by Clemens Maria Wenzeslaus von Brentano (1778 - 1842)
Translation Singable translation by Constantino Grondona
Hör es klagt die Flöte wieder
Language: German (Deutsch)
[Hör]1 es klagt die Flöte wieder Und die kühlen [Brunnen]2 rauschen, Golden wehn die Töne nieder, Stille, [stille]3, laß uns lauschen! Holdes Bitten, mild Verlangen, [Wie es süß zum Herzen spricht]4! Durch die Nacht die mich umfangen, Blickt zu mir der Töne Licht.
About the headline (FAQ)
View original text (without footnotes)1 Brandts-Buys: "Horch"
2 Louis Ferdinand: "Bronnen"
3 omitted by Brandts-Buys.
4 Brandts-Buys: "Wie so süß zum Herzen es spricht!"
Text Authorship:
- by Clemens Maria Wenzeslaus von Brentano (1778 - 1842), no title, written 1802, appears in Lustige Musikanten, first published 1803 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by R. Andersch , "Abendständchen", op. 33 no. 8, published 1891 [ soprano or tenor and piano ], from Licht und Schatten. Acht Lieder für Sopran (oder Tenor) mit Pianoforte, no. 8, Regensburg, Fritz [sung text not yet checked]
- by Julius (or Jules) André (1808 - 1880), "Abendständchen", op. 58 ([Sechs] Lieder und Gesänge für 1 Singstimme mit Pianoforte) no. 5, published 1875 [ voice and piano ], Offenbach, André  [sung text not yet checked]
- by Johannes Brahms (1833 - 1897), "Abendständchen", op. 42 (Drei Gesänge) no. 1 (1859), published 1872 [ saatbb chorus ], Bremen, Cranz [sung text checked 1 time]
- by Jan Willem Frans Brandts-Buys (1868 - 1933), "Abendständchen", op. 20 (Drei Lieder) no. 2, published 1911 [ voice, flute and piano ], Drei-Masken-Verlag, München [sung text checked 1 time]
- by Walter Braunfels (1882 - 1954), "Abendständchen", op. 58 no. 1 (1918-1942) [ soprano and orchestra ], from Romantische Gesänge für Sopran und Orchester, no. 1 [sung text checked 1 time]
- by Friedrich Wilhelm Dietz (1833 - 1897), "Abendständchen", op. 52 (Drei Lieder für 1 Singstimme mit Pianoforte) no. 1, published 1879 [ voice and piano ], Zürich, Fries [sung text not yet checked]
- by Leo Grill (1846 - 1919?), "Abendständchen", op. 5 (Sieben Lieder für S., A., T. und B.) no. 1, published 1874 [ SATB chorus ], Leipzig, Kistner [sung text not yet checked]
- by Robert Gund (1865 - 1927), "Abendständchen", op. 34 no. 5 (1904) [sung text not yet checked]
- by (Leopold) Heinrich (Picot de Peccaduc), Freiherr von Herzogenberg (1843 - 1900), "Abendständchen", op. 41 (Sieben Lieder für 1 hohe Singstimme mit Pianoforte) no. 6, published 1883 [ high voice and piano ], Leipzig, Rieter-Biedermann [sung text not yet checked]
- by Paul Hindemith (1895 - 1963), "Abendständchen", 1942, published 1999 [ voice and piano ], Schott [sung text not yet checked]
- by Robert Kahn (1865 - 1951), "Abendständchen", 1924, from Zwölf Duette und Kanons zum 14.8.1924, no. 10 [sung text not yet checked]
- by Paul von Klenau (1883 - 1946), "Abendständchen", op. 2 (Fünf Lieder für eine mittlere Singstimme mit Klavierbegleitung) no. 2, published 1906-1913 [ medium voice and piano ], Leipzig, Kahnt Nachfolger [sung text not yet checked]
- by Meta ter Kuile-Troxler (1895 - 1940), "Ständchen", op. 7b (4 Lieder) no. 1, copyright © 1926 [ voice and piano ], Leipzig: Hug, also set in Italian (Italiano) [sung text checked 1 time]
- by René Leibowitz (1913 - 1972), "Hör es klagt die Flöte wieder", op. 38 no. 1 [ baritone and instrumental ensemble (8 instruments) ], from Serenade for baritone and 8 instruments, no. 1 [sung text not yet checked]
- by Louis Ferdinand, Prinz von Preußen (1907 - 1994), "Abendständchen", published 1955 [sung text checked 1 time]
- by Karl Rankl (1898 - 1968), "Abendständchen", 1922 [ female voice and piano ], from 4 Lieder für eine Frauenstimme, no. 4 [sung text not yet checked]
- by Felix vom Rath (1866 - 1905), "Abendständchen", op. 8 (Drei Lieder für 1 Singstimme mit Pianoforte) no. 3, published 1902 [ voice and piano ], Berlin, Ries & Erler  [sung text not yet checked]
