Texts to Art Songs and Choral Works by J. Gardner

𝄞 Composer 𝄞

John Linton Gardner (1917 - 2011)

See Opus Order

Legend:
The symbol [x] indicates a placeholder for a text that is not yet in the database.
The symbol ⊗ indicates a translation that is missing an original text.

A * indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Note: A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.

Song Cycles, Collections, Symphonies, etc.:

A Burns Sequence, op. 213

no. 1. Prayer under the pressure of violent anguish (Text: Robert Burns) CZE
no. 2. Raging fortune (Text: Robert Burns) CZE GER RUS
no. 3. My luve is like a red, red rose (Text: Robert Burns) CZE DAN FRE GER GER GER GER GRE HUN IRI RUS SWG
no. 4. Will ye go to the Indies, my Mary? (Text: Robert Burns) FRE
no. 5. O whistle an'I'll come to you (Text: Robert Burns)
no. 6. Ca' the yowes to the knowes (Text: Robert Burns) FRE
no. 7. Macpherson's farewell (Text: Robert Burns) CZE FRE RUS
no. 8. Paraphrase of the First Psalm (Text: Robert Burns after Bible or other Sacred Texts) ENG ENG ENG ENG FRE FRE FRE GER GER

A Shakespeare Sequence, op. 66

no. 1. It was a lover and his lass (Text: William Shakespeare) FIN FRE GER GER GER
no. 2. Who is Silvia? (Text: William Shakespeare) DUT FIN FRE GER ITA SPA
no. 3. O mistress mine (Text: William Shakespeare) FIN FRE GER GER GER IRI ITA NOR POL
no. 4. If music be the food of love, play on (Text: William Shakespeare) FRE
no. 5. Take, o take those lips away (Text: Anonymous) CAT DUT DUT FIN FRE FRE GER GER GER POL
no. 6. Full fathom five (Text: William Shakespeare) DUT FIN FRE FRE FRE GER GER IRI ITA ITA NOR SPA SWE
no. 7. Orpheus with his lute (Text: John Fletcher) DUT FIN FRE GER GER GER SWE
no. 8. Under the greenwood tree (Text: William Shakespeare) DUT FIN FRE GER GER

A Suite of 5 Songs from Palgrave's Golden Treasury

Take, o take those lips away (Text: Anonymous) CAT DUT DUT FIN FRE FRE GER GER GER POL
Come away, come away, death (Text: William Shakespeare) DUT DUT FIN FRE GER GER GER GER ITA NOR NOR POL SWE

Five Encounters for Six Voices, op. 118

no. 1. There was a maid a-milking (Text: Anonymous) [x]
no. 2. As I sit by my spinning wheel (Text: Anonymous) [x]
no. 3. The thankful country lass (Text: Anonymous) [x]
no. 4. The new balow (Text: Anonymous)
no. 5. There was a knight and he was young (Text: Anonymous) [x]

Five Part Songs to Poems by Wallace Stevens, op. 142

no. 1. Depression before Spring (Text: Wallace Stevens)
no. 2. Peter Quince at the Clavier (Text: Wallace Stevens)
no. 3. Ploughing on Sunday (Text: Wallace Stevens)
no. 4. Life is motion (Text: Wallace Stevens)
no. 5. Cy est Pourtraicte, Madame Ste Ursule, et les Unze Mille Vierges (Text: Wallace Stevens)

Five Philanders, op. 125

no. 1. Rejection (Text: Anonymous) [x]
no. 2. Parting (Text: Anonymous) [x]
no. 3. Falsehood (Text: William Blake)
no. 4. Contentment (Text: Anonymous) [x]
no. 5. Fulfilment (Text: Anonymous) [x]

Four Hymn Tunes for Male Voices, op. 101

no. 1. As pants the hart (Text: Bible or other Sacred Texts after Bible or other Sacred Texts) GER
no. 2. Who would true valour see (Text: John Bunyan)
no. 3. The call (Text: Anonymous) [x]
no. 4. God of the morning (Text: Anonymous) [x]

