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by Friedrich Ruperti (1805 - 1867)
Translation © by Gianni Franceschi

Es tönt ein voller Harfenklang
Language: German (Deutsch) 
Our translations:  CAT DUT ENG FRE FRE ITA SPA
Es [tönt]1 ein voller Harfenklang
Den Lieb' und Sehnsucht schwellen,
Er dringt zum Herzen tief und bang
Und läßt das Auge quellen. 

O rinnet, Tränen, nur herab,
O schlage Herz, mit Beben!
Es sanken Lieb' und Glück ins Grab,
Verloren ist [mein]2 Leben!

Available sung texts: (what is this?)

•   J. Brahms 

About the headline (FAQ)

View original text (without footnotes)
1 Ashton: "tönte"; other text variants may exist not noted below.
2 Brahms: "das"

Text Authorship:

  • by Friedrich Ruperti (1805 - 1867), no title [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Algernon Bennet Langton Ashton (1859 - 1937), "Es tönte ein voller Harfenklang", op. 138 (Acht Lieder) no. 8 [sung text not yet checked]
  • by Johannes Brahms (1833 - 1897), "Es tönt ein voller Harfenklang", op. 17 no. 1, published 1861 [ women's chorus, 2 horns, harp ], from Vier Gesänge für Frauenchor mit zwei Hörner und Harfe, no. 1, Bonn, Simrock [sung text checked 1 time]
  • by Carl Georg Peter Grädener (1812 - 1883), "Es tönt ein voller Harfenklang", op. 23 (Sechs deutsche Lieder für Alt oder Baritone mit Pianoforte) no. 6, published 1872 [ alto or baritone and piano ], Hamburg, Schuberth [sung text not yet checked]
  • by Wilhelm Kienzl (1857 - 1941), "Es tönt ein voller Harfenklang ", op. 2 (Vier Lieder für 1 Singstimme mit Pianoforte) no. 2, published 1876 [ voice and piano ], Wien, Schreiber [sung text checked 1 time]

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , copyright © 2016, (re)printed on this website with kind permission
  • DUT Dutch (Nederlands) [singable] (Lau Kanen) , "Er klinkt een volle harpenklank", copyright © 2012, (re)printed on this website with kind permission
  • ENG English (Emily Ezust) , "The full sound of harps rings out", copyright ©
  • FRE French (Français) (Guy Laffaille) , "Un chant de harpes retentit pleinement", copyright © 2013, (re)printed on this website with kind permission
  • FRE French (Français) (Jacques Jobard) , "Le son d'une harpe ...", copyright © 2013, (re)printed on this website with kind permission
  • ITA Italian (Italiano) (Gianni Franceschi) , "Echeggia, pieno, un suono di arpa", copyright © 2008, (re)printed on this website with kind permission
  • SPA Spanish (Español) (Alfonso Sebastián) , copyright © 2021, (re)printed on this website with kind permission


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website between May 1995 and September 2003.
Line count: 8
Word count: 45

Echeggia, pieno, un suono di arpa
Language: Italian (Italiano)  after the German (Deutsch) 
Echeggia, pieno, un suono di arpa
che suscita amore e nostalgia,
penetra nel cuore, profondo e trepidante,
e fa lacrimare l'occhio.

Oh, scorrete giù, lacrime,
oh, palpita tremante, cuore!
Amore e felicità sono discesi nella tomba,
la vita è perduta!

Text Authorship:

  • Translation from German (Deutsch) to Italian (Italiano) copyright © 2008 by Gianni Franceschi, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Friedrich Ruperti (1805 - 1867), no title
    • Go to the text page.

 

This text was added to the website: 2008-08-28
Line count: 8
Word count: 40

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This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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