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by Julius Rodenberg (1831 - 1914)
Translation © by Sharon Krebs

Nun bricht aus allen Zweigen
Language: German (Deutsch) 
Our translations:  ENG
[Nun]1 [bricht]2 aus [allen]3 Zweigen
Das [maienfrische Grün]4,
Die ersten Lerchen steigen,
Die [ersten]5 Veilchen blüh'n;
Und golden liegen Tal und Höh'n --
O Welt, du bist so wunderschön
Im Maien!
 
Und [wie]6 die Knospen springen,
Da regt sich's allzumal;
Die [muntren]7 Vögel singen,
Die Quelle rauscht [in's]8 Tal;
Und freudig [schallt]9 das Lustgetön:
O Welt, du bist so wunderschön
Im Maien!
 
[Wie sich die Bäume]10 wiegen
Im lieben Sonnenschein!
Wie hoch die Vögel fliegen,
Ich möchte hinterdrein;
Möcht' jubeln über Tal und Höh'n:
O Welt, du bist so wunderschön,
Im Maien!

Available sung texts: (what is this?)

•   A. Billeter •   F. Hiller •   J. Marx •   R. Stöckhardt 

About the headline (FAQ)

View original text (without footnotes)

Confirmed with Julius Rodenberg, Lieder, Neue wohlfeile Ausgabe, Hannover: Carl Rümpler, 1862, pages 113-114.

1 Gericke, Schwantzer, Sieber: "Es"; Högg: "Noch"; further changes may exist not shown above.
2 Högg: "blüht"; further changes may exist not shown above
3 I. Lachner: "vollen"; further changes may exist not noted above.
4 Hiller: "frische Maiengrün"
5 Billeter: "kleinen"
6 Stöckhardt: "wenn"
7 Hiller, Marx: "muntern"; Stöckhardt: "munter'n"
8 Hiller, Stöckhardt: "zu"
9 Marx: "hallt"
10 Stöckhardt: "Und wie die Bäum' sich"

Text Authorship:

  • by Julius Rodenberg (1831 - 1914), "Im Maien", appears in Lieder, in Wanderlieder, in Aus den Bergen [author's text checked 1 time against a primary source]

Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):