Four Partsongs to Lyrics by Robert Burns, op. 246

no. 1. Farewell to Eliza (Text: Robert Burns) CZE FRE FRE GER HEB ITA
no. 2. Delia (Text: Robert Burns)
no. 3. On Chloris being ill (Text: Robert Burns)
no. 4. To Miss Isabella MacLeod (Text: Robert Burns)

Four Sailor Songs, op. 108

no. 1. In Plymouth town (Text: Volkslieder ) [x]
no. 2. As I walked down on Broadway (Text: Anonymous) [x]
no. 3. Shenandoah (Text: Anonymous) [x]
no. 4. What shall we do with the drunken sailor? (Text: Volkslieder )

Four Songs to poems by Thomas Hardy, op. 235

no. 1. The selfsame song (Text: Thomas Hardy)
no. 2. The singing woman (Text: Thomas Hardy)
no. 3. First or last (Text: Thomas Hardy)
no. 4. A bygone occasion (Text: Thomas Hardy)

Four Wanton Ballads, op. 81

no. 1. Pleasant New Court Song (Text: Anonymous) [x]
no. 2. Godly Girzie (Text: Anonymous) [x]
no. 3. The Sandgate lass's lamentation (Text: Volkslieder )
no. 4. The old man and young wife (Text: Anonymous) [x]

Hebdomade, op. 150

no. 1. Sweet Suffolk Owl (Text: Thomas Vautor)
no. 2. Fain would I change that note (Text: Anonymous)
no. 3. Weep you no more, sad fountains (Text: 16^th century) FRE GER
no. 4. A Sparrow-Hawk proud did hold in wicked jail (Text: Anonymous)
no. 5. Mother, I will have a husband (Text: Anonymous)
no. 6. Interlude (Text: Anonymous) [x]
no. 7. It was a lover and his lass (Text: William Shakespeare) FIN FRE GER GER GER

Herrick Cantata, op. 49 [cantata]

no. 1. To music, a song (Text: Robert Herrick)
no. 2. To daisies, not to shut too soon (Text: Robert Herrick)
no. 3. A dialogue betwixt himself and Mistress Eliza Wheeler (Text: Robert Herrick)
no. 4. Cherry ripe (Text: Robert Herrick)
no. 5. Love: what it is (Text: Robert Herrick)
no. 6. To love (Text: Robert Herrick) [x]
no. 7. Corinna's gone a-Maying (Text: Robert Herrick)
no. 8. To Music, to becalm his fever (Text: Robert Herrick)
no. 9. On himself (Text: Robert Herrick) [x]
no. 10. To Anthea, who may command him anything (Text: Robert Herrick) FRE

Nine poems from the note-book (1793) of William Blake

no. 1. Day (Text: William Blake) RUS
no. 2. I laid me down upon a bank (Text: William Blake)
no. 3. A cradle song (Text: William Blake) GER
no. 4. The wild flower's song (Text: William Blake)
no. 5. I saw a chapel all of gold (Text: William Blake)
no. 6. I asked a thief (Text: William Blake)
no. 7. To Nobodaddy (Text: William Blake)
no. 8. The fairy (Text: William Blake) CHI CHI
no. 9. Infant sorrow (Text: William Blake)

Octad, op. 177

no. 1. Prelude (Text: Anonymous) [x]
no. 2. Paradigma amoris (Text: Anonymous) [x]
no. 3. The lover (Text: Anonymous) [x]
no. 4. Spring song (Text: Anonymous) [x]
no. 5. In the garden (Text: Anonymous) [x]
no. 6. Drinking song (Text: Anonymous) [x]
no. 7. Nocturne (Text: Anonymous) [x]
no. 8. Wedding song (Text: Anonymous) [x]

Partsongs to poems by Robert Herrick, op. 196

no. 1. To violets (Text: Robert Herrick) SPA
no. 2. On himself (Text: Robert Herrick) [x]
no. 3. Another on love (Text: Robert Herrick)
no. 4. A hymn to love (Text: Robert Herrick)

