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English translations of Sechs Gesänge für 1 Singstimme mit Pianoforte, opus 13

by Willy Viol (b. 1848)

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1. Sonnenblicke  [sung text not yet checked]
by Willy Viol (b. 1848), "Sonnenblicke", op. 13 (Sechs Gesänge für 1 Singstimme mit Pianoforte) no. 1, published 1879 [ voice and piano ], Leipzig, Breitkopf & Härtel
Language: German (Deutsch) 
Kleine Blume im engen Thal,
Dich auch fand [der Sonne Strahl,]1
Armes Herz in der kranken Brust,
Dir auch ward der Liebe Lust.

Und die Blume das Köpfchen hing,
Als die Sonne weiter ging,
Und das Herz es brach entzwei
Als das kurze Glück vorbei!

Text Authorship:

  • by Albert Träger (1830 - 1912), "Sonnenblicke", appears in Gedichte, in Kleinigkeiten

See other settings of this text.

View original text (without footnotes)

Confirmed with Gedichte von Albert Traeger, Leipzig: Ernst Keil, 1858, page 83.

1 Lang: "ein Sonnenstrahl!"

by Albert Träger (1830 - 1912)
1. Sunny glimpse
Language: English 
Little flower in the narrow valley,
[The rays of the sun]1 found you too;
Poor heart in the sick bosom,
You too have experienced love's joy.

And the flower hung its little head
When the sun passed on;
And the heart broke in two
When the short happiness was past!

Text Authorship:

  • Translation from German (Deutsch) to English copyright © 2006 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Albert Träger (1830 - 1912), "Sonnenblicke", appears in Gedichte, in Kleinigkeiten
    • Go to the text page.

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View original text (without footnotes)
Translated titles:
Sonnenblicke = Sunny glimpses
Sonnenblick = Sunny glimpse
1 Lang: "A sunbeam"


This text was added to the website: 2006-12-13
Line count: 8
Word count: 51

Translation © by Sharon Krebs
2. Einsamkeit  [sung text not yet checked]
by Willy Viol (b. 1848), "Einsamkeit", op. 13 (Sechs Gesänge für 1 Singstimme mit Pianoforte) no. 2, published 1879 [ voice and piano ], Leipzig, Breitkopf & Härtel
Language: German (Deutsch) 
  Hörst du nicht die Quellen gehen
Zwischen Stein und Blumen weit
Nach den stillen Waldesseen,
Wo die Marmorbilder stehen
In der schönen Einsamkeit?
Von den Bergen sacht hernieder,
Weckend die uralten Lieder,
Steigt die wunderbare Nacht,
Und die Gründe glänzen wieder,
Wie du's oft im Traum gedacht.

  Kennst die Blume du, entsprossen
In dem mondbeglänzten Grund?
Aus der Knospe, halb erschlossen,
Junge Glieder blühend sprossen,
Weiße Arme, roter Mund,
Und die Nachtigallen schlagen,
Und rings hebt es an zu klagen,
Ach, vor Liebe todeswund,
Von versunknen schönen Tagen --
Komm, o komm zum stillen Grund!

Text Authorship:

  • by Joseph Karl Benedikt, Freiherr von Eichendorff (1788 - 1857), "Nachtzauber", written 1853, appears in Gedichte, in 4. Frühling und Liebe

See other settings of this text.

Confirmed with Gedichte von Joseph Freiherr von Eichendorff, Leipzig: C.F. Amelangs Verlag, 1892, page 222. Note: in some posthumous anthologies, the poem appears with the title "Einsamkeit", cf. Dichtergrüße. Neuere deutsche Lyrik ausgewählt von Elise Polko, Leipzig, G. F. Amelang's Verlag, 1873, page 140 (the text splits the first stanza into two stanzas of five lines each, then omits the first five lines of the second stanza and leaves the last five lines as its third stanza, while changing line -3 to "Ach, von Liebe todeswund"; the poem is also titled "Einsamkeit" in Deutscher Hort, Bände 44 – 47, Kunst und Leben 3.Teil, Leipzig : Verlag von Quelle & Meyer, 1925, p.10.


by Joseph Karl Benedikt, Freiherr von Eichendorff (1788 - 1857)
2.
Language: English 
Do you not hear the spring running
between the stones and flowers far
toward the quiet wood lakes,
where the marble statues stand
in fine solitude?
From the mountains, gently
awakening ancient songs,
the wondrous night descends
and the earth gleams again
as you often see in a dream.

