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English translation of Oh ! Mon amour

by Blair Fairchild (1877 - 1933), "Oh ! Mon amour", op. 40 no. 2, published 1915 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 2, London, Augener
    Score: IMSLP [external link]

Note: this is a translation of one multi-text setting.

Oh ! mon amour, pourquoi, quand nous sommes ensemble,
Délicieusement, ai-je le cœur qui tremble ?...
Comme lui, la mer tremble au coucher du soleil,
Et la forêt, sous l'aube aimante, à son éveil.

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 28, Paris, Éd. Alphonse Lemerre, first published 1907

See other settings of this text.

Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 25.

Note: in Moret's sung text, the lines are followed by "La mélodie aimante et calme de la nuit/ S'écoule sur la ville apaisée." These lines come from the quatrain that begins "La mélodie aimante et calme de la nuit".

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this page: Johann Winkler
Les lignes de ton corps sont comme une musique,
Tout ton être, tes bras, tes seins délicieux
Créent des rythmes parfaits pour mon âme extatique ;
Et je les goûte avec des larmes dans les yeux.

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 30

See other settings of this text.

Confirmed with Œuvres de Jean Lahor. En Orient, Paris, Alphonse Lemerre, 1907, page 26.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Ta beauté, quand tu pars, me laisse comme un chant,
Dont la tendre douceur tout entier me pénètre ;
Et mon âme s'emplit de soupirs l'étouffant,
Et ce chant merveilleux fait trembler tout mon être.

Text Authorship:

  • by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 37

See other settings of this text.

Confirmed with Jean Lahor, Les Quatrains d'Al-Ghazali, Paris, Alphonse Lemerre, 1896, page 30.

Note: This is not a translation. Al-Ghazali left no known poetry; these quatrains were written by Jean Lahor (pseudonym of Henri Cazalis), who imagined himself into Al-Ghazali's life and thought, adopting the quatrain form because it was current in Omar Khayyam's era.


Researcher for this text: Emily Ezust [Administrator]
Author(s): Henri Cazalis (1840 - 1909)
Oh! my love, why, when we are together, 
Delightfully, do I find my heart trembling? 
Like it, the sea trembles at the setting of the sun, 
And the forest, under the loving dawn, at its rising.

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 28, Paris, Éd. Alphonse Lemerre, first published 1907
    • Go to the text page.

Go to the general single-text view


The lines of your body are like music,
All your being, your arms, your delicious breasts,
Create perfect rhythms for my ecstatic soul;
And I taste them with tears in my eyes.

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 30
    • Go to the text page.

Go to the general single-text view


Your beauty, when you depart, leaves me like a song
Whose tender sweetness penetrates me through;
And my soul is filled with suffocating sighs,
And that wonderful song makes my whole being tremble.

Text Authorship:

  • Translation from French (Français) to English copyright © 2026 by Grant Hicks, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in French (Français) by Henri Cazalis (1840 - 1909), as Jean Lahor, no title, appears in En Orient, in 1. Les Quatrains d'Al-Ghazali, in 1. Les amours, in 1. L'Amour de la Femme, no. 37
    • Go to the text page.

Go to the general single-text view


Translation © by Grant Hicks
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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