Proverbs of Hell, op. 85

no. 1. In seed time learn, in harvest teach, in winter enjoy (Text: William Blake)
no. 2. I heard an Angel singing (Text: William Blake)
no. 3. Epilogue to the Accuser who is God of this World (Text: William Blake)

Recollections of Love, op. 242

no. 1. How warm this woodland wild Recess (Text: Samuel Taylor Coleridge)
no. 2. Eight springs have flown (Text: Samuel Taylor Coleridge)
no. 3. No voice as yet had made the air (Text: Samuel Taylor Coleridge)
no. 4. As when a mother doth explore (Text: Samuel Taylor Coleridge)
no. 5. You stood before me like a thought (Text: Samuel Taylor Coleridge)
no. 6. Has not, since then, Love's prompture deep (Text: Samuel Taylor Coleridge)
no. 7. A slumber did my spirit seal (Text: William Wordsworth)

Seven Poems of Stevie Smith, op. 126

no. 1. Après la politique (Text: Stevie Smith) [x]
no. 2. The bereaved swan (Text: Stevie Smith) [x]
no. 3. My cats (Text: Stevie Smith)
no. 4. The jungle husband (Text: Stevie Smith) [x]
no. 5. The cock and the hen (Text: Stevie Smith) [x]
no. 6. Pad, pad (Text: Stevie Smith)
no. 7. Private means is dead (Text: Stevie Smith) [x]

Seven Songs, op. 36

no. 1. Hark, hark! the lark (Text: William Shakespeare) CHI DUT FIN FRE GER GER GER GER ITA
no. 2. Crabbed age and youth (Text: Anonymous) FRE
no. 3. Gather ye rosebuds while ye may (Text: Robert Herrick) SPA
no. 4. Fear no more the heat o' the sun (Text: William Shakespeare) FIN FRE GER GER ITA SPA
no. 5. Under the greenwood tree (Text: William Shakespeare) DUT FIN FRE GER GER
no. 6. It is not growing like a tree (Text: Ben Jonson) GER
no. 7. How happy is he born and taught (Text: Henry Wotton, Sir)

Six by Four, op. 181

no. 1. Lawn as white as driven snow (Text: William Shakespeare) FRE
no. 2. When icicles hang by the wall (Text: William Shakespeare) FIN FRE GER RUS
no. 3. Over hill, over dale (Text: William Shakespeare) FRE ITA
no. 4. Come away, death (Text: William Shakespeare) DUT DUT FIN FRE GER GER GER GER ITA NOR NOR POL SWE
no. 5. When daisies pied (Text: William Shakespeare) FIN FRE FRE GER GER GER NOR
no. 6. When that I was a little boy (Text: William Shakespeare) CAT DAN FIN FRE GER NOR POL RUS SWE

Tennyson Trip, op. 122

Claribel, a Melody (Text: Alfred Tennyson, Lord) GER
The Charge of the Light Brigade (Text: Alfred Tennyson, Lord)
Crossing the Bar (Text: Alfred Tennyson, Lord) CHI

The Ballad of the White Horse, op. 40

no. 1. The white horse (Text: Gilbert Keith Chesterton) [x]
no. 2. The northmen (Text: Gilbert Keith Chesterton) [x]
no. 3. The vision of the king (Text: Gilbert Keith Chesterton) [x]
no. 4. The gathering of the chiefs (Text: Gilbert Keith Chesterton) [x]
no. 5. The harp of Alfred (Text: Gilbert Keith Chesterton) [x]
no. 6. The Battle of Ethandune (Text: Gilbert Keith Chesterton) [x]
no. 7. The baptism of Guthrum (Text: Gilbert Keith Chesterton) [x]
no. 8. The scouring of the horse (Text: Gilbert Keith Chesterton) [x]

The Turning Year, op. 19

no. 1. Spring (Text: Christopher Scaife) [x]*
no. 2. Summer (Text: Christopher Scaife) [x]*
no. 3. Autumn (Text: Christopher Scaife) [x]*
no. 4. Winter (Text: Christopher Scaife) [x]*

