English translations of Drei Gesänge für Bariton mit Pianofortebegleitung, opus 60
by G. Scheller
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In der hohen Hall' saß König [Sifrid]1: "Ihr Harfner! wer weiß mir das schönste Lied?" Und ein Jüngling trat aus der Schaar behende, Die Harf' in der Hand, das Schwerdt an der Lende. "Drei Lieder weiß ich; den ersten Sang, Den hast du ja wohl vergessen schon lang: Meinen Bruder hast du meuchlings erstochen! Und aber: hast ihn meuchlings erstochen! Das andre Lied, das hab' ich erdacht In einer [finstern, stürmischen]2 Nacht: Mußt mit mir fechten auf Leben und Sterben! Und aber: mußt fechten auf Leben und Sterben!" Da [lehnte]3 er die Harfe wohl an den Tisch, Und sie zogen Beide die Schwerdter frisch, Und fochten lange mit wildem Schalle, Bis der König sank in der hohen Halle. "Nun sing' ich das [dritte und]4 schönste Lied, Das werd' ich nimmer zu singen müd': König [Sifrid]1 liegt in [seim]5 rothen Blute, Und aber: liegt in [seim]5 rothen Blute!"
Text Authorship:
- by Johann Ludwig Uhland (1787 - 1862), "Die drei Lieder", appears in Balladen und Romanzen
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View original text (without footnotes)Confirmed with Gedichte von Ludwig Uhland, Stuttgart und Tübingen, J. G. Cotta’sche Buchhandlung, 1815, page 193. Note for stanza 5: "seim" is an archaic form of "seinem"
Note: modern German would change the following spellings: "Schaar" -> "Schar", "Schwerdt" -> "Schwert", "rothen" -> "roten"
1 Loewe: "Siegfried"2 Kralik: "finsteren, stürmischen"; Loewe: "finstern und stürmischen"
3 Kralik, Loewe: "lehnt'"
4 Kralik: "dritte, das"
5 Loewe: "sein'm"
King Sifrid sat in the high hall: "You harpers, which of you knows the most beautiful song?" And a youth stepped nimbly forth from the throng, His harp in his hand, his sword at his side: "I know three songs; the first song You have likely already forgotten long: You stabbed and killed my brother in a dastardly fashion, And again [I say]: you stabbed and killed him in a dastardly fashion! The second song, that one I made up In a dark and stormy night: You must fight with me in mortal combat, And again [I say]: must fight in mortal combat!" Then he leaned the harp up against the table, And they both briskly drew their swords And fought long with wild clangs, Till the king sank down in the high hall. "Now I shall sing the third and most beautiful song, One that I shall never grow tired of singing: King Sifrid lies in his red blood, And again [I say]: lies in his red blood!"
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2014 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Based on:
- a text in German (Deutsch) by Johann Ludwig Uhland (1787 - 1862), "Die drei Lieder", appears in Balladen und Romanzen
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This text was added to the website: 2014-05-23
Line count: 20
Word count: 169
[Nun]1 die Schatten dunkeln, Stern [an]2 Stern erwacht: Welch ein Hauch der Sehnsucht Flutet [in der]3 Nacht! Durch das [Meer]4 der Träume Steuert ohne Ruh', [Steuert]5 meine Seele Deiner Seele zu. Die sich dir ergeben, Nimm sie ganz dahin! Ach, du weißt, daß nimmer Ich [mein]6 eigen bin.
Text Authorship:
- by Emanuel von Geibel (1815 - 1884), "Für Musik", appears in Juniuslieder, in Lieder
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View original text (without footnotes)Confirmed with Emanuel Geibel, Juniuslieder, Stuttgart und Tübingen: J.G. Cotta'scher Verlag, 1848, page 34.
