LiederNet logo

CONTENTS

×
  • Home | Introduction
  • Composers (20,102)
  • Text Authors (19,442)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

UTILITIES

  • Search Everything
  • Search by Surname
  • Search by Title or First Line
  • Search by Year
  • Search by Collection

CREDITS

  • Emily Ezust
  • Contributors (1,114)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

Texts to Art Songs and Choral Works by A. Bush

 𝄞 Composer 𝄞 

Alan Dudley Bush (1900 - 1995)

See Opus Order

Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.

A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Note: A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

Song Cycles, Collections, Symphonies, etc.:

  • De Plenos Poderes (From Fully Empowered), op. 86
    • no. 1. El pueblo (Text: Pablo Neruda) *
    • no. 2. Nada mas (Text: Pablo Neruda) [x]*
    • no. 3. El perezoso (Text: Pablo Neruda) *
  • Prison Cycle (Pages from 'The Swallow Book') [multi-composer]
    • no. 1. Prelude: Sechs Schritte her, composed by Alan Dudley Bush (Text: Ernst Toller)
    • no. 2. Song, composed by Alan Dudley Bush (Text: Ernst Toller)
    • no. 3. Interlude, composed by Alan Rawsthorne (Text: Ernst Toller)
    • no. 4. Über mir, composed by Alan Rawsthorne (Text: Ernst Toller)
    • no. 5. Postlude: Sechs Schritte her, composed by Alan Dudley Bush (Text: Ernst Toller)
  • Songs of the Doomed, op. 14
    • no. 1. Despair is at heart and hatred for ever (Text: Frederick C. Boden) [x]
    • no. 2. When daylight's breaking (Text: Frederick C. Boden) [x]*
    • no. 3. Here they lie, not nice to see (Text: Frederick C. Boden) [x]
    • no. 4. Epilogue - Hush be still you bitter strings (Text: Frederick C. Boden) [x]*
  • Two Shakespeare Sonnets, op. 92
    • no. 1. Shall I compare thee to a summer's day? (Text: William Shakespeare) DUT FIN FRE FRE GER ITA RUS RUS
    • no. 2. Like as the waves make towards the pebbled shore (Text: William Shakespeare) FRE GER ITA POL
  • Two Songs [lost], op. 7
    • no. 1. The moth (Text: Walter De la Mare)
    • no. 2. Heard on a saltmarsh (Text: Harold Monro) [x]
  • Voices of the Prophets, op. 41
    • no. 1. For behold (Text: Bible or other Sacred Texts after Bible or other Sacred Texts)
    • no. 2. So at length the spirit of man (Text: John Milton)
    • no. 3. Rouse up, O Young Men of the New Age! (Text: William Blake)
    • no. 4. Over the years (Text: Peter Blackmore) *
  • Woman's Life, op. 87
    • no. 1. Prologue (Text: Nancy Bush) [x]*
    • no. 2. Weaving song (Text: Nancy Bush) [x]*
    • no. 3. Factory Day (Text: Nancy Bush) [x]*
    • no. 4. Epilogue (Text: Nancy Bush) [x]*

All titles of vocal settings in Alphabetic order

  • Despair is at heart and hatred for ever, op. 14 no. 1 (in Songs of the Doomed) (Text: Frederick C. Boden) [x]
  • Down by the Salley Gardens (Text: William Butler Yeats) CAT DUT FRE FRI FRI GER
  • During music (Text: Dante Gabriel Rossetti)
  • El perezoso, op. 86 no. 3 (in De Plenos Poderes (From Fully Empowered)) (Text: Pablo Neruda) *
  • El pueblo, op. 86 no. 1 (in De Plenos Poderes (From Fully Empowered)) (Text: Pablo Neruda) *
  • Epilogue - Hush be still you bitter strings, op. 14 no. 4 (in Songs of the Doomed) (Text: Frederick C. Boden) [x]*
  • Epilogue, op. 87 no. 4 (in Woman's Life) (Text: Nancy Bush) [x]*
  • Factory Day, op. 87 no. 3 (in Woman's Life) (Text: Nancy Bush) [x]*
  • For behold, op. 41 no. 1 (in Voices of the Prophets) (Text: Bible or other Sacred Texts after Bible or other Sacred Texts)
  • Heard on a saltmarsh, op. 7 no. 2 (in Two Songs [lost]) (Text: Harold Monro) [x]
  • Here they lie, not nice to see, op. 14 no. 3 (in Songs of the Doomed) (Text: Frederick C. Boden) [x]
  • Like as the waves make towards the pebbled shore, op. 92 no. 2 (in Two Shakespeare Sonnets) (Text: William Shakespeare) FRE GER ITA POL
  • Nada mas, op. 86 no. 2 (in De Plenos Poderes (From Fully Empowered)) (Text: Pablo Neruda) [x]*
  • Over the years, op. 41 no. 4 (in Voices of the Prophets) (Text: Peter Blackmore) *
  • Postlude: Sechs Schritte her (in Prison Cycle (Pages from 'The Swallow Book')) (Text: Ernst Toller)
  • Prelude: Sechs Schritte her, op. 19 no. 1 (in Prison Cycle (Pages from 'The Swallow Book')) (Text: Ernst Toller)
  • Prologue, op. 87 no. 1 (in Woman's Life) (Text: Nancy Bush) [x]*
  • Rouse up, O Young Men of the New Age!, op. 41 no. 3 (in Voices of the Prophets) (Text: William Blake)
  • Shall I compare thee to a summer's day?, op. 92 no. 1 (in Two Shakespeare Sonnets) (Text: William Shakespeare) DUT FIN FRE FRE GER ITA RUS RUS
  • So at length the spirit of man, op. 41 no. 2 (in Voices of the Prophets) (Text: John Milton)
  • Song, op. 19 no. 2 (in Prison Cycle (Pages from 'The Swallow Book')) (Text: Ernst Toller)
  • The Lake Isle of Innisfree (Text: William Butler Yeats) CHI FRE HUN ITA
  • The moth, op. 7 no. 1 (in Two Songs [lost]) (Text: Walter De la Mare)
  • Weaving song, op. 87 no. 2 (in Woman's Life) (Text: Nancy Bush) [x]*
  • When daylight's breaking, op. 14 no. 2 (in Songs of the Doomed) (Text: Frederick C. Boden) [x]*

Last update: 2024-10-21 18:28:03

Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2025 The LiederNet Archive

Site redesign by Shawn Thuris