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English translation of La Mélodie aimante

by Blair Fairchild (1877 - 1933), "La Mélodie aimante", op. 40 no. 8, published 1915 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 8, London, Augener
    Score: IMSLP [external link]

Note: this is a translation of one multi-text setting.

La mélodie aimante et calme de la nuit 
S'écoule sur la ville apaisée ; et tout bruit
Auprès de nous s'éteint pour la laisser entendre ; 
-- Et le chant de tes yeux se fait aussi plus tendre.

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 36, Paris, Éd. Alphonse Lemerre, first published 1896

See other settings of this text.

Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 12.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Par les rameaux silencieux 
Vois les gouttes du clair de lune 
Couler sur les fleurs une à une, 
Larmes pâles tombant des cieux.

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 86

See other settings of this text.

Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 54.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Fraternise, ô mon âme, avec les astres d'or,
Âmes aussi, brûlant par la nuit infinie, 
Brûle comme eux, palpite, aime et souffre, aime encor ; 
Avec l'aube et les soirs sublimes communie.

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 35, Paris, Alphonse Lemerre, first published 1896

See other settings of this text.

Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 12.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Author(s): Henri Cazalis (1840 - 1909)
The ardent melody, in the still of the night,
Flows over the city soothingly; and all noise
Near us dies out in order to allow us be able to hear it; 
— And the song of your eyes becomes likewise more tender.

Text Authorship:

  • Translation from French (Français) to English copyright © 2024 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 36, Paris, Éd. Alphonse Lemerre, first published 1896
    • Go to the text page.

Go to the general single-text view

Translator's note for line 3, "to be able to hear it" : the phrase “laisse entendre” now means “to insinuate” or “to hint,” but here the words are meant to be interpreted separately.


Through the silent branches
See the drops of moonlight 
Spilling over the flowers one by one, 
Pale tears falling from the skies.

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 86
    • Go to the text page.

Go to the general single-text view


Befriend, O my soul, the golden stars,
Souls themselves that burn in the endless night,
Burn as they do, throb, love and suffer, love once more;
Commune with the dawn and with evenings sublime.

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 35, Paris, Alphonse Lemerre, first published 1896
    • Go to the text page.

Go to the general single-text view


Translation © by Grant Hicks, Laura Stanfield Prichard
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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