Three Amorous Airs, op. 104

no. 1. Waly waly (Text: Volkslieder )
no. 2. The German flute (Text: Anonymous) [x]
no. 3. The Ballad of Nancy Dee (Text: Anonymous) [x]

Three Poems from "A Shropshire Lad", op. 226

no. 1. Into my heart an air that kills (Text: Alfred Edward Housman) ITA
no. 2. Think no more, lad (Text: Alfred Edward Housman) FRE HEB
no. 3. With rue my heart is laden (Text: Alfred Edward Housman)

Three songs for women's chorus and piano, op. 1

no. 1. Why so pale and wan, fond lover? (Text: John Suckling, Sir) GER
no. 2. Phyllis and Corydon (Text: Nicholas Breton)
no. 3. The baffled knight (Text: Volkslieder ) [x]

Throwaway Lines, op. 214

no. 1. Hymn to Proust (Text: Anonymous) [x]
no. 2. Extravagance (Text: Anonymous) [x]
no. 3. British Guiana (Text: Anonymous) [x]
no. 4. Short time (Text: Anonymous) [x]
no. 5. The middle years (Text: Anonymous) [x]
no. 6. After Heine (Text: Anonymous) [x]
no. 7. Climacteric (Text: Anonymous) [x]

Triad, op. 165

no. 1. An odd conceit (Text: Anonymous) [x]
no. 2. In love's dispraise (Text: Anonymous) [x]
no. 3. A proper song (Text: Anonymous) [x]

Waltzsongs, op. 224

no. 1. Love in thy youth, fair maid
no. 2. A birthday (Text: Anonymous) [x]
no. 3. Upon Julia's clothes (Text: Robert Herrick)
no. 4. A song (Text: Anonymous) [x]
no. 5. Sigh no more, ladies (Text: William Shakespeare) DUT DUT FIN FIN FRE FRE GER ITA ITA POL
no. 6. Living (Text: Anonymous) [x]

