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- Souvenir by Théodore Terestchenko , op. 23 [ medium voice and piano ], from Reflets d'Orient, pour une voix avec accompagnement de piano, no. 3, Paris, Éd. Jules Hamelle, ancienne maison J. Maho
- Liebesnacht by Julius Otto Grimm , op. 15 no. 4, published 1868 [ low voice and piano ], Leipzig: J. Rieter-Biedermann
- Die Lotosblume ängstigt by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 9
- Que m'importe ! Je t'aime... by Ernest Moret , published 1921 [ medium voice and piano ], from Trois mélodies [1921], no. 2, Paris, Éd. 'Au Ménestrel' Heugel
- Liebe by Anton Deprosse , op. 37 no. 3, published 1878 [ voice and piano ], Berlin, Bote & Bock
- Frühling wird es doch einmal by Michael Eduard Surläuly [ four-part men's chorus a cappella ], confirmed with a 1924 edition, Hannover: Chr. Bachmann
- Stornellatrice by Ottorino Respighi , P. 69 (1906?)
- Смерть by John Kenneth Tavener , first performed 1993 [ soprano and cello or string quartet ], from Akhmatova Songs, no. 6
- But Stars Remaining
by Nicola LeFanu , 1970, published 1973 [ women's chorus a cappella ], Novello & Co Ltd
Publisher: Wise Music Classical [external link] - The worldly hope men set their Hearts upon by Liza Lehmann , 1896 [ contralto solo ], from In a Persian Garden, no. 16
- Canción de cuna by Modesta Bor , 1960, published 2015 [ voice and piano ], from Canciones infantiles, no. 3, Ediciones ARE
- Pieśń Minstrela z dziewicy jeziora by Ignazy Komorowski , published c1910, from Śpiewy polskie : z towarzyszeniem fortepianu, no. 7, Warszawa : Gebethner i Wolff
- Variation V: In the bleak mid-winter / Corpus Christi Carol by (Edward) Benjamin Britten , op. 3 no. 6, rev. 1955, first performed 1934 [ men's chorus, women's chorus, boys' chorus a cappella (organ ad libitum) ], from cantata A Boy was Born, no. 6, Chester Music
- Grabschrift by Erich Zeisl , 1931 [ baritone and piano ], from Liedercyklus, no. 13, unpublished; confirmed with a CD booklet
- Pozdrowienie by Czesław Józef Marek , op. 6 no. 2 [ men's chorus a cappella ]
- Pater noster / Ave Maria by Josquin des Prez [ chorus ]
- Viens! by Edouard Lalo , published 1880 [ voice and piano ], title in German: "Komm" ; Mainz, Schott
- Manche, des Todes, entstand ruhig geordnete Regel by Erik Janson , 2008 [ soprano and violoncello ], from Fragmente nach Rilke, no. 3
- Im Grünen zu singen by Werner Egk , published 1921-1923 [ voice and piano ]
- Bei traurigen Vorfällen by František Václav Hůrka , published 1795 [ three-part men's chorus ], in Freimaurer Lieder mit Melodien: Dritter Theil, ed. by Josef Michael Böheim, Berlin: Starcke, song number 26
- Две русские песни by Aleksandr Ivanovich Dyubyuk [ voice and piano ]
- Recitative and Choral by (Edward) Benjamin Britten , op. 14 no. 3, published 1939 [ tenor or soprano solo, chorus, and orchestra ], from Ballad of Heroes, no. 3
- Pauvre Colinette by Jean-Baptiste Théodore Weckerlin , published [1872] [ medium voice and piano ], Paris, Éd. 'Au Ménestrel' Heugel
- Duet of Sonnets by John Philip William Dankworth , 1964, copyright © 1964 [ voice, instrumental ensemble (jazz ensemble) ], in Shakespeare & All That Jazz; text follows Sonnet 23, then Sonnet 24, and then both simultaneously
- A song of thanksgiving by Frances Allitsen , published 1891 [ voice and piano ], London : Boosey & Co.
- Tragödie by Karl Heinrich Alfred Ehrlich , published 1880
- The Bells by Fedor Kebalin , published 1966, from Canticle of Seasons
- Wenn die Vöglein sich gepaart by Frank Valentin Van der Stucken , op. 16 no. 5, published 1892 [ voice and piano ], from Fünf Liebeslieder, no. 5, Berlin, Luckhardt
- Zwei Gesänge by (James) Albert Mallinson , published 1898 [ voice and piano ], from Gesänge für 1 Singstimme mit Pianoforte, no. 6, Leipzig, W. Hansen
- Castle by Lisa Bielawa , first performed 2006 [ baritone and piano ], from The Lay of the Love and Death, no. 3
- Pour les funérailles d'un soldat by Lili Boulanger , 1912 [ baritone, chorus, and piano (3 hands) ]
- Et la mer, au matin by Monic Cecconi-Botella , <<2009 [ high voice, flute, clarinet, cello, piano ]
- Wohl dem, der nicht wandelt im Rat der Gottlosen by Heinrich Schütz , op. 2 no. 7, SWV. 28 (1619) [ chorus and instrumental ensemble ]
- Mixed phrases by Héloïse Werner [ voice and cello ]
- Silver Sleigh Bells by Cuthbert Harris , published 1922 [ SSA trio or SATB chorus ]
- All shall be well by Roxanna Panufnik , 2009 [ mixed chorus, cello ], C. F. Peters
- How should I your true love know by Johannes Brahms , WoO posth. 22 no. 1 (1873), from Ophelia-Lieder, no. 1, also set in German (Deutsch)
- Storm in the House by Lisa Bielawa , first performed 2006 [ baritone and piano ], from The Lay of the Love and Death, no. 5
- Im Frühling by Franz von Holstein , op. 26 no. 2, published 1871 [ SATB chorus ], Leipzig, Fritzsch
- Thou knowest Lord by Henry Purcell , Z. 58
- Jemand erzählt von seiner Mutter by Viktor Ullmann , 1944, published 1995 [ reciter and piano ], from Die Weise von Liebe und Tod des Cornets Christoph Rilke, Erster Teil, no. 3, Mainz: Schott Music GmbH & Co.
