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Evidence of Things Not Seen

Song Cycle by Ned Rorem (1923 - 2022)

1. From whence cometh song
 (Sung text)

Language: English 
From whence cometh song?
 [ ... ]

Text Authorship:

  • by Theodore Roethke (1908 - 1963), "Song (From whence cometh song?)", appears in The Far Field, first published 1964, copyright ©

See other settings of this text.

This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.

2. The Open Road
 (Sung text)

Language: English 
Afoot and light-hearted, I take to the open road,
Healthy, free, the world before me,
The long brown path before me, leading wherever I choose.

Henceforth I ask not good-fortune -- I myself am good fortune;
 ... 

 ... 

Text Authorship:

  • by Walt Whitman (1819 - 1892), no title, appears in Song of the Open Road, no. 1

See other settings of this text.

Researcher for this page: Ahmed E. Ismail

3. O where are you going
 (Sung text)

Language: English 
O where are you going? said reader to rider,
That valley is fatal when furnaces burn,
Yonders the midden whose odors will madden,
That gap is the grave where the tall return.
O do you imagine, said fearer to farer,
That dusk will delay on your path to the pass,
Your diligent looking discover the lacking,
Your footsteps feel from granite to grass?
O what was that bird, said horror to hearer,
Did you see that shape in the twisted tree?
Behind you swiftly the figure comes softly,
The spot on your skin is a shocking disease.
Out of this house said rider to reader,
Yours never will said farer to fearer,
Theyre looking for you said hearer to horror,
As he left them there, as he left them there.

Text Authorship:

  • by W. H. (Wystan Hugh) Auden (1907 - 1973)

See other settings of this text.

Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

Researcher for this text: Emily Ezust [Administrator]

4. The Rainbow
 (Sung text)

Language: English 
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began; 
So is it now I am a man;
So be it when I shall grow old, 
   Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.

Text Authorship:

  • by William Wordsworth (1770 - 1850)

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • GER German (Deutsch) (Bertram Kottmann) , "Mein Herz hüpft auf", copyright © 2007, (re)printed on this website with kind permission

Note: Quoted by Ogden Nash in Song to be sung by the father of infant female children
Researcher for this text: Emily Ezust [Administrator]

5. How Do I Love Thee  [sung text not yet checked]

Language: English 
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as [they]1 turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I [seemed]2 to lose
With my lost saints, -- I love thee with the breath,
Smiles, tears, of all my life! -- and, if God choose,
I shall but love thee better after death.

Text Authorship:

  • by Elizabeth Barrett Browning (1806 - 1861), no title, appears in Poems, in Sonnets from the Portuguese, no. 43, first published 1847-50

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • CHI Chinese (中文) (M.W. Wang) , "我有多麽愛你?", copyright © 2008, (re)printed on this website with kind permission

View original text (without footnotes)
See also Karl Shapiro's parody How do I love you?
1 Steele: "men"
2 Steele: "seem"

Researcher for this text: Emily Ezust [Administrator]

6. Life in a love
 (Sung text)

Language: English 
     Escape me?
     Never -
     Beloved!
While I am I, and you are you,
  So long as the world contains us both,
  Me the loving and you the loth,
While the one eludes, must the other pursue.
My life is a fault at last, I fear -
  It seems too much like a fate, indeed!
  Though I do my best I shall scarce succeed -
But what if I fail of my purpose here?

It is but to keep the nerves at strain,
  To dry one's eyes and laugh at a fall,
And baffled, get up to begin again, -
  So the chase takes up one's life, that's all.
While, look but once from your farthest bound,
  At me so deep in the dust and dark,
No sooner the old hope drops to ground
  Than a new one, straight to the selfsame mark,
     I shape me -
     Ever
     Removed!

Text Authorship:

  • by Robert Browning (1812 - 1889), "Life in a love", appears in Men and Women, Volume I, first published 1855

See other settings of this text.