  • by Franz Wilhelm Abt (1819 - 1885), "Im Maien", op. 139 (6 Lieder für Sopran, Alt, Tenor und Bass) no. 2, published 1856 [ SATB chorus ], Offenbach, André [sung text not yet checked]
  • by Valentin Eduard Becker (1814 - 1890), "Im Maien", op. 73 (Sechs Lieder für Sopran, Alt, Tenor und Bass) no. 3, published 1873 [ SATB chorus a cappella ], Leipzig, Forberg [sung text not yet checked]
  • by Franz Behr (1837 - 1898), "O Welt, du bist so wunderschön", op. 383 (Fünf Lieder für 1 Singstimme mit Pianoforte) no. 2, published 1877 [ voice and piano ], Leipzig, Kistner  [sung text not yet checked]
  • by Agathon Billeter (1834 - 1881), "Nun bricht aus allen Zweigen" [ voice and lute ] [sung text checked 1 time]
  • by Agathon Billeter (1834 - 1881), "Im Maien", op. 26 (Drei leichte Lieder für gemischte Chor) no. 3 [ four-part mixed chorus a cappella ], Leipzig: Rob. Forberg [sung text not yet checked]
  • by Martin Blumner (1827 - 1901), "Im Maien", op. 10 (Sechs Lieder von Göthe, Geibel, Lenau, Rodenberg und Beck, für S., A., T. und B. ) no. 5, published 1861 [ SATB chorus a cappella ], Berlin, Bahn [sung text not yet checked]
  • by (Johann Hermann) Heinrich Böie (1825 - 1879), "O Welt, du bist so wunderschön", published 1885 [ voice and piano ], from Zehn Lieder für 1 Singstimme mit Pianoforte, no. 6, Hamburg, Böhme [sung text not yet checked]
  • by (Carl or Caspar) Joseph Brambach (1833 - 1902), "O Welt, du bist so wunderschön", op. 17 (12 dreistimmige Chorlieder für Sopran-, Mezzosopran- und Alt mit Pianoforte) no. 11, published 1871 [ three-part women's chorus and piano ], Leipzig, Kistner [sung text not yet checked]
  • by Simon Breu (1858 - 1933), "Im Maien", op. 33 (Zwei Lieder im Volkston für Männerchor) no. 1, published 1894 [ men's chorus ], Leipzig, Kistner [sung text not yet checked]
  • by (Adolf) Emil Büchner (1826 - 1908), "O Welt, du bist so wunderschön", op. 28 (Sechs Lieder für 1 Singstimme mit Pianoforte) no. 5, published 1875 [ voice and piano ], Leipzig, Kahnt [sung text not yet checked]
  • by Louis Dumack , "O Welt, du bist so wunderschön", op. 20, published 1885 [ four-part men's chorus a cappella ], Schleusingen, Glaser [sung text not yet checked]
  • by Victor von Erlanger , "O Welt, du bist so wunderschön", published 1899 [ voice and piano ], from Vier Lieder für 1 Singstimme mit Pianofortebegleitung, no. 3, Wien, Berté & Co. [sung text not yet checked]
  • by Louis Flügge , "Im Maien", op. 10 (Sechs Lieder für 1 Singstimme mit Pianofortebegleitung) no. 2, published 1885 [ voice and piano ], Leipzig, Kistner [sung text not yet checked]
  • by Gustav Wilhelm Ferdinand Gäbler (1846 - 1914), "Im Maien ", op. 23 no. 1, published 1884 [ mixed chorus a cappella ], from Sechs Mailieder für gemischten Chor, no. 1, Berlin, Bahn [sung text not yet checked]
  • by Friedrich Gartz (1819 - 1896), "Im Maien", op. 178 (Drei heitere Lieder) no. 1, published 1893, Leipzig, Rühle [sung text not yet checked]
  • by Theodor Gaugler (1840 - 1892), "O Welt, du bist so wunderschön", op. 23 no. 15, published 1876 [ women's chorus or boys' chorus ], from Sammlung drei- und vierstimmigen Lieder für Frauenchor (Mädchen- oder ungebrochene Knabenstimme) z. Gebr. in Schule und Verein, no. 15, Binningen, (Kompfe) [sung text not yet checked]
  • by Heinrich Gelhaar , "Nun bricht aus allen Zweigen", op. 3 (Sechs Lieder) no. 6, published 1874 [ voice and piano ], Leipzig, Kahnt [sung text not yet checked]
  • by Wilhelm Gericke (1845 - 1925), "O Welt, du bist so wunderschön", op. 5 (2 Lieder) no. 1, published 1872 [ men's chorus ], Wien, Ludewig & Sch. [sung text not yet checked]
  • by Georg Eduard Goltermann (1824 - 1898), "Im Maien", op. 28 no. 2 [ soprano or tenor and piano ] [sung text not yet checked]
  • by Friedrich Gräbke (1828 - 1906), "Im Maien", op. 14 (Drei Lieder für 1 Singstimme mit Pianofortebegleitung) no. 3, published 1900 [ voice and piano ], Leipzig, Arwed Strauch [sung text checked 1 time]
  • by Richard Hageman (1881 - 1966), "O Welt, du bist so wunderschön!" [ voice and piano ], from Vier deutsche Gedichte, no. 3 [sung text not yet checked]
  • by Hans Harthan (1855 - 1936), "O Welt, du bist so schön", op. 63 (Sechs Lieder für 1 hohe Stimme -- für 1 tiefe Stimme mit Pianoforte) no. 3, published 1895 [ high voice or low voice and piano ], Leipzig, Junne [sung text not yet checked]
  • by Ferdinand von Hiller (1811 - 1885), "Im Maien", op. 129 (Zwölf Gesänge für Altstimme mit Pianoforte) no. 5, published 1867 [ alto and piano ], Bremen, Cranz [sung text checked 1 time]
  • by Anton Högg , "O Welt, du bist so wunderschön", op. 10 (Drei Lieder für 1 Singstimme mit Pianoforte) no. 2, published 1900 [ voice and piano ], Augsburg, Böhm & Sohn [sung text not yet checked]
  • by Carl Isenmann (1839 - 1889), "Im Maien", op. 67 (Vier Lieder für 4 Frauenstimme (Chor oder Soli) ) no. 2, published 1884 [ four-part women's chorus or vocal quartet of female voices a cappella ], Berlin, Ries & Erler [sung text not yet checked]
  • by Hugo Wilhelm Ludwig Kaun (1863 - 1932), "Im Maien", op. 73 (Vierstimmige Frauenchöre) no. 2 [ four-part women's chorus a cappella ], Leipzig, Kahnt Nachfolger [sung text not yet checked]
  • by Arno Kleffel (1840 - 1913), "Im Maien", op. 39 (Sechs Lieder für 1 Singstimme mit Pianoforte) no. 3, published 1887 [ voice and piano ], Berlin, Bote & Bock [sung text not yet checked]
  • by Iosif Iosifovich Kotek (1855 - 1885), "O Welt, du bist so wunderschön", op. 7 (Drei Lieder für Mezzo-Sopran mit Pianofortebegleitung) no. 2, published 1882 [ mezzo-soprano and piano ], Berlin, Bote & Bock [sung text not yet checked]
  • by Ignaz Lachner (1807 - 1895), "Im Maien", op. 78 (Sechs Gesänge für vier Männerstimmen), Heft 1 no. 3, published 1876 [ vocal quartet for male voices ], Offenbach, André [sung text not yet checked]
  • by Adalbert (Béla) Laszky (1867 - 1935), "Im Mai", published 1898 [ voice and piano ], from Zwanzig Lieder Heft 2, no. 7, Budapest: F. Bárd et Frère [sung text not yet checked]
  • by Joseph Marx (1882 - 1964), "Im Maien", 1908, published 1912 [ voice and piano ], in Lieder und Gesänge, II. Folge, Nr.19 [sung text checked 1 time]
  • by Carl (or Karl) Matys (1835 - 1908), "Im Maien", op. 47, published 1877 [ voice, cello, and piano ], Hannover, Simon [sung text not yet checked]
  • by Carl Theodor Emanuel, Freiherr von Perfall (1824 - 1907), "Im Maien ", published 1895 [ SATB chorus a cappella ], from Frühlingslieder für gemischten Chor, no. 5, Leipzig, Breitkopf & Härtel [sung text not yet checked]
  • by Wilhelm Petersen (flourished 1899), "O Welt, du bist so schön", op. 8 (Drei Lieder für vierstimmigen Männerchor) no. 2, published 1899 [ men's chorus a cappella ], Berlin, Wernthal [sung text not yet checked]
  • by Louis Schlottmann (1826 - 1905), "Im Maien ", op. 13 (Sechs vierstimmige Lieder für gemischten Chor) no. 1, published 1861 [ SATB chorus ], Berlin, Bahn [sung text not yet checked]
  • by Gustav Schmidt (1816 - 1882), "Im Maien", op. 44 (Drei Lieder für 1 Singstimme mit Pianofortebegleitung) no. 2, published 1880 [ voice and piano ], Offenbach, André [sung text not yet checked]
  • by Heinrich Schrader , "Im Maien", op. 5 (Drei Lieder für vierstimmigen Männerchor) no. 1, published 1876 [ four-part men's chorus a cappella ], Braunschweig, Litolff [sung text not yet checked]
  • by Hugo Schwantzer (1829 - 1886), "O Welt, du bist so wunderschön!", op. 18, published 1865 [ SATB chorus ], Berlin, Trautwein  [sung text not yet checked]
  • by Ferdinand Sieber (1822 - 1895), "O Welt, du bist so wunderschön", op. 106 (Zwei Lieder für Sopran (oder Tenor) mit Pianoforte) no. 2, published 1875 [ soprano or tenor and piano ], Berlin, Simon [sung text not yet checked]
  • by Reinhold Stöckhardt (1831 - 1901), "O Welt, du bist so wunderschön", op. 4 (Sechs Lieder und Gesänge für eine Tenorstimme mit Begleitung des Pianoforte) no. 2, published 1873 [ tenor and piano ], Leipzig, Dörffel [sung text checked 1 time]