- I sometimes think that never blows so red by Liza Lehmann , 1896 [ contralto solo ], from In a Persian Garden, no. 8
- Dear stream! dear bank, where often... by George Dyson , from Quo Vadis: a Cycle of Poems, no. 6
- Entflieh mit mir und sei mein Weib by Carl Krill , op. 12 no. 2, published 1879 [ low voice and piano ], from Hohe Liebe. Sechs Lieder für 1 tiefe Stimme mit Pianoforte, no. 2, Berlin, Luckhardt
- Grow old with me by Joseph M. Cohen , 1960, stanza 1 (lines 1-2) [ voice and piano ]
- Psalm "Wohl dem, der den Herren fürchtet" by Heinrich Schütz , op. 2 no. 9, SWV. 30 (1619) [ chorus ]
- Der arme Peter
by Robert Schumann , op. 53 no. 3 (1840), published 1845 [ voice and piano ], Leipzig, Whistling
Score: IMSLP [external link] - Aus Frühlingsliebe by Heinrich Henkel , op. 8 no. 2, published 1851 [ soprano or tenor and piano ], Offenbach: Johann André
- Love songs by Robert M. Greenberg , 1992 [ flute, oboe, clarinet, violin, viola, violoncello, soprano, and piano ], from Iron balconies and lilies, no. 3
- Qual meraviglia è, se prossim’al foco by Olga Neuwirth , 2005 [ counter-tenor and piano ], from Tintarella di luna: cold songs for countertenor and piano, no. 2
- Die Linde blühte, die Nachtigall sang by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 8
- Laughing song by Lloyd Alvin Pfautsch , published c1976 [ SSAA chorus and flute ], New York : Lawson-Gould (Cherry Lane Music)
- Psalm "Herr, unser Herrscher" by Heinrich Schütz , op. 2 no. 6, SWV. 27 (1619) [ chorus and instrumental ensemble ]
- Traumdeutung by Johanna Kinkel , op. 10 no. 5, published 1839, note: the text consists of stanza 1 of "Als ich auf dem Euphrat schiffte" followed by the first two stanzas of "Dies zu deuten bin erbötig!"
- Ferdinand's Comfort by Kaija Saariaho , published 2004? [ soprano, baritone, and instrumental ensemble ], from The Tempest Songbook, no. 5
- Baci soavi e cari
by Claudio Monteverdi [ chorus ], from Libro I de madrigali, no. 5, madrigal
Score: IMSLP [external link] - Psalm "An den Wassern zu Babel" by Heinrich Schütz , op. 2 no. 16, SWV. 37 (1619) [ double SATB chorus and basso continuo ]
- Andromache’s Lament by Frank Ferko [ soprano, mixed chorus ], from Stabat Mater, no. 1
- Ich möcht' von frischem Sturm umbraust by Carl Theodor Emanuel, Freiherr von Perfall , op. 17 no. 3, published 1851 [ voice and piano ], from Walthers Lieder aus Amaranth, von Redwitz, no. 3, Mainz, Schott
- Ah, fill the Cup: -- What boots it to repeat by Liza Lehmann , 1896 [ tenor ], from In a Persian Garden, no. 19, recitative
- Requiem aeternam by John Milford Rutter, CBE , from mass Requiem, no. 1
- Clair de lune by Théodore Terestchenko , op. 22 [ medium voice and piano ], from Reflets d'Orient, pour une voix avec accompagnement de piano, no. 1, Paris, Éd. Jules Hamelle, ancienne maison J. Maho
- Winter (The Bells) by David E. Stone , published 1980 [ SSA chorus ], from Five Songs for Female Voices and Piano
- Part 3 by Henry Houseley , published 1917 [ soli, chorus, orchestra ], from cantata Omar Khayyám, no. 3, New York : H. W. Gray
- I was glad when they said unto me by Henry Purcell [ chorus ]
- The linnet is tuning her flute by Marion Eugénie Bauer , published 1915 [ voice and piano ], Boston: Arthur P. Schmidt Co.
- Dämmerung by Hans Gál , op. 70 no. 5 (1955), published 1956, first performed 1956 [ SATB soli, mixed chorus (boys, SATB), and orchestra ], from Lebenskreise, no. 5, Alkor Edition, Kassel
- Requiem aeternam by (Edward) Benjamin Britten , op. 66 no. 1, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 1
- Veni Creator Spiritus by Michael John Trotta [ SATB chorus a cappella ]
- Passing the visions, passing the night by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 11
- Bella porta di rubini by Ottorino Respighi , P 71 no. 4 (1906), from Cinque Canti All'antica, no. 4
- Seebild : zwei Gedichte aus dem Zyklus "Die Heimkehr" by Walter Thomas Heyn , op. 63 no. 3, published c2003 [ low voice and guitar ]
- From a very little sphinx by Michael Armand Fink , published 1969 [ soprano, SSAA chorus, and string quartet or strings ]
- Lied by Josephine Lang , op. 15 no. 4, published 1848 [ voice and piano ], Leipzig, Breitkopf und Härtel
- Песня Дездемоны об иве by Georgiy Vasil'yevich Sviridov
- La mort de l'amour by Ernest Amédée Chausson , op. 19 no. 2 (1887), published 1893, orchestrated 1893 [ high voice and piano or orchestra ], from Poème de l'Amour et de la Mer, no. 2
- Ihr Kinder Israel by Felix Mendelssohn , op. 39 no. 2 [ SSA chorus and organ ]
- Was bedeuten diese Rätsel? by Johann Vesque von Püttlingen , op. 41 no. 2
- The Bells by John Emeléus , published 1962 [ unison chorus ]
- Procession of the bride by Ralph Vaughan Williams , 1957, published 1957 [ baritone, mixed chorus, orchestra ], from cantata Epithalamion, no. 5, London, Oxford University Press
- Two Spirituals by David Evan Thomas , 1995 [ high voice or low voice, piano ]