Researcher for this page: Ahmed E. Ismail

7. Their Lonely Betters
 (Sung text)

Language: English 
As I listened from a beach-chair in the shade
To all the noises that my garden made,
It seemed to me only proper that words
Should be withheld from vegetables and birds.
A robin with no Christian name ran through
The Robin-Anthem which was all it knew,
And rustling flowers for some third party waited
To say which pairs, if any, should get mated.
None of them was capable of lying,
There was not one which knew that it was dying!
Or could have with a rhythm or a rhyme
Assumed responsibility for time.
Let them leave language to their lonely betters
Who count some days and long for certain letters;
We, too, make noises when we laugh or weep:
Words are for those with promises to keep.

Text Authorship:

  • by W. H. (Wystan Hugh) Auden (1907 - 1973), "Their lonely betters"

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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

Researcher for this text: Emily Ezust [Administrator]

8. His Beauty Sparkles
 (Sung text)

Language: English 
His beauty sparkles, his big eyes blaze
 [ ... ]

Text Authorship:

  • by Paul Goodman (1911 - 1972), first published 1972, copyright © by Sally Goodman

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This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.

9. Boy with a Baseball Glove
 (Sung text)

Language: English 
See now the beauty with the glove
 [ ... ]

Text Authorship:

  • by Paul Goodman (1911 - 1972), appears in A Warning/At My Leisure, 5 X 8 Press, first published 1939, copyright © by Sally Goodman

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This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.

10. A glimpse
 (Sung text)

Language: English 
One fitting glimpse caught through an interstice
Of a crowd of workmen and drivers in a bar-room, 
around the stove, late of a winter night -- 
And I unremark'd seated in a corner;	 
Of a youth who loves me, and whom I love, 
silently approaching, and seating himself near, 
that he may hold me by the hand;
A long while, amid the noises of coming and going -- 
of drinking and oath and smutty jest,
There we two, content, happy in being together, 
speaking little, perhaps not a word.

Text Authorship:

  • by Walt Whitman (1819 - 1892), "A glimpse"

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Portions of this text were used in Idyll by Frederick Delius.

Researcher for this page: Ahmed E. Ismail

11. I am he . . .
 (Sung text)

Language: English 
I am he that aches with amorous love;
Does the earth gravitate? Does not all matter, aching, attract all matter?
So the Body of me, to all I meet, or know.

Text Authorship:

  • by Walt Whitman (1819 - 1892), "I am He that Aches with Love"

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Researcher for this page: Ahmed E. Ismail

12. Love cannot fill the thickened lung with breath
 (Sung text)

Language: English 
 ... 
Love cannot fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
 ... 

Text Authorship:

  • by Edna St. Vincent Millay (1892 - 1950), "Sonnet XXX", appears in Fatal Interview, first published 1931

See other settings of this text.

Researcher for this text: Emily Ezust [Administrator]

13. The more loving one
 (Sung text)

Language: English 
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime
Though this might take me a little time.

Text Authorship:

  • by W. H. (Wystan Hugh) Auden (1907 - 1973), "The more loving one"

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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

Researcher for this text: Emily Ezust [Administrator]

14. Hymn for Morning
 (Sung text)

Language: English 
Wake my soul, and with the sun
Thy daily stage of duty run;
Shake off dull sloth, and joyful rise
To pay this morning sacrifice.
Redeem thy misspent moments past
And live this day as if the last;
Improve thy talent with due care;
For the great day thyself prepare.
Let all thy converse be sincere,
Thy conscience as the noon-day clear;
Think how all-seeing God thy ways
And all thy secret thoughts surveys.
Wake, and lift up thyself, my heart,
And with the angels bear thy part,
Who all night long unwearied sing
High praises to the eternal king.
Amen.

