English translations of Sechs erotische Gesänge, opus 2
by Wilhelm Rosenberg (b. 1862)
Wenn still [mit]1 seinen letzten Flammen Der Abend in das Meer versank, Dann wandeln [traulich wir]2 zusammen Am [Waldgestad im]3 Buchengang. Wir sehn den Mond [durch]4 Wolken steigen, Wir hören fern die Nachtigall, Wir atmen Düfte, doch wir schweigen - Was soll der Worte leerer Schall? Das höchste Glück hat keine Lieder, Der Liebe Lust ist still und mild; Ein Kuß, ein Blicken hin und wieder, Und alle Sehnsucht ist gestillt.
Text Authorship:
- by Emanuel von Geibel (1815 - 1884), no title, appears in Jugendgedichte, in 1. Erstes Buch, in Lieder als Intermezzo, no. 22
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View original text (without footnotes)1 Pache: "in"; further changes may exist not shown above.
2 Sucher: "wir traulich"
3 Randhartinger and some other editions of Geibel: "Ufer in dem"; Sucher: "Ufer durch den"
4 Sucher: "aus"
When quietly, with its last flames, The evening sank into the sea, Together we affectionately wandered The beech-lined path along the forested shore. We saw the moon climb through the clouds, We heard a distant nightingale, We inhaled fragrances, and were quite silent – What need for the empty sound of words? The greatest happiness has no songs, The pleasure of love is quiet and gentle; A kiss, a shared glance and once again, And all yearning is stilled.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2022 by Michael P Rosewall, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Based on:
- a text in German (Deutsch) by Emanuel von Geibel (1815 - 1884), no title, appears in Jugendgedichte, in 1. Erstes Buch, in Lieder als Intermezzo, no. 22
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Translations of title(s):
"Abendstille" = "Evening Quiet"
"Gestillte Sehnsucht" = "Stilled Yearning"
"Liebesglück" = "Love's Happiness"
"Stilles Glück" = "Quiet Happiness"
"Wenn still in seinen letzten Flammen" = "When quietly, with its last flames"
"Wenn still mit seinen letzten Flammen" = "When quietly, with its last flamesWhen quietly, with its last flames, The evening sank into the sea, Together we affectionately wandered The beech-lined path along the forested shore. We saw the moon climb through the clouds, We heard a distant nightingale, We inhaled fragrances, and were quite silent – What need for the empty sound of words? The greatest happiness has no songs, The pleasure of love is quiet and gentle; A kiss, a shared glance and once again, And all yearning is stilled."
This text was added to the website: 2022-11-23
Line count: 12
Word count: 79
O darum ist der [Lenz]1 so schön Mit Duft und Strahl und Lied, Weil singend über [Thal]2 und Höhn So bald er [weiter zieht]3; [Und]4 darum ist so süß der Traum, [Den erste Liebe webt]5, Weil schneller [wie]6 die Blüt' am Baum Er [hinwelkt]7 und verschwebt. Und doch! Er läßt so still erwärmt, So reich das Herz zurück; Ich hab' geliebt, ich hab' geschwärmt, Ich preis' auch das ein Glück. Gesogen hab' ich Strahl auf Strahl In's Herz den kurzen Tag; Die schöne Sonne sinkt zu Thal. Nun [komme]8 was kommen mag! Sei's bittres Leid, sei's neue Lust, Es soll getragen sein: Der [sichre]9 Schatz in meiner Brust Bleibt dennoch [ewig]10 mein.
Text Authorship:
- by Emanuel von Geibel (1815 - 1884), "Vorüber!", appears in Jugendgedichte, in 1. Erstes Buch, in Lübeck und Bonn
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View original text (without footnotes)Confirmed with Emanuel Geibels Gesammelte Werke in acht Bänden, Erster Band, Jugendgedichte. Zeitstimmen. Sonette. Stuttgart: Verlag der J.G. Cotta'schen Buchhandlung, 1883, pages 12-13.
Note: in Hackel's setting, stanza 5, line 4, word 3 ("immer") returns to the original word "ewig" in the repetition.
