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Texts to Art Songs and Choral Works by H. Lawes

 𝄞 Composer 𝄞 

Henry Lawes (c1595 - 1662)

(Also see this composer's texts set to music.)

Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.

A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Note: A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

Song Cycles, Collections, Symphonies, etc.:

  • Ayres and Dialogues, Book 1
    • Ariadne (Text: William Cartwright)
    • A Complaint against Cupid (Text: William Cartwright)
    • To his inconstant mistress (Text: Thomas Carew)
    • In the person of a lady to her inconstant servant (Text: Thomas Carew)
    • To his mistress going to sea (Text: Thomas Carew)
    • The surprise (Text: Carew Raleigh)
    • Disdaine returned (Text: Thomas Carew) GER
    • To a Lady singing (Text: Edmund Waller)
    • To the same Lady, singing the former Song (Text: Edmund Waller)
    • Beauties excellency (Text: Henry Noel)
    • To Amarantha, To dishevell her haire (Text: Richard Lovelace)
    • The reform'd lover (Text: Thomas Nevill, Sir)
    • The cælestiall mistress (Text: Thomas Finch, Sir, 2nd Earl of Winchilsea)
    • Night and day to his mistress (Text: Thomas Carew)
    • To his mistress objecting his age (Text: Robert Herrick)
    • To his mistress upon his going to travell (Text: Henry Harrington)
    • Love above Beauty (Text: Henry Reynolds)
    • Mediocrity in love rejected (Text: Thomas Carew) GER
    • The selfe banished (Text: Edmund Waller)
    • The Heart entire (Text: William, Earl of Pembroke)
    • The bud (Text: Edmund Waller)
    • The primrose
    • Cælia singing (Text: Francis Finch )
    • Love and loyalty (Text: Charles Lucas)
    • Anacreon's Ode, call'd, The Lute (Text: John Berkenhead, Sir after Anacreon) CHI DUT FRE GER GER GER
    • Desperato's banquet (Text: William Stroud)
    • To Cælia, inviting her to marriage (Text: Henry Bathurst)
    • Beauty paramount (Text: William Killigrew, Sir)
    • Youth and Beauty (Text: Aurelian Townshend)
    • Love and musick (Text: William Cartwright)
    • The excellency of wine (Text: ?, Lord Broughall)
    • An Anniversary on the Nuptials of John Earle of Bridgewater, July 22. 1652 (Text: John Berkenhead, Sir)
    • Staying in London after the Act for Banishment, and going to meet a Friend who fail'd the hour appoynted (Text: John Berkenhead, Sir)
    • No constancy in Man (Text: Henry Lawes)
    • Beauties eclyps'd (Text: Francis Lenton)
    • An Eccho (Text: Thomas Fuller)
  • The Second Book of Ayres, and Dialogues [multi-composer]
    • no. 1. A Storme, composed by Henry Lawes (Text: Henry Hughes)
    • no. 2. No Reprieve, composed by Henry Lawes (Text: John Berkenhead, Sir)
    • no. 3. Not to be altred from Affection, composed by Henry Lawes (Text: James Palmer, Sir)
    • no. 4. Parting, composed by Henry Lawes (Text: Christopher Nevile, Sir , as Sir Christopher Nevill)
    • no. 5. Cupids Embassie, composed by Henry Lawes
    • no. 6. He would not be tempted, composed by Henry Lawes (Text: Thomas Stanley)
    • no. 7. A Prayer to Cupid, composed by Henry Lawes (Text: William Cartwright)