Text Authorship:

  • by Thomas Ken (1637 - 1711), written 1709

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Researcher for this page: Ahmed E. Ismail

15. I saw a mass of matter of a dull gloomy color
 (Sung text)

Language: English 
. . . I saw a mass of matter of a dull gloomy color . . .
and was informed that this mass was human beings
in as great misery as they could be, and live,
and that I was mixed in with them,
and henceforth I might not consider myself 
as a distinct or separate being.

Text Authorship:

  • by John Woolman (1720 - 1772)

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Researcher for this page: Ahmed E. Ismail

16. The Comfort of Friends (O the rapes)
 (Sung text)

Language: English 
O the rapes, fires, murders, and rivers of blood 
that lie at the doors of professed Christians! 
If this be godly, what's devilish? 
If this be Christian, what's paganism? 
What's anti-Christian but to make God a party to their wickedness?
Time past is none of thine? 
'Tis not what thou wast but what thou art. 
God will be daily looked into. 
Did'st thou eat yesterday? That feedeth thee not today.
They that love beyond the World, cannot be separated by it. 
Death cannot kill what never dies. 
Nor can spirits ever be divided 
that love and live in the same Divine Principle; 
the Root and Record of their Friendship.
This is the Comfort of Friends, 
that though they may be said to Die, 
yet their Friendship and Society are, in the best Sense, 
ever present, because Immortal.

Text Authorship:

  • by William Penn (1644 - 1718), appears in The Comfort of Friends

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Researcher for this page: Ahmed E. Ismail

17. A dead statesman
 (Sung text)

Language: English 
I could not dig: I dared not rob:
Therefore I lied to please the mob.
Now all my lies are proved untrue
And I must face the men I slew.
What tale shall serve me here among
Mine angry and defrauded young?

Text Authorship:

  • by Rudyard Kipling (1865 - 1936), "A dead statesman", appears in Epitaphs of the War

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Researcher for this text: Emily Ezust [Administrator]

18. The Candid Man
 (Sung text)

Language: English 
Forth went the candid man
And spoke freely to the wind --
When he looked about him he was in a far
strange country.
Forth went the candid man
and spoke freely to the stars--
Yellow light tore sight from his eyes.
"My good fool," said a learned bystander,
"Your operations are mad."
"You are too candid," cried the candid man.
And when his stick left the head of the
learned bystander
It was two sticks.

Text Authorship:

  • by Stephen Crane (1871 - 1900), no title, appears in War Is Kind and Other Lines, no. 9, first published 1899

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Researcher for this page: Ahmed E. Ismail

19. Comment on War
 (Sung text)

Language: English 
Let us kill off youth
For the sake of truth.
We who are old know what truth is
Truth is a bundle of vicious lies
Tied together and sterilized
A war-makers bait for unwise youth
To kill off each other
For the sake of
Truth.

Text Authorship:

  • by Langston Hughes (1902 - 1967), "Comment on War"

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Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

Researcher for this text: Emily Ezust [Administrator]

20. A learned man
 (Sung text)

Language: English 
A learned man came to me once.
He said, "I know the way--come."
And I was overjoyed at this.
Together we hastened.
Soon, too soon, were we
Where my eyes were useless,
And I knew not the ways of my feet.
I clung to the hand of my friend:
But at last he cried, "I am lost."

Text Authorship:

  • by Stephen Crane (1871 - 1900), no title, appears in The Black Riders and Other Lines, no. 20, first published 1895

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Researcher for this page: Ahmed E. Ismail

21. Dear, though the night is gone
 (Sung text)

Language: English 
Dear, though the night is gone
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that room
Were beds, and we in one
In a far corner lay.
Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each others necks,
Inert and vaguely sad.
O but what worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

Text Authorship:

  • by W. H. (Wystan Hugh) Auden (1907 - 1973), "The dream"

See other settings of this text.

Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

First published in New Verse, April-May 1936, revised 1936Researcher for this text: Emily Ezust [Administrator]

22. Requiescat
 (Sung text)

Language: English 
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.

All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.

Lily-like, white as snow,
She hardly knew
She was a woman so
Sweetly she grew.

