight; Past reason hunted; and no sooner had, Past reason hated, as a swallow'd bait, On purpose laid to make the taker mad: Mad in pursuit and in possession so; Had, having, and in quest, to have extreme; A bliss in proof, -- and prov'd, a very woe; Before, a joy propos'd; behind a dream. All this the world well knows; yet none knows well To shun the heaven that leads men to this hell.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 129
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CZE Czech (Čeština) (Josef Václav Sládek)
- CZE Czech (Čeština) (Josef Václav Sládek) , "Sonet 129"
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 129, first published 1857
- GER German (Deutsch) (Richard Flatter) , appears in Die Fähre, Englische Lyrik aus fünf Jahrhunderten, first published 1936
5. Thine eyes I love
Thine eyes I love, and they, as pitying me, Knowing thy heart torment me with disdain, Have put on black and loving mourners be, Looking with pretty ruth upon my pain. And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even, Doth half that glory to the sober west, As those two mourning eyes become thy face: O! let it then as well beseem thy heart To mourn for me since mourning doth thee grace, And suit thy pity like in every part. Then will I swear beauty herself is black, And all they foul that thy complexion lack.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 132
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 132, first published 1857
6. In faith I do not love thee with mine eyes
In faith I do not love thee with mine eyes, For they in thee a thousand errors note; But 'tis my heart that loves what they despise, Who, in despite of view, is pleased to dote. Nor are mine ears with thy tongue's tune delighted; Nor tender feeling, to base touches prone, Nor taste, nor smell, desire to be invited To any sensual feast with thee alone: But my five wits nor my five senses can Dissuade one foolish heart from serving thee, Who leaves unsway'd the likeness of a man, Thy proud heart's slave and vassal wretch to be: Only my plague thus far I count my gain, That she that makes me sin awards me pain.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 141
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 141, first published 1857
7. Cupid laid by his brand and fell asleep
Cupid laid by his brand, and fell asleep: A maid of Dian's this advantage found, And his love-kindling fire did quickly steep In a cold valley-fountain of that ground; Which borrow'd from this holy fire of Love A dateless lively heat, still to endure, And grew a seething bath, which yet men prove Against strange maladies a sovereign cure. But at my mistress' eye Love's brand new-fired, The boy for trial needs would touch my breast; I, sick withal, the help of bath desired, And thither hied, a sad distemper'd guest, But found no cure: the bath for my help lies Where Cupid got new fire -- my mistress' eyes.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 153
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 153, first published 1857