- Introduction by Frank Ferko [ mixed chorus ], from Stabat Mater, no. 0
- Ce soir mon cœur fait chanter by Erik Janson , 2008 [ soprano and violoncello ], from Fragmente nach Rilke, no. 7
- Resumé/Wail/Frustration by Ricky Ian Gordon [ mezzo-soprano, baritone and 2 pianos ], from Autumn Valentine
- The Bells by Harold Hinchcliffe Sykes [ 2-part chorus of treble voices in canon ]
- Herr! der du alles wohl gemacht by Béla Bartók , 1900, published 2002 [ voice and piano ], from Liebeslieder, no. 6, published as a facsimile of the manuscript, Homosassa, Florida: Bartók Records, ed. Ference Bónis
- Du liebst mich nicht, du liebst mich nicht by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 2
- [No title] by Edvin Kallstenius , op. 32 no. 3 (1944) [ baritone and orchestra ], from cantata Sångoffer, no. 3
- Ja, du bist elend, und ich grolle nicht by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 6
- Das Schicksal waltet im Naturgebiete by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 14
- Farruca by Joaquín Turina , op. 45 no. 1 (1927), published 1929 [ soprano and piano or orchestra ], from Tríptico, no. 1, Madrid : UME; title in English: "Arrogant woman"
- Forever Hurts
by Anna-Karin Klockar , copyright © 2018, first performed 2018 [ mixed chorus ], Gehrmans
Publisher: Gehrmans [external link] - Bethge-Triptychon: a) Vom Mond; b) Gedanken; c) Bitte an den Hund by Rudi Spring , op. 95 no. 5 (2017) [ mezzo-soprano, oboe, violoncello, double bass ], from Jahrgänger-Mosaik, no. 5
- Agnus Dei by (Edward) Benjamin Britten , op. 66 no. 5, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 5
- [No title] by Edvin Kallstenius , op. 32 no. 4 (1944) [ baritone and orchestra ], from cantata Sångoffer, no. 4
- Was spähest du nach der Angel
by Robert Schumann , op. 116 no. 3 (1851), published 1853 [ soli, chorus and orchestra ], from Der Königssohn, no. 3, Leipzig, Whistling
Score: IMSLP [external link] - Komm! by Giacomo Meyerbeer , 1837, also set in French (Français), also set in English
- Warum sind denn die Rosen so blass by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 7
- Ich war dem Tropfen Gegenwart entronnen by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 6
- Youth by Robert M. Greenberg , 1992 [ flute, oboe, clarinet, violin, viola, violoncello, soprano, and piano ], from Iron balconies and lilies, no. 2
- Accountability / A Hymn / An Ante-Bellum Sermon by Adolphus Cunningham Hailstork , 1994, from Common Ground: An Operatic Songfest, no. 9
- Mitte der Nächte, vergeht die Stunde by Olga Neuwirth , 2005, stanzas 1-3 [ counter-tenor and piano ], from Tintarella di luna: cold songs for countertenor and piano, no. 1
- Magnificat anima mea dominum by Francesco Durante
- Abendphantasie by Olivier Greif , op. 270 no. 7 (1991) [ voice and piano ], from Wie Vögel…, no. 7
- Chant d'Ariel by Ernest Amédée Chausson , op. 18 no. 1 (1888) [ high voice and piano ], Éd. Bruneau & Cie
- Psyche by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 11
- Lux aeterna by John Milford Rutter, CBE , from mass Requiem, no. 7
- O süsses Licht by Ramona Luengen , 2001 [ soprano, mixed chorus ]
- Midsummer Night’s Dream by John Bartlett , 1977 [ voice and piano ]
- Piena splendeva la luna by Luigi Dallapiccola , from Cinque Frammenti di Saffo, no. 4
- They say the Lion and the Lizard keep by Liza Lehmann , 1896 [ SATB quartet and piano ], from In a Persian Garden, no. 18
- Schönste Zierde uns'rer Erde by Max Reger , op. 61d no. 5, published [1902] [ SATB chorus ], from Acht Marienlieder, no. 5, Leipzig: C.F.W. Siegel
- The Bells by Nicola Aloysius Montani , published 1917 [ soprano, alto, SSA chorus, and piano or orchestra ], cantata
- In der Frühe by Hanns Eisler , 1943, from Anakreontische Fragmente, no. 5
- In terra pax by Gerald Finzi , alternate title: "A Christmas poem", op. 39 (1951-4), published 1958 [ soprano, baritone, satb chorus, strings, harp or piano, and cymbals ], note: the excerpt from the Bible is actually interpolated into the Bridges text, replacing the third stanza
- Alma redemptoris mater / Ave regina caelorum by Josquin des Prez [ four-part chorus ], note: the top & bottom voices sing Alma redemptoris, the middle 2 voices sing Ave regina
- Hero (from Glory of Women and Hero) by Michael Ippolito , 2006, first performed 2006 [ baritone, SATB quartet or SATB chorus, flute or piccolo, trumpet, percussion, organ, and piano ], from Songbook of the War, no. 8, confirmed with a score
- Die Spröde und die Bekehrte by Domenico Cimarosa
- Je, Christine, qui ay plouré by Elizabeth Walton Vercoe , 1986 [ mezzo-soprano or soprano and piano ], from stage composition Herstory III: Jehanne de Lorraine, no. 9, confirmed with composer's website
- Come to me dearest maiden by Giacomo Meyerbeer [ voice and piano ], also set in German (Deutsch), also set in French (Français)