1 Kehler: "Tag"; further changes may exist not shown above.2 Lehár: "Flur"
3 Lehár: "weiterzieht"
4 Hackel: "O"
5 Hackel: "Der erste Liebe weckt"
6 Hackel, Lehár: "als"
7 Hackel, Lehár: "welket"
8 Lehár: "komm'"
9 Hackel: "stille"
10 Hackel: "immer"
Oh, that is why [springtime]1 is so lovely With scent and [sun]beam and song, Because with singing over [valleys]2 and heights It so quickly [moves on]3; [And]3 that is why the dream is so sweet, The dream [woven]4 by first love, Because more quickly than the blossom upon the tree, It wilts and dissipates. And yet! it leaves the heart So quietly warmed and enriched; I have loved, I have rhapsodized, I praise that as a happiness as well. I have imbibed beam upon beam Into my heart during the short day; The beautiful sun sinks to the valley. Now come what may! Be it bitter woe, be it new joy, It shall be borne: The [safe]5 treasure in my breast Nevertheless remains mine [eternally]6.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2024 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
Contact: licenses@email.lieder.example.net
Based on:
- a text in German (Deutsch) by Emanuel von Geibel (1815 - 1884), "Vorüber!", appears in Jugendgedichte, in 1. Erstes Buch, in Lübeck und Bonn
Go to the general single-text view
Translations of title(s):
"O darum ist der Lenz so schön" = "Oh, that is why springtime is so lovely"
"Vorüber!" = "Past!"
This text was added to the website: 2024-06-27
Line count: 20
Word count: 133
Es fällt ein Stern herunter Aus seiner funkelnden Höh; Das ist der Stern der Liebe, Den ich dort fallen seh. Es fallen vom Apfelbaume, Der [weißen Blätter so viel]1, Es kommen die neckenden [Lüfte]2, Und treiben damit ihr Spiel. Es singt [der]3 Schwan im [Weiher]4, Und rudert auf und ab, Und immer leiser singend, Taucht er ins Flutengrab. Es ist so still und [dunkel]5! Verweht ist Blatt und Blüt', Der Stern ist knisternd zerstoben, Verklungen das Schwanenlied.
Text Authorship:
- by Heinrich Heine (1797 - 1856), no title, appears in Buch der Lieder, in Lyrisches Intermezzo, no. 59
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View original text (without footnotes)Confirmed with Heinrich Heine, Buch der Lieder, Hoffmann und Campe, Hamburg, 1827, page 163.
1 Backer-Grøndahl, Haine: "Blüten und Blätter viel"; Cui, Gernsheim, Pfitzner: "Blüten und Blätter so viel"; Mangold: "weißen Blätter viel"; Unger: "Blätter und Blüten viel"2 Gernsheim: "Winde"
3 Unger: "ein"
4 Gernsheim: "Wasser"
5 Haine, Mangold: "so dunkel"
A star is tumbling downward From where it sparkled on high, It is the star for lovers, That falling there I spy. The apple tree has been shedding White petals abundantly Along come the breezes so teasing And toying with the debris. The swan sings in the water, And paddles o'er each wave, And singing ever softer, Dives to his watery grave. It is so dark and silent, Swept off are bloom and leaf, The star has fizzled and scattered; And faded, the swan's song, so brief.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 1996 by Walter Meyer, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
Contact: licenses@email.lieder.example.net
Based on:
- a text in German (Deutsch) by Heinrich Heine (1797 - 1856), no title, appears in Buch der Lieder, in Lyrisches Intermezzo, no. 59
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This text was added to the website between May 1995 and September 2003.
Line count: 16
Word count: 87
Die blauen Frühlingsaugen Schau'n aus dem Gras [hervor]1; Das sind die [lieben]2 Veilchen, Die ich zum Strauß erkor. Ich pflücke sie und denke, Und die Gedanken all, Die mir im Herzen seufzen, Singt laut die Nachtigall. [Ja,]3 was ich denke, singt sie [Lautschmetternd]4, daß es schallt; Mein zärtliches Geheimnis Weiß schon der ganze Wald.