    • no. 8. Parting, composed by Henry Lawes (Text: Henry Reynolds)
    • no. 9. The Rose, composed by Henry Lawes (Text: Edmund Waller; Henry Kirke White) SPA
    • no. 10. Bee not proud cause fair and trim, composed by Henry Lawes (Text: John Grange)
    • no. 11. Tell me no more tis love, composed by Henry Lawes (Text: John Mennes, Sir, Vice Admiral)
    • no. 12. Loves Martyr, composed by Henry Lawes (Text: Henry Hughes)
    • no. 13. Leander Drownd, composed by Henry Lawes (Text: Robert Herrick)
    • no. 14. Betrayd, by Beleefe, composed by Henry Lawes (Text: Henry Reynolds)
    • no. 15. O how I hate thee now, composed by Henry Lawes (Text: John Berkenhead, Sir)
    • no. 16. Disswation from Presumption, composed by Henry Lawes (Text: Henry Harrington)
    • no. 17. A Remembrance, composed by Henry Lawes
    • no. 18. To a Lady, more affable since the war began, composed by Henry Lawes (Text: Edmund Waller)
    • no. 19. Cloris Singing, composed by Henry Lawes (Text: Henry Reynolds)
    • no. 20. Know, Celia, since thou art so proud, composed by Henry Lawes (Text: Thomas Carew)
    • no. 21. When we were parted, composed by Henry Lawes (Text: Aurelian Townshend)
    • no. 22. Sufferance, composed by Henry Lawes (Text: Aurelian Townshend)
    • no. 23. Was it a forme, a gate, a grace, composed by Henry Lawes (Text: Henry Reynolds)
    • no. 24. On his hearing her Majesty sing, composed by Henry Lawes (Text: Aurelian Townshend)
    • no. 25. Tis not 'ith' pow'r of all thy scorne, composed by Henry Lawes (Text: Henry Hughes)
    • no. 26. Let longing Lovers fit and pine, composed by Henry Lawes (Text: Matthew Clifford)
    • no. 27. Come Cloris, leave thy wandring sheep, composed by Henry Lawes (Text: Henry Hughes)
    • no. 28. When first I saw fair Doris eyes, composed by Mary Dering (Text: Edward Dering)
    • no. 29. And is this all? what one poor kisse?, composed by Mary Dering (Text: Edward Dering)
    • no. 30. A false designe to be cruell, composed by Mary Dering (Text: Edward Dering)
    • no. 31. Mutuall Affection betweene Orinda and Lucasia, composed by Henry Lawes (Text: Katherine Philips)
    • no. 32. Disdaine, composed by Henry Lawes (Text: Henry Hughes)
    • no. 33. Parting, composed by Henry Lawes (Text: Francis Finch )
    • no. 34. An Elegiack Song, On the Death of Mrs. Elizabeth Sambroke, who Died at Salisbury, April 11. 1655, composed by Henry Lawes (Text: Mr. F. S.)
    • no. 35. On a Pint of Sack, composed by Henry Lawes (Text: Mr. N. N.)
    • no. 36. A Dialogue betwene a Lover and Reason, composed by Henry Lawes (Text: Thomas Carew)
    • no. 37. A Dialogue between Phillida and Coridon, composed by Henry Lawes (Text: Mr. S. B.)
    • no. 38. A Pastorall Dialogue between two Nymphs Amarillis and Daphne, composed by Henry Lawes (Text: James Harrington)
    • no. 39. Anacreons Ode concerning himselfe, composed by Henry Lawes (Text: Anacreon) ENG ENG FRE GER
    • no. 49. About the sweet bag of a bee, composed by Henry Lawes (Text: Robert Herrick)
    • no. 50. Beauties, have ye seen this Toy, composed by Henry Lawes (Text: Ben Jonson)