1 Lewy: "Wenn"; further changes may exist not shown above.2 Bolko von Hochberg: "bei"
3 Bolko von Hochberg, Hermann, Rubinstein, Schachner, Zumpe: "durch die"
4 Bolko von Hochberg: "Reich"
5 Hermann: "Sehnend"
6 Schachner: "mir"
Now the shadows are darkening star after star is waking up: what a breath of longing is flooding through the night! Across the sea of dreams, steering ceaselessly my soul is steering towards your soul. Anything that surrenders to you is to be taken completely. Oh, you know, that I am no longer my own.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2005 by Malcolm Wren, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
Contact: licenses@email.lieder.example.net
Based on:
- a text in German (Deutsch) by Emanuel von Geibel (1815 - 1884), "Für Musik", appears in Juniuslieder, in Lieder
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This text was added to the website: 2005-04-11
Line count: 12
Word count: 55
Das Wasser rauscht', das Wasser schwoll, Ein Fischer saß daran, Sah nach dem Angel ruhevoll, Kühl bis ans Herz hinan. Und wie er sitzt und wie er lauscht, Theilt sich die Fluth empor; Aus dem bewegten Wasser rauscht Ein feuchtes Weib hervor. [Sie sang zu ihm, sie sprach zu ihm]1: Was lockst du meine Brut Mit Menschenwitz und Menschenlist [Hinauf in]2 Todesgluth? Ach wüßtest du, wie's Fischlein ist So wohlig auf dem Grund, Du stiegst herunter wie du bist Und würdest erst gesund. Labt sich die liebe Sonne nicht, Der Mond sich nicht im Meer? Kehrt wellenathmend ihr Gesicht Nicht doppelt schöner her? Lockt dich der tiefe Himmel nicht, Das feuchtverklärte Blau? Lockt dich dein eigen Angesicht Nicht her in ew'gen Thau? Das Wasser rauscht', das Wasser schwoll, Netzt' ihm den nackten Fuß; Sein Herz wuchs ihm so sehnsuchtsvoll Wie bei der Liebsten Gruß. Sie sprach zu ihm, sie sang zu ihm; Da war's um ihn geschehn: Halb zog sie ihn, halb sank er hin, Und ward nicht mehr gesehn.
Text Authorship:
- by Johann Wolfgang von Goethe (1749 - 1832), "Der Fischer", written 1778?, first published 1779
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View original text (without footnotes)Confirmed with Goethe's Werke, Vollständige Ausgabe letzter Hand, Erster Band, Stuttgart und Tübingen, in der J.G.Cottaschen Buchhandlung, 1827, pages 185-186.
Note: the Eberwein score has a likely misprint in stanza 1, line 8, word 4: "empor".
1 Vesque von Püttlingen: "Sie sprach zu ihm, sie sang zu ihm"2 Eberwein: "Herauf zu"
The water roared, the water swelled; a fisherman sat beside, gazing calmly at his fishing line, cool to his very heart. And as he sits there and as he listens, the waves split and from the turbulent water a watery woman bursts up. She sang to him, and spoke to him: "Why do you lure my children with your human wit and cunning, up here to this deadly glow? Ah, if you only knew how pleasant the tiny fish find it below the surface, you would come down, just as you are, and you would be well for the first time. Does not the dear sun refresh itself and the moon as well, in the sea? Do they not turn their faces, breathing the waves and thus becoming doubly fair? Aren't you tempted by the deep sky, the moist and transfiguring blue? Aren't you tempted by your own face shining in the eternal dew?" The water roared, the water swelled, and moistened his naked foot; and his heart filled with the longing that he felt at the greeting of his beloved. She spoke to him, and sang to him; then all was done for him; half pulled by her and half sinking himself, he went down and was never seen again.
Text Authorship:
- Translation from German (Deutsch) to English copyright © by Emily Ezust
Emily Ezust permits her translations to be reproduced without prior permission for printed (not online) programs to free-admission concerts only, provided the following credit is given:
Translation copyright © by Emily Ezust,
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Based on:
- a text in German (Deutsch) by Johann Wolfgang von Goethe (1749 - 1832), "Der Fischer", written 1778?, first published 1779
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This text was added to the website between May 1995 and September 2003.
Line count: 32
Word count: 211