- Haiku of Basho by Richard Wernick , 1967 [ soprano and instrumental ensemble ]
- Chant d'Amour by Ernest Moret , published 1919 [ high voice and piano ], from Sous le ciel de l'Islam, no. 1b, Paris, Éd. Heugel
- Tragödie by Franz Ries , op. 42
- The Silver Bells by Michael White , published 1961 [ mixed chorus a cappella ]
- Mutterlieder by Adam Teleki [ voice and piano ], from Lieder, no. 4
- La main by René Camille Henri Berthelot , published 1981 [ medium voice and piano ], Éd. Henry Lemoine
- In Meeres Mitten by Robert Schumann , op. 91 no. 6 (1849), published 1851 [ vocal sextet of 3 sopranos and 3 altos with piano ], Bonn, Simrock
- Nocturne
by Blair Fairchild , op. 40 no. 3 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 3, London, Augener
Score: IMSLP [external link] - Ostwärts by Leonard J[ordan] Lehrman , op. 72 no. 3, published 1984 [ male voice and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 3
- What she revealed by Leonard J[ordan] Lehrman , op. 72 no. 12, published 1984 [ male voice (or male and female vocal duet) and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 12
- Part 2 by Henry Houseley , published 1917 [ soli, chorus, orchestra ], from cantata Omar Khayyám, no. 2, New York : H. W. Gray
- Premier chant d'Ariel by Arthur Honegger , H. 48B no. 1 (1923), published 1925 [ medium voice and piano or orchestra ], from 2 Chants d'Ariel, no. 1
- Die Augen der Blinden werden aus dem Dunkel und Finsterniss sehen by Josephine Lang , c1873, published 1882 [ voice and piano ], Leipzig: Breitkopf & Härtel; note: title comes from Jes 29. 18; title in English: "The eyes of the blind shall see out of obscurity and out of darkness"
- Jubilate Deo by (Edward) Benjamin Britten
- The Bells by Philip George Wilkinson , published 1954 [ chorus ], partsong
- The Bells by Godfrey Sampson , published 1946
- Vor dem Tabernakel by Mathilde Kralik
- Friede by Karl Amadeus Hartmann , 1955 [ soprano and piano ], from cantata Lamento, no. 3, confirmed with a CD booklet
- Auf Flügeln des Gesanges by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 5
- Velel sozdatel' solncu by Anton Grigoryevich Rubinstein , op. 34 no. 12 (1854) [ voice and piano ], from Двенадцать Песен Мирзы-Шафи (Dvenadcat' Pesen Mirzy-Shafi) = 12 Songs of Mirza-Shaffy, no. 12, also set in German (Deutsch)
- Offertorium by (Edward) Benjamin Britten , op. 66 no. 3, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 3
- A Song - for anything by Charles Edward Ives , from Sentimental Ballads, no. 5
- Ein altes Gebet by Amy Marcy Cheney Beach , op. 72 no. 1 [ voice and piano ]
- A survivor from Warsaw by Arnold Franz Walter Schoenberg , op. 46 (1947), first performed 1948 [ narrator, men's chorus, and orchestra ]
- La fleur des eaux by Ernest Amédée Chausson , op. 19 no. 1 (1882), published 1917, first performed 1893, orchestrated 1893 [ high voice and piano or orchestra ], from Poème de l'Amour et de la Mer, no. 1, Rouart & Lerolle
- В тюрьме Сантэ by Dmitri Dmitriyevich Shostakovich , op. 135 no. 7, from Symphony no. 14, no. 7, also set in French (Français)
- Jägers Liebe by Friedrich August Naubert , op. 23 no. 2, published 1881 [ low voice and piano ], from Zwei Dichtungen von Geibel für 1 tiefe Stimme mit Pianoforte, no. 2, Kassel, Voigt
- Menschenfeindlich by Giacomo Meyerbeer [ voice and piano ], also set in French (Français)
- Wake now by Ralph Vaughan Williams , 1957, published 1957 [ baritone, mixed chorus, orchestra ], from cantata Epithalamion, no. 2, London, Oxford University Press
- Seven Pages of Loneliness by Mathias Rüegg , first performed 2021 [ voice and band ], from my poet’s love, no. 11, sung by Lia Pale on album: my poet’s love, Universal Music Austria (Soulfood)
- Vom Tode by Karl Maria Löbl
- Der Strom der Zeit by (Philipp) Friedrich Silcher , op. 33 no. 4, published 1840 [ soprano or tenor and piano ], Tübingen, Laupp'sche Buchhandlung
- Ô femmes by Elizabeth Illouz, as Betsy Jolas , <<2004 [ baritone and piano ], from L'Œil égaré, Six chants pour baryton & piano, no. 4
- The Lost Thought
by Anna Clyne , 2013 [ 3 female voices and instrumental ensemble ], from As Sudden Shut, no. 2, Boosey & Hawkes
Publisher: Boosey & Hawkes [external link] - Halleluja by Rudi Spring , op. 89 no. 3 (2013) [ soprano, mezzo-soprano, counter-tenor, baritone, marimba ], from Perlenfischer. Geistliche Liederfolge, no. 3
- Die Wallfahrt nach Kevlaar : Ballade by Franz Zebinger , 1987 [ alto, organ, and tape ]
- Two old men by Samuel Barber , op. 7 no. 4 (c1918-22) [ low voice and piano ], from Nursery Songs, or Mother Goose Rhymes Set to Music, no. 4
- Die Blume neigt ihr Haupt by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 12
- Ist das der Morgen? Welche Sonne geht auf? by Hermann Reutter , op. 31 no. 5, published 1947 [ medium voice and piano ], from Die Weise von Liebe und Tod des Cornets Christoph Rilke, no. 5, Mainz: B. Schott’s Söhne, London: Schott & Co. Ltd.
