Le grand jardin d'azur, la nuit, va se rouvrir ; Mon amour, allons voir loin de la foule humaine Venir à nous la Lune en sa robe de reine, Et dans ce jardin bleu les étoiles fleurir. Viens ô bien-aimée, viens !
Quatrains d'Al-Ghazali, op. 40
by Blair Fairchild (1877 - 1933)
Translated to:
English — Quatrains of Al-Ghazali
1. Le grand jardin d'azur (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 64, Paris, Alphonse Lemerre, first published 1896
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , "De grote tuin van azuur", copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this page: Emily Ezust [Administrator]Mon âme en toi veut fuir le monde détesté. Hors de ce monde impur elle veut pour asiles Tes grands yeux verts, frais et fleuris comme des îles, Et mon refuge aimant sera ta pureté.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 49
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]Je voudrais t’emporter dans une solitude Où fleurirait ton corps seulement pour mes yeux ; Et pouvoir y goûter cette béatitude De ne plus voir que toi, des forêts et les cieux.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 50
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]2. Oh ! Mon amour (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
Oh ! mon amour, pourquoi, quand nous sommes ensemble, Délicieusement, ai-je le cœur qui tremble ?... Comme lui, la mer tremble au coucher du soleil, Et la forêt, sous l'aube aimante, à son éveil.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 28, Paris, Éd. Alphonse Lemerre, first published 1907
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 25.
Note: in Moret's sung text, the lines are followed by "La mélodie aimante et calme de la nuit/ S'écoule sur la ville apaisée." These lines come from the quatrain that begins "La mélodie aimante et calme de la nuit".
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this page: Johann Winkler
Les lignes de ton corps sont comme une musique, Tout ton être, tes bras, tes seins délicieux Créent des rythmes parfaits pour mon âme extatique ; Et je les goûte avec des larmes dans les yeux.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 30
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 26.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
Ta beauté, quand tu pars, me laisse comme un chant, Dont la tendre douceur tout entier me pénètre ; Et mon âme s'emplit de soupirs l'étouffant, Et ce chant merveilleux fait trembler tout mon être.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 37
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 30.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
3. Nocturne (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
Le clair de lune est comme un soupir de la nuit : Que de soupirs aussi dans tout mon cœur qui tremble Et dans le tien, goûtant l'extase d'être ensemble, Sous l'infini soupir de ce grand ciel qui luit !
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 18, Paris, Éd. Alphonse Lemerre, first published 1896
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , "Nachtgezang", copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]Ah ! douce nuit chaude et pâmée ! Tes jeunes seins sont frais comme le clair de lune. Ta chair sous mes baisers semble une chair de fleur. Oh ! comment les soupir et décrire une à une, Ces beautés en ton corps d'une exquise pâleur ?
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 19
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Research team for this page: Emily Ezust [Administrator] , Grant Hicks [Guest Editor] , Joost van der Linden [Guest Editor]Sous la nuit chaude parfumée Par la blanche odeur de jasmins, Oh ! qu'il est doux, près de l'aimée De pleurer d'amour sur ses mains !
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, written 1907, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 32, Paris, Éd. Alphonse Lemerre, first published 1907
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]Si tout mon cœur pouvait ainsi qu'en ce moment, Sans fin trembler d'amour, délicieusement, Tel qu'une harpe d'or que l'on touche et qui pleure ! Si je pouvais aimer sans fin, comme à cette heure !