Text Authorship:
- by Heinrich Heine (1797 - 1856), no title, appears in Neue Gedichte, in Neuer Frühling, no. 13
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View original text (without footnotes)Confirmed with: Heinrich Heine’s sämtliche Werke in vier Bänden, herausgegeben von Otto F. Lachmann, Erster Band, Leipzig: Druck und Verlag von Philipp Reclam jun, [1887], page 243
1 Decker: "empor"2 Methfessel: "blauen"
3 Decker: "Und"
4 Methfessel, Thuille: "Und schmettert"
The blue eyes of spring Peep [forth]1 from the grass; Those are the [dear]2 violets That I chose for a bouquet. I pick them and I ponder, And all of the thoughts That are sighing within my heart, The nightingale sings them loudly. [Yes,]3 what I'm thinking, [the nightingale] sings [Like a loud]4 clarion, so that it resounds; My most tender secret Is already known to the whole wood.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2018 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
Contact: licenses@email.lieder.example.net
Based on:
- a text in German (Deutsch) by Heinrich Heine (1797 - 1856), no title, appears in Neue Gedichte, in Neuer Frühling, no. 13
Go to the general single-text view
View original text (without footnotes)Translations of title(s):
"Frühlingslied II" = "Spring song II"
"Schubert" = "Schubert"
"Im Frühling" = "In spring"
"Verratene Liebe" = "Revealed love"
"Das verrathene Geheimniss" = "The revealed secret"
"Frühlingslied" = "Spring song"
"Neuer Frühling" = "New spring"
"Die blauen Frühlingsaugen schau'n aus dem Gras hervor" = "The blue eyes of spring peep forth from the grass"
"Lautes Geheimnis" = "Open secret"
"Verratene Liebe: Duett" = "Revealed love: duet"
"Das Veilchen" = "The violet"
"Die blauen Frühlingsaugen" = "The blue eyes of spring"
"Frühlingsaugen" = "Eyes of spring"
"Duett" = "Duet"
2 Methfessel "blue"
3 von Decker "And"
4 Methfessel "And like a"
This text was added to the website: 2018-04-16
Line count: 12
Word count: 74
Du weißt es wohl, daß du mein Alles bist; O wende nicht dein schönes Aug' von mir, Red' ich von unsrer Liebe Glück mit dir, Die du mein Alles bist! Du weißt es wohl, daß du mein Alles bist; O sieh beneidend nicht den Blumen nach, Die früh verblüht von hinnen führt der Bach, Die du mein Alles bist! Du weißt es wohl, daß du mein Alles bist; O bald, ich fühl's, wirst du gestorben sein Und lässest dieses arme Herz allein, Dem du sein Alles bist!
Text Authorship:
- by Johann Georg Fischer (1816 - 1897), "Die du mein Alles bist", appears in Gedichte, in Lieder der Liebe
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Confirmed with Gedichte von J.G. Fischer, Stuttgart und Tübingen: J.G. Cotta'scher Verlag, 1854, page 67.
You know well that you are everything to me; Oh, do not turn your lovely eyes from me When I speak to you of our love’s happiness, You who are everything to me! You know well that you are everything to me; Oh, do not gaze enviously after the flowers That, soon faded, the brook carries away, You who are everything to me! You know well that you are everything to me; Oh soon, I feel it, you shall be dead And leave this poor heart alone, [This heart] to which you are everything!
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
Contact: licenses@email.lieder.example.net
Based on:
- a text in German (Deutsch) by Johann Georg Fischer (1816 - 1897), "Die du mein Alles bist", appears in Gedichte, in Lieder der Liebe
Go to the general single-text view
Translations of title(s):
"Du weißt es wohl" = "You know well"
"Du weißt es wohl, daß du mein Alles bist" = "You know well that you are everything to me"
"Die du mein allest bist" = "You who are everything to me"
"Mein Alles" = "Everything to me"
This text was added to the website: 2020-02-05
Line count: 12
Word count: 94
Du liebes Auge, [willst dich tauchen]1, In meines [Augs]2 [geheimste]3 Tiefe, Zu [spähen]4, wo in blauen Gründen Verborgen eine Perle schliefe? Du liebes Auge, tauche nieder, Und in die klare Tiefe dringe Und lächle, wenn ich dir [dein Bildniß]5 Als schönste Perle wiederbringe.
Text Authorship:
- by Otto Roquette (1824 - 1896), "Perlenfischer"
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View original text (without footnotes)Confirmed with Otto Roquette, Liederbuch, Stuttgart und Tübingen: J.G. Cotta’scher Verlag, 1852, page 59
1 Röhmeyer: "tauche nieder"2 Franz, Reger: "Aug's"
3 Wolf: "geheimster"
4 Wolf: "späh'n"
5 Wolf: "dies Bild"
You dear eyes, would you submerge yourselves Into the most secret depths of my eyes, To espy, where in blue seabeds A pearl sleeps concealed? You dear eyes, plunge down, And penetrate into the clear depths, And smile when I return to you [Your own]1 image as the most beautiful pearl.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2017 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
Contact: licenses@email.lieder.example.net
Based on:
- a text in German (Deutsch) by Otto Roquette (1824 - 1896), "Perlenfischer"
Go to the general single-text view
View original text (without footnotes)Translations of title(s):
"Du liebes Auge willst dich tauchen" = "You dear eyes, would you submerge yourself"
"Du liebes Auge" = "You dear eyes"
"Perlenfischer" = "Pearl fishers"
This text was added to the website: 2017-09-29
Line count: 8
Word count: 52