All titles of vocal settings in Alphabetic order

A birthday, op. 224 no. 2 (in Waltzsongs) (Text: Anonymous) [x]
A bygone occasion, op. 235 no. 4 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
A cradle song , op. 138 no. 3 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake) GER
A dialogue betwixt himself and Mistress Eliza Wheeler, op. 49 no. 3 (in Herrick Cantata) (Text: Robert Herrick)
A fair maid walking all in her garden, op. 27 (Text: Volkslieder )
After Heine, op. 214 no. 6 (in Throwaway Lines) (Text: Anonymous) [x]
A hymn to love, op. 196 no. 4 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick)
And did those feet, op. 6 (Text: William Blake) GER SPA
And when the day of pentecost, op. 4 (Text: Anonymous) [x]
An odd conceit, op. 165 no. 1 (in Triad) (Text: Anonymous) [x]
Another on love, op. 196 no. 3 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick)
Après la politique, op. 126 no. 1 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]
A proper song, op. 165 no. 3 (in Triad) (Text: Anonymous) [x]
As I sit by my spinning wheel, op. 118 no. 2 (in Five Encounters for Six Voices) (Text: Anonymous) [x]
As I walked down on Broadway, op. 108 no. 2 (in Four Sailor Songs) (Text: Anonymous) [x]
A slumber did my spirit seal, op. 242 no. 7 (in Recollections of Love) (Text: William Wordsworth)
A song, op. 224 no. 4 (in Waltzsongs) (Text: Anonymous) [x]
As pants the hart, op. 101 no. 1 (in Four Hymn Tunes for Male Voices) (Text: Bible or other Sacred Texts after Bible or other Sacred Texts) GER
A Sparrow-Hawk proud did hold in wicked jail, op. 150 no. 4 (in Hebdomade) (Text: Anonymous)
As when a mother doth explore, op. 242 no. 4 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Autumn, op. 19 no. 3 (in The Turning Year) (Text: Christopher Scaife) [x]*
British Guiana, op. 214 no. 3 (in Throwaway Lines) (Text: Anonymous) [x]
Ca' the yowes to the knowes, op. 213 no. 6 (in A Burns Sequence) (Text: Robert Burns) FRE
Cherry ripe, op. 49 no. 4 (in Herrick Cantata) (Text: Robert Herrick)
Claribel, a Melody, op. 122 no. ? (in Tennyson Trip) (Text: Alfred Tennyson, Lord) GER
Climacteric, op. 214 no. 7 (in Throwaway Lines) (Text: Anonymous) [x]
Come away, death, op. 181 no. 4 (in Six by Four) (Text: William Shakespeare) DUT DUT FIN FRE GER GER GER GER ITA NOR NOR POL SWE
Contentment, op. 125 no. 4 (in Five Philanders) (Text: Anonymous) [x]
Corinna's gone a-Maying, op. 49 no. 7 (in Herrick Cantata) (Text: Robert Herrick)
Crabbed age and youth, op. 36 no. 2 (in Seven Songs) (Text: Anonymous) FRE
Crossing the Bar, op. 122 no. ? (in Tennyson Trip) (Text: Alfred Tennyson, Lord) CHI
Cy est Pourtraicte, Madame Ste Ursule, et les Unze Mille Vierges, op. 142 no. 5 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Day, op. 138 no. 1 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake) RUS
Come away, come away, death (in A Suite of 5 Songs from Palgrave's Golden Treasury) (Text: William Shakespeare) DUT DUT FIN FRE GER GER GER GER ITA NOR NOR POL SWE
Delia, op. 246 no. 2 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns)
Depression before Spring, op. 142 no. 1 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Drinking song, op. 177 no. 6 (in Octad) (Text: Anonymous) [x]
Eight springs have flown, op. 242 no. 2 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Entertainment of the Senses, op. 121 (Text: Anonymous) [x]
Epilogue to the Accuser who is God of this World, op. 85 no. 3 (in Proverbs of Hell) (Text: William Blake)
Extravagance, op. 214 no. 2 (in Throwaway Lines) (Text: Anonymous) [x]
Fain would I change that note , op. 150 no. 2 (in Hebdomade) (Text: Anonymous)
Fair daffodils, op. 9 (Text: Robert Herrick) CAT CHI DUT FIN GER
Falsehood, op. 125 no. 3 (in Five Philanders) (Text: William Blake)
Farewell to Eliza, op. 246 no. 1 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns) CZE FRE FRE GER HEB ITA
