Texts to Art Songs and Choral Works by C. Lambert

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Note: A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

Song Cycles, Collections, Symphonies, etc.:

• Eight Poems of Li-Po
• no. 1. A Summer Day (Text: Shigeyoshi Obata after Li-Tai-Po)
• no. 2. Nocturne (Text: Shigeyoshi Obata after Li-Tai-Po)
• no. 3. With a man of leisure (Text: Shigeyoshi Obata after Li-Tai-Po)
• no. 4. Lines written in autumn (Text: Shigeyoshi Obata after Li-Tai-Po) GER SLN
• no. 5. The ruin of the Ku‑Su Palace (Text: Shigeyoshi Obata after Li-Tai-Po)
• no. 6. The intruder (Text: Shigeyoshi Obata after Li-Tai-Po) HUN
• no. 7. On the city street (Text: Shigeyoshi Obata after Li-Tai-Po)
• no. 8. The Long-Departed Lover (Text: Shigeyoshi Obata after Li-Tai-Po)
• Summer's Last Will and Testament
• no. 1. Movement II. Madrigal con ritornelli (Text: Thomas Nashe)
• no. 2. Movement III. Coranto (Text: Thomas Nashe) GER
• no. 3. Movement IV. Madrigal con ritornelli (Text: Thomas Nashe)
• no. 4. Movement VI. Saraband (Text: Thomas Nashe)
• Three Songs with Piano
• no. 1. The ruin of the Ku-Su Palace (Text: Shigeyoshi Obata after Li-Tai-Po)
• no. 2. The intruder (Text: Shigeyoshi Obata after Li-Tai-Po) HUN
• no. 3. On the city street (Text: Shigeyoshi Obata after Li-Tai-Po)

All titles of vocal settings in Alphabetic order

• A Summer Day (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po)
• Lines written in autumn (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po) GER SLN
• Look down, dear eyes (Text: William Ernest Henley)
• Movement III. Coranto (in Summer's Last Will and Testament) (Text: Thomas Nashe) GER
• Movement II. Madrigal con ritornelli (in Summer's Last Will and Testament) (Text: Thomas Nashe)
• Movement IV. Madrigal con ritornelli (in Summer's Last Will and Testament) (Text: Thomas Nashe)
• Movement VI. Saraband (in Summer's Last Will and Testament) (Text: Thomas Nashe)
• Nocturne (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po)
• On the city street (in Three Songs with Piano) (Text: Shigeyoshi Obata after Li-Tai-Po)
• On the city street (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po)
• The intruder (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po) HUN
• The intruder (in Three Songs with Piano) (Text: Shigeyoshi Obata after Li-Tai-Po) HUN
• The Long-Departed Lover (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po)
• The ruin of the Ku‑Su Palace (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po)
• The ruin of the Ku-Su Palace (in Three Songs with Piano) (Text: Shigeyoshi Obata after Li-Tai-Po)
• The street sounds to the soldiers' tread (Text: Alfred Edward Housman)
• With a man of leisure (in Eight Poems of Li-Po) (Text: Shigeyoshi Obata after Li-Tai-Po)

Last update: 2025-04-26 00:15:05