All titles of vocal settings in Alphabetic order

  • About the sweet bag of a bee (in The Second Book of Ayres, and Dialogues) (Text: Robert Herrick)
  • A Complaint against Cupid (in Ayres and Dialogues, Book 1) (Text: William Cartwright)
  • A despairing lover
  • A Dialogue between Phillida and Coridon (in The Second Book of Ayres, and Dialogues) (Text: Mr. S. B.)
  • A Dialogue betwene a Lover and Reason (in The Second Book of Ayres, and Dialogues) (Text: Thomas Carew)
  • A Dialogue on a Kiss (Text: Anonymous)
  • A dialogue (Text: Thomas Carew)
  • A dream
  • Amarillis, by a spring (Text: Robert Herrick)
  • Amintor's welladay (Text: Henry Hughes)
  • Anacreon's Ode, call'd, The Lute (in Ayres and Dialogues, Book 1) (Text: John Berkenhead, Sir after Anacreon) CHI DUT FRE GER GER GER
  • Anacreons Ode concerning himselfe (in The Second Book of Ayres, and Dialogues) (Text: Anacreon) ENG ENG FRE GER
  • An Anniversary on the Nuptials of John Earle of Bridgewater, July 22. 1652 (in Ayres and Dialogues, Book 1) (Text: John Berkenhead, Sir)
  • An Eccho (in Ayres and Dialogues, Book 1) (Text: Thomas Fuller)
  • An Elegiack Song, On the Death of Mrs. Elizabeth Sambroke, who Died at Salisbury, April 11. 1655 (in The Second Book of Ayres, and Dialogues) (Text: Mr. F. S.)
  • A Pastorall Dialogue between two Nymphs Amarillis and Daphne (in The Second Book of Ayres, and Dialogues) (Text: James Harrington)
  • A Prayer to Cupid (in The Second Book of Ayres, and Dialogues) (Text: William Cartwright)
  • A Remembrance (in The Second Book of Ayres, and Dialogues)
  • Ariadne (in Ayres and Dialogues, Book 1) (Text: William Cartwright)
  • A Storme (in The Second Book of Ayres, and Dialogues) (Text: Henry Hughes)
  • A Tale out of Anacreon (Text: Anonymous after Anacreon)
  • Beauties eclyps'd (in Ayres and Dialogues, Book 1) (Text: Francis Lenton)
  • Beauties excellency (in Ayres and Dialogues, Book 1) (Text: Henry Noel)
  • Beauties, have ye seen this Toy (in The Second Book of Ayres, and Dialogues) (Text: Ben Jonson)
  • Beauty paramount (in Ayres and Dialogues, Book 1) (Text: William Killigrew, Sir)
  • Bee not proud cause fair and trim (in The Second Book of Ayres, and Dialogues) (Text: John Grange)
  • Betrayd, by Beleefe (in The Second Book of Ayres, and Dialogues) (Text: Henry Reynolds)
  • Cælia singing (in Ayres and Dialogues, Book 1) (Text: Francis Finch )
  • Cloris Singing (in The Second Book of Ayres, and Dialogues) (Text: Henry Reynolds)
  • Come Cloris, leave thy wandring sheep (in The Second Book of Ayres, and Dialogues) (Text: Henry Hughes)
  • Cupids Embassie (in The Second Book of Ayres, and Dialogues)
  • Desperato's banquet (in Ayres and Dialogues, Book 1) (Text: William Stroud)
  • Disdaine returned (in Ayres and Dialogues, Book 1) (Text: Thomas Carew) GER
  • Disdaine (in The Second Book of Ayres, and Dialogues) (Text: Henry Hughes)
  • Disswation from Presumption (in The Second Book of Ayres, and Dialogues) (Text: Henry Harrington)
  • Hark, shepherd swains
  • Have you e'er seen the morning sun (Text: Henry Hughes)
  • He would not be tempted (in The Second Book of Ayres, and Dialogues) (Text: Thomas Stanley)
  • In the person of a lady to her inconstant servant (in Ayres and Dialogues, Book 1) (Text: Thomas Carew)
  • I prithee send me back my heart (Text: Henry Hughes; John Suckling, Sir)
  • I rise and grieve
  • Know, Celia, since thou art so proud (in The Second Book of Ayres, and Dialogues) (Text: Thomas Carew)
  • Leander Drownd (in The Second Book of Ayres, and Dialogues) (Text: Robert Herrick)
  • Let longing Lovers fit and pine (in The Second Book of Ayres, and Dialogues) (Text: Matthew Clifford)
  • Love above Beauty (in Ayres and Dialogues, Book 1) (Text: Henry Reynolds)
  • Love and loyalty (in Ayres and Dialogues, Book 1) (Text: Charles Lucas)
  • Love and musick (in Ayres and Dialogues, Book 1) (Text: William Cartwright)
  • Loves Martyr (in The Second Book of Ayres, and Dialogues) (Text: Henry Hughes)
  • Love's sweet repose (Text: Robert Herrick)
  • Mediocrity in love rejected (in Ayres and Dialogues, Book 1) (Text: Thomas Carew) GER
