LiederNet logo

CONTENTS

×
  • Home | Introduction
  • Composers (20,111)
  • Text Authors (19,486)
  • Go to a Random Text
  • What’s New
  • A Small Tour
  • FAQ & Links
  • Donors
  • DONATE

UTILITIES

  • Search Everything
  • Search by Surname
  • Search by Title or First Line
  • Search by Year
  • Search by Collection

CREDITS

  • Emily Ezust
  • Contributors (1,114)
  • Contact Information
  • Bibliography

  • Copyright Statement
  • Privacy Policy

Follow us on Facebook

×

Attention! Some of this material is not in the public domain.

It is illegal to copy and distribute our copyright-protected material without permission. It is also illegal to reprint copyright texts or translations without the name of the author or translator.

To inquire about permissions and rates, contact Emily Ezust at licenses@email.lieder.example.net

If you wish to reprint translations, please make sure you include the names of the translators in your email. They are below each translation.

Note: You must use the copyright symbol © when you reprint copyright-protected material.

by Richard Fedor Leopold Dehmel (1863 - 1920)
Translation © by Pierre Mathé

Geheimnis
Language: German (Deutsch) 
Our translations:  FRE
In die dunkle Bergsschlucht
kehrt der Mond zurück.

Eine Stimme singt am Wassersturz:

O Geliebtes, deine höchste Wonne
und dein tiefster Schmerz
Sind mein Glück.

Text Authorship:

  • by Richard Fedor Leopold Dehmel (1863 - 1920), "Geheimnis", appears in Weib und Welt [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Conrad (Eduard Reinhold) Ansorge (1862 - 1930), "Geheimnis", op. 10 (Acht Lieder für 1 Singstimme mit Pianoforte) no. 2, published 1896 [ voice and piano ], Berlin, Challier & Co. [sung text not yet checked]
  • by Hermann Bischoff (1868 - 1936), "Geheimnis", op. 12 (Fünf Lieder für 1 tiefe Singstimme und Pianoforte) no. 3, published 1901 [ low voice and piano ], Berlin, Ries & Erler [sung text not yet checked]
  • by Grzegorz Fitelberg (1879 - 1953), "Geheimnis", op. 21 (5 Lieder) no. 2 [ voice and piano ] [sung text not yet checked]
  • by Jan Pieter Hendrik van Gilse (1881 - 1944), "Geheimnis", 1902, from 3 Gedichte von Richard Dehmel, no. 3 [sung text not yet checked]
  • by Karol Maciej Szymanowski (1882 - 1937), "Geheimnis", op. 17 (Zwölf Lieder) no. 2, also set in Polish (Polski) [sung text checked 1 time]

Settings in other languages, adaptations, or excerpts:

  • Also set in Polish (Polski), a translation by Stanisław Barącz (1864 - 1936) ; composed by Karol Maciej Szymanowski.
    • Go to the text.

Other available translations, adaptations or excerpts, and transliterations (if applicable):

  • FRE French (Français) (Pierre Mathé) , "Secret", copyright © 2011, (re)printed on this website with kind permission


Researcher for this text: Emily Ezust [Administrator]

This text was added to the website between May 1995 and September 2003.
Line count: 6
Word count: 25

Secret
Language: French (Français)  after the German (Deutsch) 
Dans le sombre abîme de la montagne
la lune est revenue.

Une voix chante près de la chute d'eau :

Ô bien-aimée, ton plus grand plaisir
et ta douleur la plus aiguë
Sont mon bonheur.

Text Authorship:

  • Translation from German (Deutsch) to French (Français) copyright © 2011 by Pierre Mathé, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Richard Fedor Leopold Dehmel (1863 - 1920), "Geheimnis", appears in Weib und Welt
    • Go to the text page.

 

This text was added to the website: 2012-01-12
Line count: 6
Word count: 34

Gentle Reminder

This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

Donate

We use cookies for internal analytics and to earn much-needed advertising revenue. (Did you know you can help support us by turning off ad-blockers?) To learn more, see our Privacy Policy. To learn how to opt out of cookies, please visit this site.

I acknowledge the use of cookies

Contact
Copyright
Privacy

Copyright © 2025 The LiederNet Archive

Site redesign by Shawn Thuris