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Kafka Fragments
Translations © by Laura Stanfield Prichard
Song Cycle by György Kurtág (b. 1926)
View original-language texts alone: Kafka-Fragmente, op. 24
Die Guten gehen im gleichen Schritt. Ohne von ihnen zu wissen, tanzen die andern um sie die Tänze der Zeit.
Good soldiers march in time. Without knowing about them, other people dance around them in Time's dances.
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Wie ein Weg im Herbst: Kaum ist er reingekehrt, bedeckt er sich wieder mit den trockenen Blättern.
Like a path in autumn: hardly is it swept clean, before it decks itself again with dry leaves.
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Verstecke sind unzählige, Rettung nur eine, aber Möglichkeiten Der Rettung wieder so viele wie Verstecke.
Hiding places are innumerable, and there is only one salvation, but the possibilities for salvation are just as plentiful as the number of hiding places.
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Schlage deinen Mantel, hoher Traum, um das Kind.
Whip your mantle, great dream, around the child.
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Nimmermehr, nimmermehr kehrst Du wieder in die Städte, nimmermehr tönt die große Glocke über Dir.
Nevermore, nevermore will you return to the cities, Nevermore will the great bell toll for you.
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"Wenn er mich immer frägt." Das ä, losgelöst vom Satz, flog dahin wie ein Ball auf der Wiese.
"He keeps questioning me." His "um", detached from its sentence, flew away like a ball across the lawn.
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Es zupfte jemand am Kleid, aber ich schüttelte ihn ab.
Someone tugged at my dress, but I shrugged him off.
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Die Weißnäherinnen in den Regengüssen.
The seamstresses in the downpours.
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Die Zuschauer erstarren, wenn der Zug vorbeifährt.
The bystanders freeze when the train passes by.
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Geschlafen, aufgewacht, geschlafen, aufgewacht, elendes Leben.
Slept, woke, slept, woke, what a miserable life.
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Meine Ohrmuschel fühlte sich frisch, rauh, kühl, saftig an wie ein Blatt.
My ear felt fresh to my touch, rough, cool, succulent like a leaf.
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Einmal brach ich mir das Bein, es war das schönste Erlebnis meines Lebens.
Once I broke my leg, it was the most splendid experience of my life.
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Subtitle: "Hassidic Dance"
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Word count: 14
Einen Augenblick lang fühlte ich mich umpanzert.
For a moment, I felt bombproof.
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Subtitle: "Bombproof"
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Auf Balzacs Spazierstockgriff: ich breche alle Hindernisse. Auf meinem: Mich brechen alle Hindernisse. Gemeinsam ist das "alle".
On Balzac's walking stick handle: "I overcome all obstacles." On mine: "I'm overcome by all obstacles." They've both got that "all."
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Subtitle: " (Authentic - Plagal)"
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Word count: 21
Von einem gewissen Punkt an gibt es keine Rückkehr mehr. Dieser Punkt ist zu erreichen.
At a certain point, there's no going back. That's the point I'm trying to get to.
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Ich werde mich nicht müde werden lassen. Ich werde in meine Novelle hineinspringen und wenn es mir das Gesicht zerschneiden sollte.
I won't let myself get tired. I will dive into my novel even if my face gets sliced up.
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Subtitle: "I won't let myself get tired."
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Word count: 19
Träumend hing die Blume am hohen Stengel. Abenddämmerung umzog sie.
Dreaming, hung the flower from its long stem. At dusk, it moved.
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Nichts dergleichen, nichts dergleichen.
Nothing of the kind, nothing of the kind.
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Der wahre Weg geht über ein Seil, das nicht in der Höhe gespannt ist, sondern knapp über dem Boden. Es scheint mehr bestimmt, stolpern zu machen, als begangen zu werden.
The true path crosses the rope, not suspended high up, but just above the floor. It mainly seems to be there to make one stumble, rather than to be walked on.
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Es gibt kein Haben, nur ein Sein, nur ein nach letzen Atem, nach Ersticken verlangendes Sein.
There is no having, only being, just one last breath, longing for suffocation.
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Der Coitus als Bestrafung des Glückes des Beisammenseins.
Sex as punishment for thrill of getting together.
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Meine Gefängniszelle -- meine Festung.
My prison cell -- my fortress.
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Schmutzig bin ich, Milena, endlos schmutzig, darum mache ich ein solches Geschrei mit der Reinheit. Niemand singt so rein als die, welche in der tiefsten Hölle sind; was wir für den Gesang der Engel halten, ist ihr Gesang.
I'm filthy, Milena, totally filthy, therefore I make such a racket about purity. None sings as purely as those, who are in the deepest Hell; what we regard as angelic song, is really their song.
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Geschlafen, aufgewacht, geschlafen, aufgewacht, elendes Leben.
Slept, woke, slept, woke, what a miserable life.
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Der begrenzte Kreis ist rein.
The closed circle is pure.
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Es gibt ein Ziel, aber keinen Weg; was wir Weg nehmen, ist Zögern.
There's a goal, but no way to get there; what we take for a path, is hesitation.
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So fest wie die Hand den Stein hält. Sie hält ihn aber fest, nur um ihn desto weiter zu verwerfen. Aber auch in jene Weite führt der Weg.