Coffin-board, heavy stone,
Lie on her breast.
I vex my heart alone,
She is at rest.

Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.

Text Authorship:

  • by Oscar Wilde (1854 - 1900), "Requiescat", from Poems, first published 1881

See other settings of this text.

Researcher for this text: Emily Ezust [Administrator]

23. Is my team ploughing
 (Sung text)

Language: English 
"Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?"

Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.

"Is football playing
Along the river-shore,
With lads to chase the leather,
Now I stand up no more?"

Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal. 

"Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?"

Ay, she lies down lightly,
She lies not down to weep:
Your girl is well contented.
Be still, my lad, and sleep.

"Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?"

Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man's sweetheart,
Never ask me whose.

Text Authorship:

  • by Alfred Edward Housman (1859 - 1936), no title, appears in A Shropshire Lad, no. 27, first published 1896

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Patricia Dillard Eguchi) , "Mon attelage laboure-t-il ?", copyright © 2018, (re)printed on this website with kind permission
  • HEB Hebrew (עברית) (Max Mader) , "האם הצמד שלי חורש", copyright © 2014, (re)printed on this website with kind permission

Researcher for this text: Emily Ezust [Administrator]

24. As I Walked Out One Evening
 (Sung text)

Language: English 
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.

"I'll love you, dear, I'll love you
Till China and Afica meet,
And the river jumps over the mountain 
And the salmon sing in the street.

"I'll love you till the ocean 
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

 ... 

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you
You cannot conquer Time.

 ... 

"In headaches and in worry 
Vaguely life leaks away,
And time will have his fancy
To-morrow or to-day.

 ... 

"O plunge your hands in water
Plunge them up to the wrist;
Stare, stare in the basin
And wonder what you've missed."

"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

 ... 

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbor
With your crooked heart."

It was late, late in the evening
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.

Text Authorship:

  • by W. H. (Wystan Hugh) Auden (1907 - 1973), "Song"

See other settings of this text.

Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

First published in New Statesman and Nation, January 1938
Researcher for this text: Emily Ezust [Administrator]

25. The sick wife
 (Sung text)

Language: English 
The sick wife stayed in the car
 [ ... ]

Text Authorship:

  • by Jane Kenyon (1947 - 1995), appears in Otherwise: New & Selected Poems, copyright © 1996

See other settings of this text.

This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.

26. Now is the dreadful midnight
 (Sung text)

Language: English 
Now is the dreadful midnight you
 [ ... ]

Text Authorship:

  • by Paul Goodman (1911 - 1972), first published 1972, copyright ©

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27. Hymn for Evening
 (Sung text)

Language: English 
All praise to thee, my God, this night
For the blessings of the light:
Keep me, O keep me, King of kings,
Beneath thine own almighty wings.
Forgive me, Lord, for thy dear Son,
The ill that I have done;
That with the world, myself, and thee,
I, ere I sleep, at peace must be.
May my soul on thee repose
And with sleep mine eyelids close;
Sleep shall me more vigorous make
To serve my God when I awake.
Amen.

Text Authorship:

  • by Thomas Ken (1637 - 1711), written 1709

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Researcher for this page: Ahmed E. Ismail

28. He thinks upon his death
 (Sung text)

Language: English 
For the first time I thought of my own death
 [ ... ]

Text Authorship:

  • by Ned Rorem (1923 - 2022), copyright ©

Based on:

  • a text in French (Français) by Julien Green (b. 1900), from Lautre sommeil, last paragraph, copyright ©
    • Go to the text page.

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This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.

29. On an echoing road
 (Sung text)

Language: English 
On an echoing road, trotting in unison, 
now out of step, now as one again,
are two horses saddled together,
guided by a single hand. 
The needle and the pen, the habit of work
and the sly urge to quit the habit, make friends with each other,
then separate, then reconcile again....
O my slow steeds, pull now together;
from here I can see the end of the road.