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 33
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]4. Je ne chercherai pas (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
Je ne chercherai pas à te jamais comprendre, Je ne chercherai pas à savoir si tu mens, Pourvu que ton regard ou ta voix me soit tendre, Pourvu que tes deux bras me soient toujours aimants.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 102, Paris, Éd. Alphonse Lemerre, first published 1907
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , "Ik ben er niet op uit", copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 63.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this page: Johann Winkler
Si tu m'aimes ou non, je ne le veux savoir ; Je t'aime et m'en contente, et ne sais qu'une chose, C'est que ton corps exquis est doux comme la rose Qu'en rêvant on respire et baise tout un soir.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 103
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 63.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
5. Aimons-nous et rêvons (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
Aimons-nous et rêvons, nous n'aurons pas toujours Ce ciel devant nos yeux, doux comme une soierie : Les morts ne la voient pas, la belle nuit fleurie Qui nous caresse et fait plus tendres nos amours.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 22, Paris, Éd. Alphonse Lemerre, first published 1896
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , "Laat ons beminnen en dromen", copyright © 2023, (re)printed on this website with kind permission
- ENG English (Anyi Sharma) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Research team for this page: Emily Ezust [Administrator] , Grant Hicks [Guest Editor]Mets mon front sur ton sein, mets ta main sur mes yeux : Oh ! cache-moi la mort, et cache-moi la vie ! Rien au monde que toi, rien ne faisant envie A mon cœur caressé par ton toucher soyeux.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 23
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Research team for this page: Emily Ezust [Administrator] , Grant Hicks [Guest Editor]Bois, ô lune d'amour, à la coupe vermeille, Car la lune du ciel, après nous, bien longtemps Luira sur ces vergers des milliers de printemps, Mais sans nous retrouver par une nuit pareille. Aimons-nous et rêvons, et rêvons.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 39, Paris, Éd. Alphonse Lemerre
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , "Drink from the Ruby Goblet", copyright © 2025, (re)printed on this website with kind permission
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]6. Près de l'aimée (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
La pleine lune avec son pâle enchantement Extasiait la terre et charmait toutes choses ; Les rossignols pleuraient dans le harem des roses, Et nos cœurs dans la nuit se fondaient en aimant.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 38, Paris, Éd. Alphonse Lemerre, first published 1907
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 30.
Note for line 1: in Fairchild's setting, in the repetition, "avec son pâle enchantement" is omitted.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Research team for this page: Emily Ezust [Administrator] , Johann Winkler
Sous la nuit chaude parfumée Par la blanche odeur de jasmins, Oh ! qu'il est doux, près de l'aimée De pleurer d'amour sur ses mains !
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, written 1907, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 32, Paris, Éd. Alphonse Lemerre, first published 1907
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 27.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
7. Heure pâle (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
Quand le vent fait pleurer les flûtes des roseaux, Que dans l'air froid du soir taisent les oiseaux, Quand tombent le silence et l'ombre sur la plaine, Ô mon âme, pourquoi ta tristesse soudaine ?
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 53, Paris, Éd. Alphonse Lemerre, first published 1907
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 38.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this page: Johann Winkler
Heure pâle où se meurt tout bruit ! Le monde est comme une féerie. La robe noire de la nuit Par le clair de lune est fleurie.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 55
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 16.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
Je rêve d'un amour étrange et sans pareil, Fait d'adoration très tendre un peu mystique, Presque semblable à des caresses de musique ; Je rêve d'un amour, qui n'ait pas de réveil.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 14
Go to the general single-text view
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 18.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
8. La Mélodie aimante (Sung Text)
Score: IMSLP [external link]Note: this is a multi-text setting
La mélodie aimante et calme de la nuit S'écoule sur la ville apaisée ; et tout bruit Auprès de nous s'éteint pour la laisser entendre ; -- Et le chant de tes yeux se fait aussi plus tendre.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 36, Paris, Éd. Alphonse Lemerre, first published 1896
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Joost van der Linden) , copyright © 2023, (re)printed on this website with kind permission
- ENG English (Laura Stanfield Prichard) , copyright © 2024, (re)printed on this website with kind permission
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 12.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
Par les rameaux silencieux Vois les gouttes du clair de lune Couler sur les fleurs une à une, Larmes pâles tombant des cieux.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 86
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 54.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
Fraternise, ô mon âme, avec les astres d'or, Âmes aussi, brûlant par la nuit infinie, Brûle comme eux, palpite, aime et souffre, aime encor ; Avec l'aube et les soirs sublimes communie.
Text Authorship:
- by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 35, Paris, Alphonse Lemerre, first published 1896
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- ENG English (Grant Hicks) , copyright © 2026, (re)printed on this website with kind permission
Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 12.
Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.
Researcher for this text: Emily Ezust [Administrator]
Total word count: 767