Do you know the flower that blooms
in the moonlit land,
from whose buds, half-open,
young limbs bloom with
white arms and red mouth?
And the nightingale sings,
and all around, a lament is raised;
alas, wounded fatally by love,
by lovely days now gone forever -
come, o come to the silent land!

Text Authorship:

  • Translation from German (Deutsch) to English copyright © by Emily Ezust

    Emily Ezust permits her translations to be reproduced without prior permission for printed (not online) programs to free-admission concerts only, provided the following credit is given:

    Translation copyright © by Emily Ezust,
    from the LiederNet Archive

    For any other purpose, please write to the e-mail address below to request permission and discuss possible fees.
    licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Joseph Karl Benedikt, Freiherr von Eichendorff (1788 - 1857), "Nachtzauber", written 1853, appears in Gedichte, in 4. Frühling und Liebe
    • Go to the text page.

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Translation of title "Nachtzauber" = "Night magic"


This text was added to the website between May 1995 and September 2003.
Line count: 20
Word count: 102

Translation © by Emily Ezust
3. Du Tropfen Thau  [sung text not yet checked]
by Willy Viol (b. 1848), "Du Tropfen Thau", op. 13 (Sechs Gesänge für 1 Singstimme mit Pianoforte) no. 3, published 1879 [ voice and piano ], Leipzig, Breitkopf & Härtel
Language: German (Deutsch) 
Du Tropfen Thau, seh' ich dich an,
Kömmt mir die Thräne süß und still,
Weil du so treu dein Blümlein liebst,
Wie ich wohl einmal lieben will.

Und trennt dich auch an jedem Tag
Von deinem Lieb' der Sonnenschein,
Du kehrst an Abend stets zurück!
So muß wohl treue Liebe sein.

Und stirbt dein Lieb, vom Sonnenbrand,
Dann stirbst auch du im letzten Kuß!
Ich seh' dich an, und sinne still,
Wie solch ein Tod beglücken muß!

Text Authorship:

  • by Oscar von Redwitz-Schmölz (1823 - 1891), "Du Tropfen Thau", appears in Amaranth, in Amaranths Waldeslieder, no. 6, first published 1849

See other settings of this text.

by Oscar von Redwitz-Schmölz (1823 - 1891)
3.
Language: English 
You drop of dew, I gaze upon you,
My tears come sweetly and silently,
Because you so truly love your little flower,
As one day I will love.

And each day you are also parted
From your love by the sunshine,
But you always return at evening!
Indeed, so true your love must be.

And if your love may day, in the blaze of sun,
Then you also will die, in your final kiss!
I gaze upon you and consider quietly,
How happy such a death must be!

Text Authorship:

  • Translation from German (Deutsch) to English copyright © 2022 by Michael P Rosewall, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Oscar von Redwitz-Schmölz (1823 - 1891), "Du Tropfen Thau", appears in Amaranth, in Amaranths Waldeslieder, no. 6, first published 1849
    • Go to the text page.

Go to the general single-text view


This text was added to the website: 2022-07-12
Line count: 12
Word count: 88

Translation © by Michael P Rosewall
4. Im Herbst
by Willy Viol (b. 1848), "Im Herbst", op. 13 (Sechs Gesänge für 1 Singstimme mit Pianoforte) no. 4, published 1879 [ voice and piano ], Leipzig, Breitkopf & Härtel
Language: German (Deutsch) 
Traurig klagt des Bächleins Weise
 . . . . . . . . . .

