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Septet for Voices (Soprano and Tenor) and Instruments, no. 2

Song Cycle by Barney Childs (1926 - 2000)

?. Take, o take those lips away  [sung text not yet checked]

Language: English 
Take, o take those lips away,
That so sweetly [were]1 forsworn;
And those eyes, the break of day,
Lights [that]2 do mislead the morn:
But my kisses bring again;
Seals of love, [but]3 seal'd in vain, sealed in vain.

Hide, o hide those hills of snow
that thy frozen bosom wears,
On whose tops the pinks that grow
are yet of those that April wears;
But first set my poor heart free,
Bound in those icy chains by thee.

Text Authorship:

  • by Anonymous / Unidentified Author
  • sometimes misattributed to William Shakespeare (1564 - 1616)

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , copyright © 2024, (re)printed on this website with kind permission
  • DUT Dutch (Nederlands) (L. A. J. Burgersdijk)
  • FIN Finnish (Suomi) (Paavo Cajander)
  • FRE French (Français) (Guy Laffaille) , copyright © 2011, (re)printed on this website with kind permission
  • GER German (Deutsch) (Sarah L. Weller) , "Nimm, so nimm doch Deine Lippen fort", copyright © 2010, (re)printed on this website with kind permission
  • POL Polish (Polski) (Jan Kasprowicz) , "Śpiew Pacholęcia", Warsaw, first published 1907

View original text (without footnotes)
Note: quoted by John Fletcher, in Bloody Brother, 1639 and by William Shakespeare, in Measure for Measure, Act IV, scene 1, c1604 (just one stanza)
1 Bishop: "are"
2 Bishop: "which"
3 Bishop: "tho'"

Researcher for this text: Emily Ezust [Administrator]

?. Fear no more the heat o' the sun   [sung text not yet checked]

Language: English 
GUIDERIUS
Fear no more the heat o' the sun,
Nor the furious winter's rages;
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages:
Golden lads and girls all must,
[As chimney-sweepers,]1 come to dust.

ARVIRAGUS
Fear no more the frown o' the great;
Thou art past the tyrant's stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.

GUIDERIUS
Fear no more the lightning flash,

ARVIRAGUS
Nor the all-dreaded thunder-stone;

GUIDERIUS
Fear not slander, censure rash;

ARVIRAGUS
Thou hast finish'd joy and moan:

GUIDERIUS, ARVIRAGUS
[All]2 lovers young, all lovers must
Consign to thee, and come to dust.

GUIDERIUS
No exorciser harm thee!

ARVIRAGUS
Nor no witchcraft charm thee!

GUIDERIUS
Ghost unlaid forbear thee!

ARVIRAGUS
Nothing ill come near thee!

GUIDERIUS, ARVIRAGUS
Quiet consummation have;
And renowned be thy grave!

Text Authorship:

  • by William Shakespeare (1564 - 1616), no title, appears in Cymbeline, Act IV, Scene 2

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FIN Finnish (Suomi) (Paavo Cajander)
  • FRE French (Français) (François-Victor Hugo) , no title
  • ITA Italian (Italiano) (Ferdinando Albeggiani) , copyright © 2009, (re)printed on this website with kind permission
  • SPA Spanish (Español) (José Miguel Llata) , "Canto fúnebre para fídula", copyright © 2013, (re)printed on this website with kind permission [an adaptation]

View original text (without footnotes)
1 Pierson: "Follow thee, and"
2 omitted by Pierson.

Researcher for this page: Ted Perry

?. Tell me where is fancy bred   [sung text not yet checked]

Language: English 
Tell me where is Fancy bred,
Or in the heart, or in the head?
How begot, how nourishèd?
Reply, reply.

It is engender'd in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies.
Let us all ring Fancy's knell:
I'll begin it, - Ding, dong, bell.

Text Authorship:

  • by William Shakespeare (1564 - 1616), no title, written 1596, appears in The Merchant of Venice, Act III, Scene 2

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , copyright © 2024, (re)printed on this website with kind permission
  • FRE French (Français) (Victor Hugo)
  • ITA Italian (Italiano) (Ferdinando Albeggiani) , "Dimmi dove nasce amore", copyright © 2009, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]

?. Full fathom five thy father lies   [sung text not yet checked]

Language: English 
Full fathom five thy father lies,
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
[Ding-dong.]1
Hark! now I hear them, - ding-dong bell.

Text Authorship:

  • by William Shakespeare (1564 - 1616), no title, appears in The Tempest, Act I, Scene 2

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • DUT Dutch (Nederlands) (Lidy van Noordenburg) , "Vijf vadem diep", copyright © 2008, (re)printed on this website with kind permission
  • FIN Finnish (Suomi) (Erkki Pullinen) , copyright © 2009, (re)printed on this website with kind permission
  • FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission
  • FRE French (Français) (Guy de Pourtalès)
  • FRE French (Français) (Maurice Bouchor)
  • GER German (Deutsch) [singable] (David Paley) , "Voll Faden fünf", copyright © 2012, (re)printed on this website with kind permission
  • IRI Irish (Gaelic) [singable] (Gabriel Rosenstock) , copyright © 2014, (re)printed on this website with kind permission
  • ITA Italian (Italiano) (Ferdinando Albeggiani) , "Tuo padre giace a una profondità di cinque tese", copyright © 2008, (re)printed on this website with kind permission
  • ITA Italian (Italiano) (Andrea Maffei) , no title, first published 1869
  • NOR Norwegian (Bokmål) (Arild Bakke) , "På fem favner", copyright © 2004, (re)printed on this website with kind permission
  • SWE Swedish (Svenska) (Anonymous/Unidentified Artist)

View original text (without footnotes)
1 omitted by Ives.

Researcher for this text: Emily Ezust [Administrator]
Total word count: 335
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
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