by Friedrich von Matthisson (1761 - 1831)
Translation © by Emily Ezust

Der Abend
Language: German (Deutsch) 
Available translation(s): CAT DUT ENG ENG FRE ITA
Purpur malt die Tannenhügel
Nach der Sonne Scheideblick,
Lieblich stralt des Baches Spiegel
Hespers [Fackelglanz]1 zurück.

Wie in Todtenhallen düster
Wirds im Pappelweidenhain,
Unter leisem Blattgeflüster
Schlummern alle Vögel ein.

Nur dein Abendlied, o Grille!
Tönt noch, aus bethautem Grün,
Durch der Dämmrung [Zauberhülle]2
Süße Trauermelodien.

Tönst du einst im Abendhauche,
Grillchen, auf mein frühes Grab,
Aus der Freundschaft Rosenstrauche
Deinen Klaggesang herab:

Wird [mein Geist noch stets]3 dir lauschen,
Horchend wie er jetzt dir lauscht,
Durch des Hügels [Blumen rauschen]4,
Wie dies Sommerlüftchen rauscht!

E. Zumsteeg sets stanzas 1, 4-5

View original text (without footnotes)

Confirmed with Gedichte von Friedrich von Matthisson. Erster Theil. Tübingen, bei Cotta, 1811, pages 29-30, and with Gedichte von Matthisson. Fünfte vermehrte Auflage. Zürich, bei Orell, Füssli und Compagnie. 1802, pages 213-214.

The first edition (Dessau, 1783) has the correct creation date (1780) and an additional (fourth) stanza which was left out in later editions:

Singt das bange Herz in Schlummer,
Hemmt der Zähren wilden Lauf,
Lös't der Liebe tiefsten Kummer
Selbst in stille Wehmuth auf!

1 Matthisson (1791 and 1792 editions), and Rust: "zitternd Bild"
2 Matthisson (1783 edition): "Rosenhülle"
3 Matthisson (editions prior to 1811), and Rust, Schubert, Zumsteeg: "noch stets mein Geist"
4 Schubert: "Blumenrauschen"

Authorship

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive)

Settings in other languages, adaptations, or excerpts:

  • Also set in English, a translation by Anonymous/Unidentified Artist ; composed by Robert Lucas Pearsall.

Other available translations, adaptations or excerpts, and transliterations (if applicable):

  • CAT Catalan (Català) (Salvador Pila) , "El capvespre", copyright © 2017, (re)printed on this website with kind permission
  • DUT Dutch (Nederlands) [singable] (Lau Kanen) , "De avond", copyright © 2010, (re)printed on this website with kind permission
  • ENG English (Emily Ezust) , "The evening", copyright ©
  • ENG English (Malcolm Wren) , "The evening", copyright © 2016, (re)printed on this website with kind permission
  • FRE French (Français) (Guy Laffaille) , "Le soir", copyright © 2012, (re)printed on this website with kind permission
  • ITA Italian (Italiano) (Antonio Zencovich) , "La sera", copyright © 2014, (re)printed on this website with kind permission


Research team for this text: Emily Ezust [Administrator] , Melanie Trumbull , Peter Rastl [Guest Editor]

Text added to the website between May 1995 and September 2003.
Last modified: 2019-08-30 11:59:17
Line count: 20
Word count: 85

The evening
Language: English  after the German (Deutsch) 
The pine hill is painted purple
by the sun's departing glance;
and the brook reflects beautifully
Hesperus' glowing torch.











If you trill sometime in the evening breeze,
cricket, upon my early grave
from the rosebushes of friendship,
your lamenting song:

My spirit will still listen to you,
listening just as it now listens to you,
through the hill's rustling flowers,
just as this little summer breeze is rustling.

Note: this is a translation of Schubert's and Zumsteeg's settings.

Authorship

  • Translation from German (Deutsch) to English copyright © by Emily Ezust

    Emily Ezust permits her translations to be reproduced without prior permission for printed (not online) programs to free-admission concerts only, provided the following credit is given:

    Translation copyright © by Emily Ezust,
    from the LiederNet Archive -- https://www.lieder.net/

    For any other purpose, please write to the e-mail address below to request permission and discuss possible fees.


Based on

 

Text added to the website between May 1995 and September 2003.
Last modified: 2014-06-16 10:01:40
Line count: 12
Word count: 68