Fear no more the heat o' the sun, op. 36 no. 4 (in Seven Songs) (Text: William Shakespeare) FIN FRE GER GER ITA SPA
Fifteen million plastic bags, op. 69 (Text: Adrian Mitchell) *
First or last, op. 235 no. 3 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
Fulfilment, op. 125 no. 5 (in Five Philanders) (Text: Anonymous) [x]
Full fathom five, op. 66 no. 6 (in A Shakespeare Sequence) (Text: William Shakespeare) DUT FIN FRE FRE FRE GER GER IRI ITA ITA NOR SPA SWE
Gather ye rosebuds while ye may, op. 36 no. 3 (in Seven Songs) (Text: Robert Herrick) SPA
Godly Girzie, op. 81 no. 2 (in Four Wanton Ballads) (Text: Anonymous) [x]
God of the morning, op. 101 no. 4 (in Four Hymn Tunes for Male Voices) (Text: Anonymous) [x]
Hail the day that sees him rise, op. 24 (Text: Anonymous) [x]
Hark, hark! the lark, op. 36 no. 1 (in Seven Songs) (Text: William Shakespeare) CHI DUT FIN FRE GER GER GER GER ITA
Has not, since then, Love's prompture deep, op. 242 no. 6 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
How happy is he born and taught, op. 36 no. 7 (in Seven Songs) (Text: Henry Wotton, Sir)
How warm this woodland wild Recess, op. 242 no. 1 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Hymn to Proust, op. 214 no. 1 (in Throwaway Lines) (Text: Anonymous) [x]
I asked a thief, op. 138 no. 6 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
If music be the food of love, play on, op. 66 no. 4 (in A Shakespeare Sequence) (Text: William Shakespeare) FRE
I heard an Angel singing , op. 85 no. 2 (in Proverbs of Hell) (Text: William Blake)
I laid me down upon a bank, op. 138 no. 2 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
Infant sorrow, op. 138 no. 9 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
In love's dispraise, op. 165 no. 2 (in Triad) (Text: Anonymous) [x]
In Plymouth town, op. 108 no. 1 (in Four Sailor Songs) (Text: Volkslieder ) [x]
Interlude, op. 150 no. 6 (in Hebdomade) (Text: Anonymous) [x]
In the garden, op. 177 no. 5 (in Octad) (Text: Anonymous) [x]
Into my heart an air that kills , op. 226 no. 1 (in Three Poems from "A Shropshire Lad") (Text: Alfred Edward Housman) ITA
I saw a chapel all of gold , op. 138 no. 5 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
It is not growing like a tree, op. 36 no. 6 (in Seven Songs) (Text: Ben Jonson) GER
It was a lover and his lass, op. 150 no. 7 (in Hebdomade) (Text: William Shakespeare) FIN FRE GER GER GER
It was a lover and his lass, op. 66 no. 1 (in A Shakespeare Sequence) (Text: William Shakespeare) FIN FRE GER GER GER
Lawn as white as driven snow , op. 181 no. 1 (in Six by Four) (Text: William Shakespeare) FRE
Life is motion, op. 142 no. 4 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Living, op. 224 no. 6 (in Waltzsongs) (Text: Anonymous) [x]
Love came to me one sweet Spring day, op. 26 (Text: Lucy Etheldred Broadwood)
Love in thy youth, fair maid, op. 224 no. 1 (in Waltzsongs)
Loveliest of trees, the cherry now, op. 200 (Text: Alfred Edward Housman) FRE HEB
Love: what it is, op. 49 no. 5 (in Herrick Cantata) (Text: Robert Herrick)
Macpherson's farewell, op. 213 no. 7 (in A Burns Sequence) (Text: Robert Burns) CZE FRE RUS
Mother, I will have a husband, op. 150 no. 5 (in Hebdomade) (Text: Anonymous)
My cats, op. 126 no. 3 (in Seven Poems of Stevie Smith) (Text: Stevie Smith)
My luve is like a red, red rose, op. 213 no. 3 (in A Burns Sequence) (Text: Robert Burns) CZE DAN FRE GER GER GER GER GRE HUN IRI RUS SWG
Nocturne, op. 177 no. 7 (in Octad) (Text: Anonymous) [x]
No voice as yet had made the air, op. 242 no. 3 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
O clap your hands, op. 15 (Text: Anonymous) [x]
O mistress mine, op. 66 no. 3 (in A Shakespeare Sequence) (Text: William Shakespeare) FIN FRE GER GER GER IRI ITA NOR POL
On Chloris being ill, op. 246 no. 3 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns)