So firmly does the hand hold the stone. It holds it so tightly, only to throw it as far away as it can. But the path also leads all that way.
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Im Kampf zwischen dir und der Welt sekundiere der Welt.
In the battle between you and the world, back the world.
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Verstecke sind unzählige, Rettung nur eine, aber Möglichkeiten Der Rettung wieder so viele wie Verstecke.
Hiding places are innumerable, and there is only one salvation, but the possibilities for salvation are just as plentiful as the number of hiding places.
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Staunend sahen wir das große Pferd. Es durchbrach das Dach unserer Stube. Der bewölkte Himmel zog sich schwach entlang des gewaltigen Umrisses, und rauschend flog die Mähne im Wind.
We were amazed to see the large horse. It broke through the roof of our bedroom. The billowy canopy dragged weakly along its massive silhouette, and its mane whipped in the wind.
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Die Tänzerin Eduardowa, eine Liebhaberin in der Musik, fährt wie Überall so auch in der Elektrischen in Begleitung zweier Violinisten, die sie häufig spielen läßt. Denn es besteht kein verbot, warum in der Elektrischen nicht gespielt werden dürfte, wenn das Spiel gut, den Mitfahrenden angenehm ist und nichts kostet, das heißt, wenn nachher nicht eingesammelt wird. Es ist allerdings im Anfang ein wenig überraschend, und ein Weilchen lang findet jeder, es sei unpassend. Aber bei voller Fahrt, starkem Luftzug und stiller Gasse klingt es hübsch.
The dancer Eduardowa, a music lover, goes everywhere including by streetcar in the company of two violinists, whom she frequently asks to play. There's no prohibition, on streetcars from playing, as long as the playing is good, pleases the passengers, and doesn't cost anything, meaning, no collection is taken up. It's all, in the beginning, a little surprising and for awhile, everyone considers it improper. But at full speed, with strong breezes and in a quiet street, it sounds pretty.
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Subtitle: "In a dream I asked the dancer Eduardowa if she would deign to dance the csárdás again"
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Word count: 80
Zu spät. Die Süßigkeit der Trauer und der Liebe. Von ihr angelächelt werden im Boot. Das war das Allerschönste. Immer nur das Verlangen, zu sterben und das Sich-noch-Halten, das allein ist Liebe.
Too late. The sweetness of sorrow and love. Her smiling face in a boat. That was the best of all. Always longing for death and holding yourself back, that alone is love.
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Ich sehe einem Mädchen in die Augen, und es war eine sehr lange Liebesgeschichte mit Donner und Küssen und Blitz. Ich lebe rasch.
I look a girl in the eyes, and see a very long love story with thunder and kisses and lightning. I'm living quickly.
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Word count: 23
Noch spielen die Jagdhunde im Hof, aber das Wild entgeht ihnen nicht,
so sehr es jetzt schon durch die Wälder jagt.
...
Text Authorship:
- by Franz Kafka (1883 - 1924), written 1917
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Note: the text above is taken from lines 1-2 of the original text.
Still playing, are the hounds in the courtyard, but the game won't escape,
when they begin to hunt in the woods.
...
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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This text was added to the website: 2020-01-08
Line count: 7
Word count: 64
Jetzt am Abend, nachdem ich von sechs Uhr früh an gelernt habe, bemerke ich, wie meine linke Hand die Rechte schon ein Weilchen lang aus Mitleid bei den Fingern umfaßt hielt.
Now it's evening, since six in the morning I've been at study, and I notice, how my left hand has for awhile been gripping the fingers of my right in compassion.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Word count: 31
Leoparden brechen in den Tempel ein und saufen die Opferkrüge leer: das wiederholt sich immer wieder: schließlich kann man es vorausberechnen, und es wird ein Teil der Zeremonie.
Leopards break into the temple and drink the sacrificial jugs dry: the repeats over and over: finally one can predict it, it becomes part of the ceremony.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Word count: 27
Ich kann...nicht eigentlich erzählen, ja fast nicht einmal reden; wenn ich erzähle, habe ich meistens ein Gefühl, wie es kleine Kinder haben könnten, die die ersten Gehversuche machen.
I can ... not actually tell a story, can hardly even speak; when I try to tell a story, I usually feel like little children could feel, who try to take their first steps.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Word count: 33
Wiederum, wiederum, weit verbannt, weit verbannt. Berge, Wüste, weites Land gilt es zu durchwandern.
Once again, once again, exiled far, far away. Mountains, desert, a broad expanse worth crossing.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Word count: 15
Es blendete uns die Mondnacht. Vögel schrien von Baum zu Baum. In den Feldern sauste es. Wir krochen durch den Staub, ein Schlangenpaar.
We were blinded by moonlight. Birds screeched from the trees. Through the fields, wind rushed. We crawled through the dust, a pair of snakes.
Text Authorship:
- Translation from German (Deutsch) to English copyright © 2020 by Laura Stanfield Prichard, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
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Based on:
- a text in German (Deutsch) by Franz Kafka (1883 - 1924)
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This text was added to the website: 2020-01-08
Line count: 4
Word count: 24