- by Max Reger (1873 - 1916), "Abendständchen", op. 83 (Zehn [formerly Acht] Lieder für Männerchor) no. 3, copyright © 1904 [ men's chorus ] [sung text not yet checked]
- by Luise Reichardt (1779 - 1826), "Duettino", published 1819 [ vocal duet with piano ], from operetta Die Musikanten [sung text checked 1 time]
- by Woldemar Sacks , "Abendständchen", op. 9 (Drei Lieder für 1 Singstimme mit Pianoforte) no. 3, published 1895 [ voice and piano ], Berlin, Plothow [sung text not yet checked]
- by Philippine Schick (1893 - 1970), "Hör es klagt die Flöte", op. 29 no. 2 (1936), first performed 1937 [ soprano and piano ], from Vom Frieden der Liebe, no. 2 [sung text not yet checked]
- by Heinrich Kaspar Schmid (1874 - 1953), "Ständchen", op. 21 (Drei Lieder für 3 Oberstimmen) no. 2, published 1912/13, first performed 1913 [ vocal trio for 3 sopranos a cappella ], Wunderhornverlag ; note: this may be the wrong text for this title [sung text not yet checked]
- by Walter Schulthess (1894 - 1971), "Abendständchen" [ voice and piano ] [sung text not yet checked]
- by Richard Stöhr (1874 - 1967), "Abendständchen" [ voice and piano ], from 8 Lieder für eine Singstimme mit Klavierbegleitung, 2. Heft, no. 5 [sung text checked 1 time]
- by Anton Urspruch (1850 - 1907), "Abendständchen", op. 23 (Acht Lieder für 1 Singstimme mit Pianoforte) no. 1 (1882), published 1888 [ voice and piano ], Hamburg, Cranz [sung text not yet checked]
- by Ernest Vietor (flourished 1905-1930), "Abendständchen", op. 16 (Neun Lieder) no. 7 (1937-8) [sung text not yet checked]
- by Johan Weegenhuise (b. 1910), "Abendständchen", 1961 [sung text not yet checked]
- by Max von Weinzierl (1841 - 1898), "Abendständchen", op. 10 (Fünf Lieder) no. 5, published 1879 [ soprano or tenor and piano ], Wien, Jägermayer & Germ  [sung text not yet checked]
- by Hermann Karl Josef Zilcher (1881 - 1948), "Sarabande: Abendständchen", op. 65 no. 3 [ soprano, violin, cello, and piano ], from Rokoko-Suite, no. 3 [sung text checked 1 time]
Settings in other languages, adaptations, or excerpts:
- Also set in Italian (Italiano), a translation by Constantino Grondona ; composed by Meta ter Kuile-Troxler.
Other available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , copyright © 2022, (re)printed on this website with kind permission
- DUT Dutch (Nederlands) (Wim Reedijk) , "Avondserenade", copyright ©, (re)printed on this website with kind permission
- DUT Dutch (Nederlands) [singable] (Lau Kanen) , copyright © 2015, (re)printed on this website with kind permission
- ENG English (Emily Ezust) , "Evening serenade", copyright © 2005
- FRE French (Français) (Pierre Mathé) , copyright © 2009, (re)printed on this website with kind permission
- SPA Spanish (Español) (Helga Jost-Weyer) , "Serenata", copyright © 2014, (re)printed on this website with kind permission
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website between May 1995 and September 2003.
Line count: 8
Word count: 43
Serenata
Language: Italian (Italiano)  after the German (Deutsch)
Tu pur odi il suon del flauto, Le fontane fresche sgorgare L'onda densa d'armonia? Zitto, zitto, vo' ascoltare! Voci pien d'affetto, dolce preghiera, Cari al core mio v'adduce Questa notte che m'intorna, Che mi dà dei suon la luce.
Text Authorship:
- Singable translation by Constantino Grondona  [author's text not yet checked against a primary source]
Based on:
- a text in German (Deutsch) by Clemens Maria Wenzeslaus von Brentano (1778 - 1842), no title, written 1802, appears in Lustige Musikanten, first published 1803
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Meta ter Kuile-Troxler (1895 - 1940), "Serenata", op. 7b (4 Lieder) no. 1, copyright © 1926 [ voice and piano ], Leipzig: Hug, also set in German (Deutsch) [sung text checked 1 time]
Researcher for this page: Harry Joelson
This text was added to the website: 2007-08-15
Line count: 8
Word count: 39