- Ariel's Hail by Kaija Saariaho , 2000, published 2004? [ soprano, harp, and flute ], from The Tempest Songbook, no. 1
- When Daisies pied by John Milford Rutter, CBE , 1997 [ chorus and piano ]
- Die Wallfahrt nach Kevlaar : Ballade by Johann Baptist Zerlett , op. 254, published 1906 [ speaker and string orchestra or piano ]
- When lilacs last in the dooryard bloom'd by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 1
- Du tout plongiet -- Fors seulement by Antoine Brumel [ four-part song a cappella ], note: the tenor(s) sing(s) "Fors seulement" while the others sing "Du tout plongiet"
- Melodram und Lied. Faust. by Antoni Henryk Radziwill, Fürst , published 1835, from Compositionen zu Göthe's Faust, no. 16, Berlin: Zum ausschliesslichen Debit in Commission bei T. Trautwein, Buch-und Musikhandlung
- Der schönste Anblick by Emma Wooge , op. 18 no. 1, published >>1900 [ vocal trio for female voices ]
- Hymn to the Creator of Light by John Milford Rutter, CBE
- Seul by Giacomo Meyerbeer [ voice and piano ], also set in German (Deutsch)
- Wanderers Nachtlieder by Hans Bussmeyer , op. 2 no. 4, published 1885 [ voice and piano ], München, Schmid
- To find the Western path by George Dyson , from Quo Vadis: a Cycle of Poems, no. 9
- À la Santé by Dmitri Dmitriyevich Shostakovich , op. 135 no. 7, from Symphony no. 14, no. 7, title in English: "In the Santé jail", also set in Russian (Русский)
- Ricercar I : The maidens came ... by Igor Stravinsky , 1951-2, first performed 1952 [ soprano, tenor, women's chorus, and instrumental ensemble ], from cantata Cantata, no. 2
- Psalm "Aus der tiefe ruf ich, Herr, zu Dir" by Heinrich Schütz , op. 2 no. 4, SWV. 25 (1619) [ chorus and instrumental ensemble ]
- Verger by Bruno Gousset , op. 21 no. 10 (1986) [ medium voice and piano ], from Vergers, no. 10
- Wigen-Lied by Per Nørgård [ chorus a cappella ], from Wie ein Kind, no. 1
- Jauchzet dem Herren, alle Welt by Heinrich Schütz , op. 13 no. 12, SWV. 493 (1671), published 1672 [ double chorus and continuo ], from Schwanengesang, no. 12, Dresden
- Die Sonne sinkt by Erich Zeisl , 1931 [ baritone and piano ], unpublished
- Since we parted by Roxanna Panufnik , 2014, first performed 2015 [ mixed chorus, 2 trumpets, harp, piano and cello ], confirmed with a CD booklet
- Die Abendglocken by Franz Wilhelm Abt , A. 252
- L'hiver -- Méditation bouddhique by Claude Delvincourt , 1924, published 1927, first performed 1925 [ medium voice and piano or orchestra ], from Ce monde de rosée, quatorze 'Uta' anciens traduits du japonais par le Docteur P.L. Couchoud, no. , Paris, Édition Alphonse Leduc
- The Bells by Arthur Foote , published 1929 [ satb chorus and piano ]
- Wo gehst du hin? (Joh. 16, 5) by Josephine Lang , 1873 [ voice and piano ], unpublished; translation to English of title : "Whither goest thou?" (John 16, 5)
- Säusle, liebe Myrte!
by Richard Georg Strauss , op. 68 no. 3 (1918-1919)
Score: IMSLP [external link] - Dein Grab ist mir die weite Welt by Benedikt Randhartinger
- The moon has set by Granville Ransome Bantock, Sir , from Sappho: Prelude and Nine Fragments, no. 5
- Verschiedene Empfindungen an einem Platze by Friedrich Heinrich Himmel , published 1798
- The Lady of Shalott by Cecil Armstrong Gibbs , published 1929 [ mezzo-soprano, SA chorus, piano, optional strings ], London, Curwen
- Erfüllte Ahnung by Karl Gottlieb Reissiger , op. 117 no. 3, published 1837 [ soprano and horn (or violoncello) and piano ], Dresden, Meser
- Warum ist das Licht gegeben den Mühseligen by Johannes Brahms , op. 74 no. 1 (1877) [ satb chorus ], from Zwei Motetten, no. 1
- Die Turmstube ist dunkel by Hermann Reutter , op. 31 no. 4, published 1947 [ medium voice and piano ], from Die Weise von Liebe und Tod des Cornets Christoph Rilke, no. 4, Mainz: B. Schott’s Söhne, London: Schott & Co. Ltd.
- Wanderlust by (Johann Martin) Heinrich Stubbe , op. 9 (c1865), published 1890 [ men's chorus ], Braunschweig, Kott
- Songs from Ort by Lisa Bielawa , first performed 2014 [ women's chorus ]
- Spielmannslied by Willem Frederick Gerard Nicolai , op. 8 no. 1, published 1873 [ voice and piano ], Leipzig, Breitkopf & Härtel
- Starlight Night by Anne Carol Kilstofte , copyright © 2015 [ satb chorus ]
- Ode to darkness by John David White , published c1972 [ SATB chorus and piano or orchestra ], from Three Madrigals, no. 3, NY : G. Schirmer
- Ode to Ethiopia / Compensation by Adolphus Cunningham Hailstork , 1994 [ soprano and tenor, orchestra ], from Common Ground: An Operatic Songfest, no. 1
- Von allen deinen zarten Gaben by Felix Mendelssohn , 1822 [ voice and piano ]
- From a very little sphinx by Bernard Wagenaar , published 1926 [ soprano or mezzo-soprano and piano ]
- Two Epigrams: Antiquary. Manliness. by Emma Lou Diemer , 1972-3 [ high voice and piano ], from A Miscellany of Love Songs, no. 5
- Die Gründung der Kirche by Franz (Ferenc) Liszt [ soli, orchestra, organ ], from oratorio Christus, no. 8
- Skrig by Erik Norby , 1978-9 [ mixed chorus and orchestra ], from Edvard Munch Trilogy, no. 1
- Ein große Genie by Gary Bachlund , 2006 [ medium voice or high voice and piano ], from Strumpfsinn Lieder, no. 3
- I'm undecided
by Hana Ajiashvili , 2015, copyright © 2019 [ 2 sopranos, recorder, viola da gamba, harpsichord and guitar ], from Mere Air, no. 4, Rijswijk : Stichting Donemus Beheer; two texts simultaneously
Publisher: Donemus [external link] - O Tannenbaum by Jim Clements [ SATB chorus a cappella ]
- Triolet by Stanisław Moniuszko
- Chanson éloignée by Morten Lauridsen [ mixed chorus ]
- Es ist noch eine Ruhe vorhanden dem Volk Gottes by Josephine Lang , c1873, published 1882 [ voice and piano ], Leipzig: Breitkopf & Härtel
- Deux Solitudes
by Marie-Claire Saindon , copyright © 2022 [ satb chorus ], Cypress; note: the sung text interleaves the English text and the French translation
Publisher: Cypress [external link] - Um Mitternacht by (Karl Gottfried) Wilhelm Taubert , op. 151 no. 3, published 1866 [ low voice and piano ], Leipzig, Rieter-Biedermann
- Verschiedene Empfindungen an einem Platze by (Carl) Otto Ehrenfried Nicolai , op. 9 [ STTB quartet and piano ], Berlin: Bei C. A. Challier & Co.