On himself, op. 196 no. 2 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick) [x]
On himself, op. 49 no. 9 (in Herrick Cantata) (Text: Robert Herrick) [x]
Orpheus with his lute, op. 66 no. 7 (in A Shakespeare Sequence) (Text: John Fletcher) DUT FIN FRE GER GER GER SWE
O sing unto my roundelay, op. 5 (Text: Thomas Chatterton)
Over hill, over dale , op. 181 no. 3 (in Six by Four) (Text: William Shakespeare) FRE ITA
O whistle an'I'll come to you, op. 213 no. 5 (in A Burns Sequence) (Text: Robert Burns)
Pad, pad, op. 126 no. 6 (in Seven Poems of Stevie Smith) (Text: Stevie Smith)
Paradigma amoris, op. 177 no. 2 (in Octad) (Text: Anonymous) [x]
Paraphrase of the First Psalm, op. 213 no. 8 (in A Burns Sequence) (Text: Robert Burns after Bible or other Sacred Texts) ENG ENG ENG ENG FRE FRE FRE GER GER
Parting, op. 125 no. 2 (in Five Philanders) (Text: Anonymous) [x]
Peter Quince at the Clavier, op. 142 no. 2 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Phyllis and Corydon, op. 1 no. 2 (in Three songs for women's chorus and piano) (Text: Nicholas Breton)
Pleasant New Court Song, op. 81 no. 1 (in Four Wanton Ballads) (Text: Anonymous) [x]
Ploughing on Sunday, op. 142 no. 3 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Prayer under the pressure of violent anguish, op. 213 no. 1 (in A Burns Sequence) (Text: Robert Burns) CZE
Prelude, op. 177 no. 1 (in Octad) (Text: Anonymous) [x]
Private means is dead, op. 126 no. 7 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]
Raging fortune, op. 213 no. 2 (in A Burns Sequence) (Text: Robert Burns) CZE GER RUS
Rejection, op. 125 no. 1 (in Five Philanders) (Text: Anonymous) [x]
Salutation for Georg Goetsch, op. 31 (Text: Anonymous) [x]
Shenandoah, op. 108 no. 3 (in Four Sailor Songs) (Text: Anonymous) [x]
Short time, op. 214 no. 4 (in Throwaway Lines) (Text: Anonymous) [x]
Sigh no more, ladies, op. 224 no. 5 (in Waltzsongs) (Text: William Shakespeare) DUT DUT FIN FIN FRE FRE GER ITA ITA POL
In seed time learn, in harvest teach, in winter enjoy, op. 85 no. 1 (in Proverbs of Hell) (Text: William Blake)
Spring song, op. 177 no. 4 (in Octad) (Text: Anonymous) [x]
Spring, the sweet Spring, op. 35 (Text: Thomas Nashe) GER
Spring, op. 19 no. 1 (in The Turning Year) (Text: Christopher Scaife) [x]*
Summer, op. 19 no. 2 (in The Turning Year) (Text: Christopher Scaife) [x]*
Sweet Suffolk Owl, op. 150 no. 1 (in Hebdomade) (Text: Thomas Vautor)
Take, o take those lips away (in A Suite of 5 Songs from Palgrave's Golden Treasury) (Text: Anonymous) CAT DUT DUT FIN FRE FRE GER GER GER POL
Take, o take those lips away , op. 66 no. 5 (in A Shakespeare Sequence) (Text: Anonymous) CAT DUT DUT FIN FRE FRE GER GER GER POL
Tell me where is fancy bred , op. 33 (Text: William Shakespeare) CAT DUT FRE GER ITA
The Argument of his book, op. 10 (Text: Anonymous) [x]
The baffled knight, op. 1 no. 3 (in Three songs for women's chorus and piano) (Text: Volkslieder ) [x]
The Ballad of Nancy Dee, op. 104 no. 3 (in Three Amorous Airs) (Text: Anonymous) [x]
The baptism of Guthrum, op. 40 no. 7 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The Battle of Ethandune, op. 40 no. 6 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The bereaved swan, op. 126 no. 2 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]
The call, op. 101 no. 3 (in Four Hymn Tunes for Male Voices) (Text: Anonymous) [x]
The Charge of the Light Brigade, op. 122 no. ? (in Tennyson Trip) (Text: Alfred Tennyson, Lord)
The cock and the hen, op. 126 no. 5 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]
The fairy, op. 138 no. 8 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake) CHI CHI
The gathering of the chiefs, op. 40 no. 4 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The German flute, op. 104 no. 2 (in Three Amorous Airs) (Text: Anonymous) [x]
The harp of Alfred, op. 40 no. 5 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The jungle husband, op. 126 no. 4 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]
