LiederNet logo

CONTENTS

×
  • Home | Introduction
  • Composers (20,102)
  • Text Authors (19,442)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

UTILITIES

  • Search Everything
  • Search by Surname
  • Search by Title or First Line
  • Search by Year
  • Search by Collection

CREDITS

  • Emily Ezust
  • Contributors (1,114)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

×

Attention! Some of this material is not in the public domain.

It is illegal to copy and distribute our copyright-protected material without permission. It is also illegal to reprint copyright texts or translations without the name of the author or translator.

To inquire about permissions and rates, contact Emily Ezust at licenses@email.lieder.example.net

If you wish to reprint translations, please make sure you include the names of the translators in your email. They are below each translation.

Note: You must use the copyright symbol © when you reprint copyright-protected material.

by John Keats (1795 - 1821)
Translation © by Alfredo García

My heart aches, and a drowsy numbness...
Language: English 
Our translations:  CHI ITA SPA
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thy happiness, -
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a draught of vintage! that hath been
Cooled a long age in the deep-delved earth,
Tasting of Flora and the country-green,
Dance, and Provencal song, and sunburnt mirth.
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim.

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond tomorrow.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Clustered around by all her starry Fays;
But here there is no light
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets covered up in leaves;
And mid-May's eldest child
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and for many a time
I have been half in love with easeful Death,
Called him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain -
To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the selfsame song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charmed magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music: -do I wake or sleep?

Available sung texts: (what is this?)

•   B. Moore 

B. Moore sets stanza 6

About the headline (FAQ)

First published in Annals of the Fine Arts, July 1819 under the title "Ode to the Nightingale", signed with a cross, revised 1820.

Text Authorship:

  • by John Keats (1795 - 1821), "Ode to a Nightingale" [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by George Antheil (1900 - 1959), "Ode to a Nightingale", 1950 [ reciter and piano ] [sung text not yet checked]
  • by Stephen Douglas Burton , "Ode to a Nightingale", published 1963 [ coloratura soprano, flute, harp, and strings ] [sung text not yet checked]
  • by (Charles William) Eric Fogg (1903 - 1939), "Ode to a Nightingale", published 1949 [ baritone, string quartet, and harp ] [sung text not yet checked]
  • by Cecil Forsyth (1870 - 1941), "Ode to a Nightingale", published 1894 [ baritone and piano or small orchestra ] [sung text not yet checked]
  • by (Herbert) Hamilton Harty, Sir (1879 - 1941), "Ode to a Nightingale", published 1907 [ soprano or tenor and orchestra ] [sung text not yet checked]
  • by Ben Moore (b. 1960), "Darkling I listen", stanza 6, from 14 Songs, no. 7, medium high voice and piano [sung text checked 1 time]
  • by Reginald Chauncey Robbins (1871 - 1955), "Ode to a Nightingale", published 1922 [ bass or baritone and piano ] [sung text not yet checked]
  • by Arthur Goring Thomas (1850 - 1892), "Ode to a Nightingale" [ alto, SATB chorus, and orchestra ], from The Swan and the Skylark [sung text not yet checked]
  • by Ernest Walker (1870 - 1949), "Ode to a Nightingale", published 1908 [ baritone, SATB chorus, and instrumental ensemble ] [sung text not yet checked]
  • by Richard Henry Walthew (1872 - 1951), "Ode to a Nightingale", published 1897 [ baritone, SATB chorus, and orchestra ] [sung text not yet checked]

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • CHI Chinese (中文) [singable] (Dr Huaixing Wang) , copyright © 2024, (re)printed on this website with kind permission
  • HUN Hungarian (Magyar) (Árpád Tóth) , "Óda egy csalogányhoz"
  • ITA Italian (Italiano) (Ferdinando Albeggiani) , "Ode a un usignolo", copyright © 2010, (re)printed on this website with kind permission
  • SPA Spanish (Español) (Alfredo García) , "Escucho en la oscuridad", copyright © 2004, (re)printed on this website with kind permission


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website: 2004-06-14
Line count: 80
Word count: 592

Escucho en la oscuridad
Language: Spanish (Español)  after the English 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
  
  
 
     
 
 
 
 
 
 
 
  
  
  
     
  
  
  
  
  
  
  
  
 
 
     
 
 
 
 
 
 
 
 
 
 
     
  Escucho en la oscuridad; y muchas veces
 he flirteado con la apacible Muerte,
 le he puesto dulces nombres en versos meditados,
 para entregar al aire mi aliento sosegado;
 ahora más que nunca morir parece un lujo,
 extinguirse sin dolor al llegar la medianoche,
 ¡mientras tú arrojas tu alma fuera
 en semejante éxtasis!
 Y aún así tú cantarias, aunque yo no pudiese oírte
 convertido, para tu réquiem, en un trozo de tierra.
     
 
 
 
 
 
 
 
 
 
 
     
 
 
 
 
 
 



Text Authorship:

  • Translation from English to Spanish (Español) copyright © 2004 by Alfredo García, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you must ask the copyright-holder(s) directly for permission. If you receive no response, you must consider it a refusal.

    Alfredo García.  Contact: alfredogarcia (AT) alfredogarcia (DOT) com

    If you wish to commission a new translation, please contact: licenses@email.lieder.example.net

Based on:

  • a text in English by John Keats (1795 - 1821), "Ode to a Nightingale"
    • Go to the text page.

 

This text was added to the website: 2004-06-14
Line count: 10
Word count: 72

Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2025 The LiederNet Archive

Site redesign by Shawn Thuris