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by Rainer Maria Rilke (1875 - 1926)
Translation © by Knut W. Barde

Wer hat bedacht, daß bis zu ihrem Kommen
Language: German (Deutsch) 
Our translations:  ENG FRE ITA
Wer hat bedacht, daß bis zu ihrem Kommen
der viele Himmel unvollständig war?
Der Auferstandne hatte Platz genommen,
doch neben ihm, durch vierundzwanzig Jahr,
war leer der Sitz. Und sie begannen schon
sich an die reine Lücke zu gewöhnen,
die wie verheilt war, denn mit seinem schönen
Hinüberscheinen füllte sie der Sohn.

So ging auch sie, die in die Himmel trat,
nicht auf ihn zu, so sehr es sie verlangte;
dort war kein Platz, nur Er war dort und prangte
mit einer Strahlung, die ihr wehe tat.
Doch da sie jetzt, die rührende Gestalt,
sich zu den neuen Seligen gesellte
und unauffällig, licht zu licht, sich stellte,
da brach aus ihrem Sein ein Hinterhalt
von solchem Glanz, daß der von ihr erhellte
Engel geblendet aufschrie: Wer ist die?
Ein Staunend war. Dann sahn sie alle, wie
Gott-Vater oben unsern Herrn verhielt,
so daß, von milder Dämmerung umspielt,
die leere Stelle wie ein wenig Leid
sich zeigte, eine Spur von Einsamkeit,
wie etwas, was er noch ertrug, ein Rest
irdischer Zeit, ein trockenes Gebrest -.
Man sah nach ihr; sie schaute ängstlich hin,
weit vorgeneigt, als fühlte sie: ich bin
sein längster Schmerz -: und stürzte plötzlich vor.
Die Engel aber nahmen sie zu sich
und stützten sie und sangen seliglich
und trugen sie das letzte Stück empor.

About the headline (FAQ)

Text Authorship:

  • by Rainer Maria Rilke (1875 - 1926), no title, appears in Das Marien-Leben, in Vom Tode Mariae, no. 2, first published 1912 [author's text not yet checked against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Maria Bach (1896 - 1978), "Wer hat bedacht", 1956 [ voice and piano or string orchestra ], from Drei Stücke vom Tode Mariä, no. 2, Wiener Stadt- und Landesbibliothek [sung text not yet checked]
  • by Paul Hindemith (1895 - 1963), "Vom Tode Mariä II", op. 27 no. 14 (1922-3), rev. 1948, from Das Marienleben, no. 14 [sung text checked 1 time]
  • by Siegfried Garibaldi Kallenberg (1867 - 1944), "Wer hat bedacht", 1926 [ alto, 2 violins, viola, violoncello and double bass ], from 6 Gesänge aus dem Marienleben von Rainer Maria Rilke, no. 5 [sung text not yet checked]
  • by Josep Soler i Sardà (1935 - 2022), "Vom Tode Mariae, Stücke II", 1990 [ high voice, chorus, and organ ], from Dormició de Maria, no. 4 [sung text not yet checked]

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • ENG English (Knut W. Barde) , "From the Death of Mary", copyright ©, (re)printed on this website with kind permission
  • FRE French (Français) (Stéphane Goldet) (Pierre de Rosamel) , "Sur la mort de Marie II", copyright © 2013, (re)printed on this website with kind permission
  • ITA Italian (Italiano) (Ferdinando Albeggiani) , "Morte di Maria II", copyright © 2009, (re)printed on this website with kind permission


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website between May 1995 and September 2003.
Line count: 31
Word count: 216

From the Death of Mary
Language: English  after the German (Deutsch) 
 Who had realized that until her arrival
 the crowded heavens had been incomplete?
 The risen one had taken his seat,
 but next to him, for twenty-four years,
 there was an empty space.  And they began already
 to get used to the pure gap,
 which seemed to have healed, because with his beautiful
 spreading radiance the son was filling it.
 
 Thus, when she entered the heavens,
 she did not go towards him, despite her strong longing;
 there was no room, only He was there and shone
 with a radiance that hurt her.
 But just now as her moving figure joined
 with the new blessed ones
 and stood discreetly, as light with light, next to them,
 there erupted from her being such an assault of
 glowing light, that the blinded angel who was illuminated by her
 cried out:  Who is this one?
 A wonderment arose.  Then they all saw
 how God-Father  above shielded our Lord,
 so that in the mild gloaming
  the empty spot could now be seen
 like a small pain, a sense of loneliness,
 as something he was still bearing, a remnant from
 his time on earth, a dried up injury-.
 They watched her; she looked ahead with fear,
 bent far forward, as if she felt: I am
 His most enduring pain-; and suddenly broke forth.
 But the angels took her in their fold
 and steadied her and sang with blessed voices
 and carried her up the final steps.

Text Authorship:

  • Translation from German (Deutsch) to English copyright © by Knut W. Barde, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Rainer Maria Rilke (1875 - 1926), no title, appears in Das Marien-Leben, in Vom Tode Mariae, no. 2, first published 1912
    • Go to the text page.

 

This text was added to the website between May 1995 and September 2003.
Line count: 31
Word count: 240

Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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