- Tramontata è la luna by Goffredo Petrassi , 1942, from Due liriche di Saffo, no. 1
- O what shall I hang on the chamber walls? by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 7
- In der Vaterstadt by Mathilde Kralik [ voice and piano ]
- Soliloquy by Rebecca Saunders , 2007 [ 6 voices ], Edition Peters
- Schilflieder by Carl Reichelt , op. 7 no. 1, published 1877 [ men's chorus ], Essen, Silkrodt
- Schilflied by Sárvár-Felsővidéki gróf Széchényi Imre [ voice and piano ]
- Page d'album by Jules Massenet , 1887-1889, published 2020 [ medium voice and piano ], Lyon, Éd. Symétrie
- Gloriously wasteful by M. Ryan Taylor , 2003 [ voice and piano ], from Leafs from the Diary of an Old Soul, no. 3
- Selbstbildnis (1934) by Ralf Yusuf Gawlick , op. 19 no. 5a (2012-2013) [ soprano and guitar ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 5a
- Neujahrsnacht by Bettina von Arnim, née Brentano
- Long, too long America by William Howard Schuman , published 1943 [ mixed chorus and 2 pianos or orchestra ], from cantata A Free Song, no. 1, cantata
- Romance de Marguerite by Hector Berlioz , op. 1 no. 7, from Huit Scènes de Faust, no. 7
- Matrosenlust by Carl Banck , published 1839, from 3 Lieder, no. 3, Hamburg, Schuberth und Co.
- I sent my Soul through the Invisible by Liza Lehmann , 1896 [ soprano and piano ], from In a Persian Garden, no. 14
- Par une nuit nouvelle by Berthold Goldschmidt , 1994, published 1994 [ medium voice and piano or orchestra ], from Les Petits Adieux, no. 3, London, Boosey & Hawkes
- Was ich gesehn by Leonard J[ordan] Lehrman , op. 72 no. 12, published 1984 [ male voice and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 12
- Magnificat by Richard Monk [ chorus ]
- Nacht by Andreas Zöllner [ voice and piano or harpsichord or organ ], confirmed with Orpheon, viertes Band, ed. by Th. Thäglichsbeck, Stuttgart: Karl Göpel, no date, pages 58 - 59
- Will Niemand singen by Eugen Hildach , op. 13 no. 3, published 1892 [ voice and piano ], Magdeburg, Heinrichshofen's Verlag
- Symphony no. 2
by Hanna Kulenty , 1987 [ mixed chorus and orchestra ], Donemus
Publisher: Donemus [external link] - Winterseufzer by Josephine Lang , op. 25 no. 2 (1838), published 1860 [ voice and piano ], Leipzig: Friedrich Kistner; title in English: "Winter sighs"; title in French: "Soupirs d'hiver"
- Lever de lune -- Les batteuses -- Nocturne by Claude Delvincourt , 1924, published 1927, first performed 1925 [ medium voice and piano or orchestra ], from Ce monde de rosée, quatorze 'Uta' anciens traduits du japonais par le Docteur P.L. Couchoud, no. 2, Paris, Édition Alphonse Leduc
- Gleams of a remoter world by Judith Bingham , 1997 [ chorus ]
- Selbstbildnis en face, lachend (um 1888/1889) by Ralf Yusuf Gawlick , op. 19 no. 1a (2012-2013) [ soprano and guitar ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 1a
- In Meeres Mitten ist ein offner Laden by Robert Schumann , op. 65 no. 7 (1847), published 1849 [ TTBB chorus ], from Ritornelle in canonischen Weisen, no. 7, Leipzig, Breitkopf und Härtel
- Herr, lehre doch mich by Johannes Brahms , op. 45 no. 3 [ baritone solo, chorus, orchestra ], from Ein deutsches Requiem, no. 3
- Then Shall You Truly Dance! by Felix Van den Hombergh , 2009 [ chorus and orchestra ]
- Walzer-Rondo zum Concert-Vortrag für 1 Sopranstimme mit Pianoforte by Richard Genée , op. 232, published 1874 [ soprano and piano ], Wien, Schreiber
- Mein liebes Kind ade by (Adolf) Wilhelm Kampmann , op. 22, published 1874 [ baritone and piano ], Elberfeld, Küpper
- My Love she's but a lassie yet by (Franz) Joseph Haydn , JHW XXXII/3 no. 264
- Stabat mater by Giovanni Battista Pergolesi
- Abschied by (Karl Gottfried) Wilhelm Taubert , op. 169 no. 5, published 1870 [ voice and piano ], Berlin und Posen: Ed. Bote & G. Bock
- Intermezzo by Joseph (Gabriel) Rheinberger , JWV 69
- Der Totentanz by Hans Gál , op. 50 no. 4 (1936-7), published 1948, first performed 1948 [ SATB quartet, SATB chorus, and orchestra ], from De Profundis, no. 4, Breitkopf & Härtel, Wiesbaden
- Die Wallfahrt nach Kevlaar by Robert Emmerich , op. 44 no. 1
- Venetianisches Gondellied by Hans Sommer , op. 10 no. 2 (1885/86), published 1886 [ medium voice and piano ], from Aus dem Süden, no. 2, Braunschweig, Litolff
- Part I by Henry Houseley , published 1917 [ soli, chorus, and orchestra ], from cantata Omar Khayyám, no. 1, cantata ; NY : H. W. Gray
- From "If I Shouldn't be Alive" and "How Happy is the Little Stone" by John C. Heiss , published 1978 [ mezzo-soprano, flute, clarinet, violin, violoncello, and piano ], from Songs of Nature
- Das Veilchen by Carl Ruckstuhl , published 1903 [ three-part women's chorus ], from Zwei Lieder für dreistimmigen Frauenchor, no. 1, strophe 1 is by Schults and strophes 2-3 are by Fisler
- L'amour s'en est allé by Fernando d'Azevedo e Silva , published 1897 [ mezzo-soprano and piano ], A. Quinzard
- I sip the cup of costly death
by Hana Ajiashvili , 2015 [ 2 sopranos, recorder, viola da gamba, harpsichord and guitar ], from Mere Air, no. 3, Rijswijk : Stichting Donemus Beheer
Publisher: Donemus [external link] - Psalm "Jauchzet dem Herren, alle Welt" by Heinrich Schütz , op. 2 no. 15, SWV. 36 (1619) [ double SATB chorus and basso continuo ]
- A Hymn of Nature by Cyril Stanley Christopher , c1940 [ soprano, baritone, chorus, and orchestra ]
- Oraison dominicale by André Caplet , 1914-7, published 1918 [ voice and piano (or harp and string quartet) ], from Les prières, no. 1, Paris: Durand & Cie.