— The rest of this text is not
currently in the database but will be
added as soon as we obtain it. —

Text Authorship:

  • by Anonymous / Unidentified Author

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by Anonymous / Unidentified Author
4.
[Translation not yet available]
5. Für Musik  [sung text not yet checked]
by Willy Viol (b. 1848), "Für Musik", op. 13 (Sechs Gesänge für 1 Singstimme mit Pianoforte) no. 5, published 1879 [ voice and piano ], Leipzig, Breitkopf & Härtel
Language: German (Deutsch) 
[Nun]1 die Schatten dunkeln,
Stern [an]2 Stern erwacht:
Welch ein Hauch der Sehnsucht
Flutet [in der]3 Nacht!

Durch das [Meer]4 der Träume
Steuert ohne Ruh',
[Steuert]5 meine Seele
Deiner Seele zu.

Die sich dir ergeben,
Nimm sie ganz dahin!
Ach, du weißt, daß nimmer
Ich [mein]6 eigen bin.

Text Authorship:

  • by Emanuel von Geibel (1815 - 1884), "Für Musik", appears in Juniuslieder, in Lieder

See other settings of this text.

View original text (without footnotes)

Confirmed with Emanuel Geibel, Juniuslieder, Stuttgart und Tübingen: J.G. Cotta'scher Verlag, 1848, page 34.

1 Lewy: "Wenn"; further changes may exist not shown above.
2 Bolko von Hochberg: "bei"
3 Bolko von Hochberg, Hermann, Rubinstein, Schachner, Zumpe: "durch die"
4 Bolko von Hochberg: "Reich"
5 Hermann: "Sehnend"
6 Schachner: "mir"

by Emanuel von Geibel (1815 - 1884)
5. Now the shadows are darkening
Language: English 
Now the shadows are darkening
star after star is waking up:
what a breath of longing
is flooding through the night!

Across the sea of dreams,
steering ceaselessly
my soul is steering
towards your soul.

Anything that surrenders to you
is to be taken completely.
Oh, you know, that I am no longer
my own.

Text Authorship:

  • Translation from German (Deutsch) to English copyright © 2005 by Malcolm Wren, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Emanuel von Geibel (1815 - 1884), "Für Musik", appears in Juniuslieder, in Lieder
    • Go to the text page.

Go to the general single-text view


This text was added to the website: 2005-04-11
Line count: 12
Word count: 55

Translation © by Malcolm Wren
6. Am Kreuzweg  [sung text not yet checked]
by Willy Viol (b. 1848), "Am Kreuzweg", op. 13 (Sechs Gesänge für 1 Singstimme mit Pianoforte) no. 6, published 1879 [ voice and piano ], Leipzig, Breitkopf & Härtel
Language: German (Deutsch) 
Am Kreuzweg wird begraben
Wer selber sich brachte um;
[Dort]1 wächst eine blaue Blume,
Die [Armesünderblum']2.

Am Kreuzweg [stand]3 ich und seufzte;
Die Nacht war kalt und stumm.
Im Mondschein bewegte sich langsam
Die [Armesünderblum']2.

Text Authorship:

  • by Heinrich Heine (1797 - 1856), no title, appears in Buch der Lieder, in Lyrisches Intermezzo, no. 62

See other settings of this text.

View original text (without footnotes)

Confirmed with Heinrich Heine, Buch der Lieder, Hoffmann und Campe, Hamburg, 1827, page 166.

1 Griffes: "Da"
2 Cahn-Speyer: "Armensünderblum' "
3 White: "sass"

by Heinrich Heine (1797 - 1856)
6.
Language: English 
At the crossroads he was buried,
the one who took his own life.
A blue flower grows there,
the Woeful-sinner's-bloom.
 
At the crossroads I stood sighing;
the night was cold and still.
The Woeful-sinner's-bloom
slowly stirred in the moonlight.

Text Authorship:

  • Translation from German (Deutsch) to English copyright © 2012 by T. P. (Peter) Perrin, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Heinrich Heine (1797 - 1856), no title, appears in Buch der Lieder, in Lyrisches Intermezzo, no. 62
    • Go to the text page.

Go to the general single-text view


This text was added to the website: 2012-02-28
Line count: 8
Word count: 39

Translation © by T. P. (Peter) Perrin
Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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