Text Authorship:

  • by Anonymous / Unidentified Author

Based on:

  • a text in French (Français) by (Sidonie-Gabrielle) Colette (1873 - 1954), appears in L'étoile vesper, last paragraph
    • Go to the text page.

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Researcher for this text: Emily Ezust [Administrator]

30. A terrible disaster
 (Sung text)

Language: English 
A terrible disaster befell me
 [ ... ]

Text Authorship:

  • by Paul Goodman (1911 - 1972), first published 1972, copyright ©

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31. Come In
 (Sung text)

Language: English 
As I came to the edge of the woods,
Thrush musichark!
Now it was dusk outside,
Inside it was dark.

Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it could still sing.

The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrushs breast.

Far in the pillared dark
Thrush music went
Almost like a call to come in
To the dark and lament.

But no, I was out for the stars:
I would not come in.
I meant not even if asked,
And I hadnt been.

Text Authorship:

  • by Robert Frost (1874 - 1963), "Come in", appears in A Further Range

See other settings of this text.

Please note: this text, provided here for educational and research use, is in the public domain in Canada, but it may still be copyright in other legal jurisdictions. The LiederNet Archive makes no guarantee that the above text is public domain in your country. Please consult your country's copyright statutes or a qualified IP attorney to verify whether a certain text is in the public domain in your country or if downloading or distributing a copy constitutes fair use. The LiederNet Archive assumes no legal responsibility or liability for the copyright compliance of third parties.

Researcher for this text: Emily Ezust [Administrator]

32. The old men admiring themselves in the water
 (Sung text)

Language: English 
I heard the old, old men say,
"Everything alters,
And one by one we drop away."
They had hands like claws, and their knees
Were twisted like the old thorn-trees
By the waters.
I heard the old, old men say,
"All that's beautiful drifts away,
Like the waters."

Text Authorship:

  • by William Butler Yeats (1865 - 1939), "The old men admiring themselves in the water", appears in In the Seven Woods

See other settings of this text.

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Pierre Mathé) , copyright © 2016, (re)printed on this website with kind permission

First published in Pall Mall Magazine, January 1903
Researcher for this text: Emily Ezust [Administrator]

33. End of the Day
 (Sung text)

Language: English 
In fading light
Life dances, twists, and crazily rushes,
impudent and shrill, while
Night rises,

appeasing all, even hunger,
hiding all, even shame,
The Poet whispers to himself:
Finally!

while body and soul
long desperately for rest,
my heart seethes with deathly dreams.

Let me lie on my back
and enshroud myself in your curtains,
O nourishing darkness!

Text Authorship:

  • by Anonymous / Unidentified Author

Based on:

  • a text in French (Français) by Charles Baudelaire (1821 - 1867), "La fin de la journée", appears in Les Fleurs du mal, in 6. La Mort, no. 124, Paris, Poulet-Malassis et de Broise, first published 1861
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Researcher for this text: Emily Ezust [Administrator]

34. Faith
 (Sung text)

Language: English 
I've been having these
 [ ... ]

Text Authorship:

  • by Mark Doty (b. 1953), copyright © 1995

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This text may be copyright, so we will not display it until we obtain permission to do so or discover it is public-domain.

35. Even now the night jasmine is pouring
 (Sung text)

Language: English 
... even now the night jasmine is pouring
 [ ... ]

Text Authorship:

  • by Paul Monette , appears in Love Alone: Brother of the Mount of Olives, last page, copyright © 1988

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36. Evidence of Things not seen
 (Sung text)

Language: English 
Faith lights us, even through the Grave,
being the Evidence of Things not seen.
And this is the Comfort of the Good,
that the Grave cannot hold them,
and that they live as soon as they die.
For Death is no more than a Turning
of us over from Time to Eternity.
Death then, being the Way and Condition of Life,
we cannot love to live, if we cannot bear to die.

Text Authorship:

  • by William Penn (1644 - 1718)

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Researcher for this page: Ahmed E. Ismail
Total word count: 3599
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