- Mädchenlieder by Adalbert von Goldschmidt , published 1883 [ voice and piano ], from Lieder und Gesänge für 1 Singstimme mit Pianofortebegleitung, no. 8, Leipzig, Breitkopf & Härtel
- The Sledge Bells by Hugh Stevenson Roberton, Sir , published 1909 [ partsong: satb chorus a cappella ]
- Ngo gay ngy by Louis Delune , 1922, published 1924 [ medium voice, piano, flute ad libitum ], from Le Collier des offrandes, six poèmes lyriques d'après des poésies chinoises, no. 6, Paris, Éditions Hérelle, Fortemps, & Cie
- Guide au bord ta nacelle by Giacomo Meyerbeer , 1837 [ voice and piano ], also set in German (Deutsch), also set in English
- The Sleighbells by Thomas Anderton , published 187-? [ vocal trio of treble voices and piano ]
- Cantilena potatoria by Johann Abraham Peter Schulz , published 1782 [ voice and piano ], Berlin: Bey George Jakob Decker, Königl. Hofbuchdrucker
- The Litanies of Satan by Miriam Gideon , 1963 [ soprano, tenor, flute, bassoon, string quartet ], from The condemned playground, no. 3, sections of French and English are used in this setting
- Nocturne by Joseph Béesau , published 1920 [ high voice and piano or orchestra ], from Vingt mélodies, no. 1, Paris, Senart
- The Lady of Shalott by Cyril Bradley Rootham , 1909-10 [ mezzo-soprano, SATB chorus, orchestra ]
- Spring -- Introduction -- Earth's answer by Sven-David Sandström , 1978, published c1983, first performed 1983 [ double mixed chorus a cappella ], note : texts are intermixed ; Stockholm : Nordika Musikförlaget
- Finale by (Edward) Benjamin Britten , op. 44 no. 12 (1949) [ soprano, mezzo-soprano, tenor, mixed chorus, boys' chorus, and orchestra ], from Spring Symphony, no. 12
- Die Weihe by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 1
- Magnificat anima mea dominum by Hildegard von Bingen
- The Loveless Land by Gabriel Sivak , 2015, first performed 2016 [ vocal duet for soprano and tenor with piano ]
- Abend by Conradin Kreutzer , 1820, from Gesänge aus Goethe's Faust, no. 11, an edition from 1836 is mentioned by Hofmeister, published Wien, Trentsensky
- Eternity by Ralph Vaughan Williams , 1957, published 1958 [ voice and oboe ], from Ten Blake Songs, no. 10
- Gott hieß die Sonne glühen by Anton Grigoryevich Rubinstein , op. 34 no. 12 (1854), from Zwölf Lieder von Mirza-Schaffy, no. 12, also set in Russian (Русский)
- Herbstgesang by Joseph (Gabriel) Rheinberger , op. 144 no. 3 (1885) [ TTBB chorus ], from Drei Wettgesänge, no. 3
- John XIV v.19c – Sanctus & Benedictus by Douglas Gordon Weiland , subtitle: "Quia ego vivo et vos vivetis", op. 59 no. 5 (2018-2019), from mass Requiem Mass, no. 5
- ...das hörende Ohr... by Edvin Østergaard , 2019 [ soprano, mezzo-soprano, tenor, double bass ], from Ørenslyd: Ritus V, no. 2
- The Bells by Henry Lahee , op. 128 no. 1, published 1937 [ SSA chorus and piano ], note: arranged by Purcell J. Mansfield
- Wie erkenn' ich dein Treulieb by Johannes Brahms , WoO posth. 22 no. 1 (1873), from Ophelia-Lieder, no. 1, also set in English
- Der alte Matrose by Anton Hackel , op. 88
- Der Adler fliegt hoch by Arnold Mendelssohn , published 1900 [ SATB chorus ], from Sechs vierstimmige Chorsätze für S., A., T. und B., no. 6, Leipzig, Rieter-Biedermann
- Ingeborg's Klage, aus der Frithjof-Sage by Max Bruch , op. 23, published 1865 [ soli, men's chorus,and orchestra ], Breslau, Leuckart
- Abendlied nach dem Choral von Adam Krieger by Winfried Schreiter , 2000 [ voice and piano ]
- Oh ! Mon amour
by Blair Fairchild , op. 40 no. 2, published 1915 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 2, London, Augener
Score: IMSLP [external link] - Faust im Studierzimmer by Conradin Kreutzer , 1820 [ voice and piano ], from Gesänge aus Goethe's Faust, no. 5, an edition from 1836 is mentioned by Hofmeister, published Wien, Trentsensky
- On the death of Antony by Samuel Barber , op. 40 no. 1 (1968), published 1968 [ soprano, women's chorus, and piano ], from Two Choruses from "Anthony and Cleopatra", no. 1
- Voice Quintet. In an Eden Hills garden by Douglas Gordon Weiland , op. 4 (1984-1985), first performed 1986 [ string quartet and voice ]
- Heure pâle by Rodolphe Théophile Cahen d'Anvers, marquis de Torre Alfina , published 1906 [ medium voice and piano ], from L'Idylle persane, in the supplement to Le Figaro, July 14, 1906