  • Mutuall Affection betweene Orinda and Lucasia (in The Second Book of Ayres, and Dialogues) (Text: Katherine Philips)
  • My soul the great God's praises sings (Text: Thomas Carew after Bible or other Sacred Texts)
  • My sweetest bird (Text: Anonymous after Giovanni Battista Guarini)
  • Night and day to his mistress (in Ayres and Dialogues, Book 1) (Text: Thomas Carew)
  • No constancy in Man (in Ayres and Dialogues, Book 1) (Text: Henry Lawes)
  • No Reprieve (in The Second Book of Ayres, and Dialogues) (Text: John Berkenhead, Sir)
  • Not to be altred from Affection (in The Second Book of Ayres, and Dialogues) (Text: James Palmer, Sir)
  • O how I hate thee now (in The Second Book of Ayres, and Dialogues) (Text: John Berkenhead, Sir)
  • On a Pint of Sack (in The Second Book of Ayres, and Dialogues) (Text: Mr. N. N.)
  • On his hearing her Majesty sing (in The Second Book of Ayres, and Dialogues) (Text: Aurelian Townshend)
  • Orpheus' Hymn (Text: John Berkenhead, Sir)
  • Parting (in The Second Book of Ayres, and Dialogues) (Text: Christopher Nevile, Sir , as Sir Christopher Nevill)
  • Parting (in The Second Book of Ayres, and Dialogues) (Text: Francis Finch )
  • Parting (in The Second Book of Ayres, and Dialogues) (Text: Henry Reynolds)
  • Sabrina Fair (Text: John Milton)
  • Sing fair Clorinda
  • Sitting by the streams (Text: Thomas Carew after Bible or other Sacred Texts)
  • Slide soft you silver floods
  • Staying in London after the Act for Banishment, and going to meet a Friend who fail'd the hour appoynted (in Ayres and Dialogues, Book 1) (Text: John Berkenhead, Sir)
  • Sufferance (in The Second Book of Ayres, and Dialogues) (Text: Aurelian Townshend)
  • Sweet, stay awhile
  • Tavola (Text: Henry Lawes after Antonio Cifra)
  • Tell me no more tis love (in The Second Book of Ayres, and Dialogues) (Text: John Mennes, Sir, Vice Admiral)
  • The anglers' song (Text: Izaak Walton)
  • The bud (in Ayres and Dialogues, Book 1) (Text: Edmund Waller)
  • The cælestiall mistress (in Ayres and Dialogues, Book 1) (Text: Thomas Finch, Sir, 2nd Earl of Winchilsea)
  • Thee and thy wondrous deeds (Text: Bible or other Sacred Texts)
  • The excellency of wine (in Ayres and Dialogues, Book 1) (Text: ?, Lord Broughall)
  • The Heart entire (in Ayres and Dialogues, Book 1) (Text: William, Earl of Pembroke)
  • The lark
  • The mournful lovers (Text: 17th century)
  • The nightingale
  • The primrose (in Ayres and Dialogues, Book 1)
  • The reform'd lover (in Ayres and Dialogues, Book 1) (Text: Thomas Nevill, Sir)
  • The Rose (in The Second Book of Ayres, and Dialogues) (Text: Edmund Waller; Henry Kirke White) SPA
  • The selfe banished (in Ayres and Dialogues, Book 1) (Text: Edmund Waller)
  • The surprise (in Ayres and Dialogues, Book 1) (Text: Carew Raleigh)
  • Tis not 'ith' pow'r of all thy scorne (in The Second Book of Ayres, and Dialogues) (Text: Henry Hughes)
  • To a Lady, more affable since the war began (in The Second Book of Ayres, and Dialogues) (Text: Edmund Waller)
  • To a Lady singing (in Ayres and Dialogues, Book 1) (Text: Edmund Waller)
  • To Amarantha, To dishevell her haire (in Ayres and Dialogues, Book 1) (Text: Richard Lovelace)
  • To Cælia, inviting her to marriage (in Ayres and Dialogues, Book 1) (Text: Henry Bathurst)
  • To his inconstant mistress (in Ayres and Dialogues, Book 1) (Text: Thomas Carew)
  • To his mistress going to sea (in Ayres and Dialogues, Book 1) (Text: Thomas Carew)
  • To his mistress objecting his age (in Ayres and Dialogues, Book 1) (Text: Robert Herrick)
  • To his mistress upon his going to travell (in Ayres and Dialogues, Book 1) (Text: Henry Harrington)
  • To the same Lady, singing the former Song (in Ayres and Dialogues, Book 1) (Text: Edmund Waller)
  • Was it a forme, a gate, a grace (in The Second Book of Ayres, and Dialogues) (Text: Henry Reynolds)
  • When we were parted (in The Second Book of Ayres, and Dialogues) (Text: Aurelian Townshend)
  • Youth and Beauty (in Ayres and Dialogues, Book 1) (Text: Aurelian Townshend)

Last update: 2025-01-02 04:50:21

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