The lover, op. 177 no. 3 (in Octad) (Text: Anonymous) [x]
The middle years, op. 214 no. 5 (in Throwaway Lines) (Text: Anonymous) [x]
The new balow, op. 118 no. 4 (in Five Encounters for Six Voices) (Text: Anonymous)
The northmen, op. 40 no. 2 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The old man and young wife, op. 81 no. 4 (in Four Wanton Ballads) (Text: Anonymous) [x]
There was a knight and he was young, op. 118 no. 5 (in Five Encounters for Six Voices) (Text: Anonymous) [x]
There was a maid a-milking, op. 118 no. 1 (in Five Encounters for Six Voices) (Text: Anonymous) [x]
The Sandgate lass's lamentation, op. 81 no. 3 (in Four Wanton Ballads) (Text: Volkslieder )
The scouring of the horse, op. 40 no. 8 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The selfsame song, op. 235 no. 1 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
The singing woman, op. 235 no. 2 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
The thankful country lass, op. 118 no. 3 (in Five Encounters for Six Voices) (Text: Anonymous) [x]
The vision of the king, op. 40 no. 3 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The white horse, op. 40 no. 1 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The wild flower's song (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
Think no more, lad, op. 226 no. 2 (in Three Poems from "A Shropshire Lad") (Text: Alfred Edward Housman) FRE HEB
To Anthea, who may command him anything, op. 49 no. 10 (in Herrick Cantata) (Text: Robert Herrick) FRE
To daisies, not to shut too soon, op. 49 no. 2 (in Herrick Cantata) (Text: Robert Herrick)
To love, op. 49 no. 6 (in Herrick Cantata) (Text: Robert Herrick) [x]
To Miss Isabella MacLeod, op. 246 no. 4 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns)
To music, a song, op. 49 no. 1 (in Herrick Cantata) (Text: Robert Herrick)
To Music, to becalm his fever, op. 49 no. 8 (in Herrick Cantata) (Text: Robert Herrick)
To Nobodaddy, op. 138 no. 7 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
To violets, op. 196 no. 1 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick) SPA
Under the greenwood tree, op. 36 no. 5 (in Seven Songs) (Text: William Shakespeare) DUT FIN FRE GER GER
Under the greenwood tree, op. 66 no. 8 (in A Shakespeare Sequence) (Text: William Shakespeare) DUT FIN FRE GER GER
Upon Julia's clothes, op. 224 no. 3 (in Waltzsongs) (Text: Robert Herrick)
Waly waly, op. 104 no. 1 (in Three Amorous Airs) (Text: Volkslieder )
Wedding song, op. 177 no. 8 (in Octad) (Text: Anonymous) [x]
Weep you no more, sad fountains, op. 150 no. 3 (in Hebdomade) (Text: 16^th century) FRE GER
What shall we do with the drunken sailor?, op. 108 no. 4 (in Four Sailor Songs) (Text: Volkslieder )
When daisies pied, op. 181 no. 5 (in Six by Four) (Text: William Shakespeare) FIN FRE FRE GER GER GER NOR
When icicles hang by the wall , op. 181 no. 2 (in Six by Four) (Text: William Shakespeare) FIN FRE GER RUS
When that I was a little boy, op. 181 no. 6 (in Six by Four) (Text: William Shakespeare) CAT DAN FIN FRE GER NOR POL RUS SWE
Who is Silvia?, op. 66 no. 2 (in A Shakespeare Sequence) (Text: William Shakespeare) DUT FIN FRE GER ITA SPA
Who would true valour see , op. 101 no. 2 (in Four Hymn Tunes for Male Voices) (Text: John Bunyan)
Why so pale and wan, fond lover?, op. 1 no. 1 (in Three songs for women's chorus and piano) (Text: John Suckling, Sir) GER
Will ye go to the Indies, my Mary?, op. 213 no. 4 (in A Burns Sequence) (Text: Robert Burns) FRE
Winter, op. 19 no. 4 (in The Turning Year) (Text: Christopher Scaife) [x]*
With rue my heart is laden, op. 226 no. 3 (in Three Poems from "A Shropshire Lad") (Text: Alfred Edward Housman)
You stood before me like a thought, op. 242 no. 5 (in Recollections of Love) (Text: Samuel Taylor Coleridge)

Last update: 2025-01-24 04:38:42