Available translations, adaptations or excerpts, and transliterations (if applicable):

  • ENG English (Sharon Krebs) , copyright © 2020, (re)printed on this website with kind permission


Research team for this page: Emily Ezust [Administrator] , Ferdinando Albeggiani , Sharon Krebs [Guest Editor] , Johann Winkler

This text was added to the website: 2008-04-26
Line count: 21
Word count: 102

Now from all branches bursts forth
Language: English  after the German (Deutsch) 
[Now from all branches bursts forth]1
The [greenery in its May freshness]2,
The first larks rise,
The [first]3 violets bloom;
And valley and heights lie golden --
Oh world, you are so wondrously beautiful,
In May!

And as the buds burst open,
There is a general stirring;
The merry birds sing,
The water-spring rushes [into]4 the valley;
And the joyful noise rings out:
Oh world, you are so wondrously beautiful,
In May!

How the trees sway
In the dear sunshine!
How high the birds fly,
I would like to follow them;
I would like to rejoice above valley and heights:
Oh world, you are so wondrously beautiful,
In May!

About the headline (FAQ)

View original text (without footnotes)

Translations of title(s):
"Im Mai" = "In May"
"Im Maien" = "In May"
"Nun bricht aus allen Zweigen" = "Now from all branches bursts forth"
"O Welt, du bist so schön" = "Oh world, you are so beautiful"
"O Welt, du bist so wunderschön" = "Oh world, you are so wondrously beautiful"

1 Gericke, Schwantzer, Sieber: "From all branches there bursts forth"; Högg: "From all branches still blooms forth"; I. Lachner: "Now from the lush branches bursts forth"; further changes may exist not noted above.
2 Hiller: "fresh May-greenery"
3 Billeter: "little"
4 Hiller: "toward"

Text Authorship:

  • Translation from German (Deutsch) to English copyright © 2020 by Sharon Krebs, (re)printed on this website with kind permission. To reprint and distribute this author's work for concert programs, CD booklets, etc., you may ask the copyright-holder(s) directly or ask us; we are authorized to grant permission on their behalf. Please provide the translator's name when contacting us.
    Contact: licenses@email.lieder.example.net

Based on:

  • a text in German (Deutsch) by Julius Rodenberg (1831 - 1914), "Im Maien", appears in Lieder, in Wanderlieder, in Aus den Bergen
    • Go to the text page.

 

This text was added to the website: 2020-07-03
Line count: 21
Word count: 113

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This website began in 1995 as a personal project by Emily Ezust, who has been working on it full-time without a salary since 2008. Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Your help is greatly appreciated!
–Emily Ezust, Founder

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