LiederNet logo

CONTENTS

×
  • Home | Introduction
  • Composers (21,070)
  • Text Authors (21,164)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

UTILITIES

  • Search Everything
  • Search by Surname
  • Search by Title or First Line
  • Search by Year
  • Search by Collection

CREDITS

  • Emily Ezust
  • Contributors (1,134)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

English translation of Nocturne

by Blair Fairchild (1877 - 1933), "Nocturne", op. 40 no. 3 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 3, London, Augener
    Score: IMSLP [external link]

Note: this is a translation of one multi-text setting.

Le clair de lune est comme un soupir de la nuit :
Que de soupirs aussi dans tout mon cœur qui tremble 
Et dans le tien, goûtant l'extase d'être ensemble,
Sous l'infini soupir de ce grand ciel qui luit !

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 18, Paris, Éd. Alphonse Lemerre, first published 1896

Go to the general single-text view

Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 9.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Ah ! douce nuit chaude et pâmée !
Tes jeunes seins sont frais comme le clair de lune.
Ta chair sous mes baisers semble une chair de fleur.
Oh ! comment les soupir et décrire une à une,
Ces beautés en ton corps d'une exquise pâleur ?

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 19

Go to the general single-text view

View text with all available footnotes

Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 20.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Research team for this page: Emily Ezust [Administrator] , Grant Hicks [Guest Editor] , Joost van der Linden [Guest Editor]
Sous la nuit chaude parfumée
Par la blanche odeur de jasmins,
Oh ! qu'il est doux, près de l'aimée
De pleurer d'amour sur ses mains !

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, written 1907, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 32, Paris, Éd. Alphonse Lemerre, first published 1907

See other settings of this text.

Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 27.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Si tout mon cœur pouvait ainsi qu'en ce moment,
Sans fin trembler d'amour, délicieusement,
Tel qu'une harpe d'or que l'on touche et qui pleure !
Si je pouvais aimer sans fin, comme à cette heure !

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 33

Go to the general single-text view

Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 28.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Author(s): Henri Cazalis (1840 - 1909)
The moonlight is like a sigh of the night:
How many sighs, too, in my whole trembling heart
And in yours, tasting the ecstasy of being together,
Beneath the infinite sigh of this great glowing sky!

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 18, Paris, Éd. Alphonse Lemerre, first published 1896
    • Go to the text page.

Go to the general single-text view


Ah ! sweet night, warm and languid!
Your young breasts are fresh like the moonlight.
Your flesh under my kisses seems the flesh of a flower.
Oh! how to sigh and describe them one by one,
These beauties in your exquisitely pale body?

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 19
    • Go to the text page.

Go to the general single-text view

View text with all available footnotes


Beneath the warm night perfumed
By the white fragrance of jasmines,
Oh ! how sweet it is, beside one's beloved,
To weep for love upon her hands!

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, written 1907, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 32, Paris, Éd. Alphonse Lemerre, first published 1907
    • Go to the text page.

Go to the general single-text view


If only my whole heart could, as at this moment,
Tremble endlessly with love, deliciously,
Like a golden harp that weeps when it is plucked!
If only I could love endlessly, as I do now!

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 33
    • Go to the text page.

Go to the general single-text view


Translation © by Grant Hicks
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2026 The LiederNet Archive

Site redesign by Shawn Thuris