LiederNet logo

CONTENTS

×
  • Home | Introduction
  • Composers (20,114)
  • Text Authors (19,495)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

UTILITIES

  • Search Everything
  • Search by Surname
  • Search by Title or First Line
  • Search by Year
  • Search by Collection

CREDITS

  • Emily Ezust
  • Contributors (1,114)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

Songs about the end of love

Song Cycle by Jack Marius Jarrett (b. 1934)

?. Dear heart, why will you use me so?  [sung text not yet checked]

Language: English 
Dear heart, why will you use me so?
    Dear eyes that gently me upbraid, 
Still are you beautiful -- - but O,
    How is your beauty raimented!

Through the clear mirror of your eyes,
    Through the soft sigh of kiss to kiss, 
Desolate winds assail with cries
    The shadowy garden where love is.

And soon shall love dissolved be
    When over us the wild winds blow -- - 
But you, dear love, too dear to me,
    Alas! why will you use me so?

Text Authorship:

  • by James Joyce (1882 - 1941), no title, appears in Chamber Music, no. 29, first published 1907

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • DUT Dutch (Nederlands) (Nicolaas (Koos) Jaspers) , copyright © 2009, (re)printed on this website with kind permission
  • FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]

?. Rain has fallen all the day  [sung text not yet checked]

Language: English 
Rain has fallen all the day.
O come among the laden trees:
The leaves lie thick upon the way
Of [mem'ries.]1

Staying a little by the way
Of [mem'ries]1 shall we depart.
Come, my beloved, where I may
Speak to your heart.

Text Authorship:

  • by James Joyce (1882 - 1941), appears in Chamber Music, no. 32, first published 1907

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission
  • GER German (Deutsch) (Walter Riemer) , "Es hat geregnet", copyright © 2016, (re)printed on this website with kind permission
  • SPA Spanish (Español) (Sol Crespo) , copyright © 2013, (re)printed on this website with kind permission

View original text (without footnotes)
1 Szymanowski: "memories"

Researcher for this text: Emily Ezust [Administrator]

?. Love came to us in time gone by  [sung text not yet checked]

Language: English 
Love came to us in time gone by
    When one at twilight shyly played 
And one in fear was standing nigh -- -
    For Love at first is all afraid.

We were grave lovers. Love is past
    That had his sweet hours many a one; 
Welcome to us now at the last
    The ways that we shall go upon.

Text Authorship:

  • by James Joyce (1882 - 1941), no title, appears in Chamber Music, no. 30, first published 1907

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission
  • GER German (Deutsch) (Beate Binnig) , copyright © 2016, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]

?. Gentle lady, do not sing  [sung text not yet checked]

Language: English 
Gentle lady, do not sing 
  Sad songs about the end of love; 
Lay aside sadness and sing 
  How love that passes is enough. 

Sing about the long deep sleep 
  Of lovers that are dead, and how 
In the grave all love shall sleep: 
  Love is aweary now.

Text Authorship:

  • by James Joyce (1882 - 1941), no title, appears in Chamber Music, no. 28, first published 1907

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]

?. Now, O now, in this brown land  [sung text not yet checked]

Language: English 
Now, O now, in this brown land
    Where Love did so sweet music make 
We two shall wander, hand in hand,
    Forbearing for old friendship' sake, 
Nor grieve because our love was gay
Which now is ended in this way.

A rogue in red and yellow dress
    Is knocking, knocking at the tree; 
And all around our loneliness
    The wind is whistling merrily. 
The leaves -- - they do not sigh at all
When the year takes them in the fall.

Now, O now, we hear no more
    The vilanelle and roundelay! 
Yet will we kiss, sweetheart, before
    We take sad leave at close of day. 
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.

Text Authorship:

  • by James Joyce (1882 - 1941), no title, appears in Chamber Music, no. 33, first published 1907

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Guy Laffaille) , copyright © 2009, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]
Total word count: 342
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2025 The LiederNet Archive

Site redesign by Shawn Thuris