- No, perdo nami o Clori by Daniel Friedrich Rudolph Kuhlau , op. 9 no. 2 (c1813), published [1814] [ voice and piano ], from Sei Canzoni, no. 2, Leipzig: Breitkopf & Härtel
- Automne -- Les érables rougis -- La fleurette des haies -- Fin d'automne by Claude Delvincourt , 1924, published 1927, first performed 1925 [ medium voice and piano or orchestra ], from Ce monde de rosée, quatorze 'Uta' anciens traduits du japonais par le Docteur P.L. Couchoud, no. 4, Paris, Édition Alphonse Leduc
- Lindors Romanze by Karl Sigmund Freiherr von Seckendorff , published 1779 [ voice and piano ], from Volks- und andere Lieder, mit Begleitung des Forte piano, Erste Sammlung, no. 7, Weimar: Bey Karl Ludolf Hoffmann
- Contemplation by Théodore Terestchenko , op. 41, published 1917 [ medium voice and piano ], Paris, Éditions Ricordi
- Lied der Abelone by Bernd Alois Zimmermann , 1939 [ mezzo-soprano and piano ], Schott
- Und wieder nehm' ich die Harfe zur Hand by Othmar Schoeck , op. 56 no. 4 (1944) [ voice, harp or piano ], from Spielmannsweisen: Liederfolge nach Gedichten von Heinrich Leuthold, no. 4, Wien: Universal Edition
- Pirates dreams by Charles Joseph Huerter , subtitle: "Lullaby", 1916?, published 1916, copyright © 1917 [ voice and piano ], New York: Oliver Ditson Company
- Lady Macbeth by Joseph Horovitz , subtitle: "A Scena", 1970, Composer's note: The composer has selected the words from the speeches of Lady Macbeth. This selection is intended to portray the development of this character, from early aspirations to grandeur, to later power and finally to guilt and madness. The implication is that the Scena begins after Lady Macbeth has read the report of Macbeth's victory at the start of the play.
- Come to me, Lord by M. Ryan Taylor , 2003 [ voice and piano ], from Leafs from the Diary of an Old Soul, no. 2
- Misero me . . . Misero pargaletto by Wolfgang Amadeus Mozart , K. 77 (1771) [ soprano and orchestra ]
- Impermanence
by Karen Siegel [ mixed chorus and instrumental ensemble ], Chestnu Oak Press; note: the two texts are interleaved
Publisher: Karen Siegel [external link] - Osculetur me osculo oris sui by Giovanni Pierluigi da Palestrina [ chorus ], motet
- In Erwartung des Freundes by Anna Hegeler , op. 2 no. 3, published 1911, from Vier Lieder nach chinesischen Texten, no. 3
- Ночь под Ивана Купала by Georgiy Vasil'yevich Sviridov , from Поэма памяти Сергея Есенина (Po`ema pamjati Sergeja Jesenina), no. 5
- From The Death Cycle Machine by Frank Ferko [ soprano and mixed chorus ], from Stabat Mater, no. 3
- Waller im Schnee. Ein Cyklus in vier Gesängen by Conrad (Eduard Reinhold) Ansorge , op. 14 no. 5, published 1900 [ voice and piano ], from Fünf Gesänge nach Gedichten von Stefan George, no. 5, Berlin, Deneke
- Après l'hiver by Georges Bizet , op. 21 no. 15 (1866), published 1873 [ medium voice and piano ], from Vingt mélodies pour chant et piano, no. 15, Paris, Éd. Choudens ; note: stanzas 1, 9, and 13 of "Après l'hiver" are interleaved with the text of Viens! -- une flûte invisible, so that each stanzas of the first is followed by one of the other poem's in turn
- Heute, nur heute bin ich so schön by Otto Lessmann , op. 3 no. 1, published 1869 [ voice and piano ], Berlin, Trautwein
- Wiegenlied by Felix Mendelssohn , 1822 [ voice and piano ]
- Ruhig ist des Todes Schlummer by Heinrich Schnaubelt , op. 42 no. 27, published 1871 [ men's chorus a cappella ], from Lieder-Album für Männergesang, no. 27, Regensburg, Georg Joseph Manz
- Prayer to Juno by Ralph Vaughan Williams , 1957, published 1957 [ baritone, mixed chorus, orchestra ], from cantata Epithalamion, no. 11, London, Oxford University Press
- Моления Афродите by Arthur Vincent Lourié , 1914 [ voice and piano ], from Греческие песни на тексты из Сафо в переводе Вяч. Иванова (Grecheskije pesni na teksty iz Safo, v perevode Vjacheslava Ivanova), no. 6, Петроград / Москва (Petrograd / Moscow), Государственное музыкальное издательство (Gosudarstvennoe muzykal’noe izdatel’stvo )
- Liebesgeständnis by Heinrich Schnaubelt , op. 42 no. 10, published 1871 [ men's chorus a cappella ], from Lieder-Album für Männergesang, no. 10, Regensburg, Georg Joseph Manz
- Lied by Robert Schumann , op. 101 no. 1 (1849), published 1852 [ tenor and piano ], from Minnespiel, no. 1, Leipzig, Whistling
- The Angel of Death by Ralph Vaughan Williams , published 1936 [ soprano and baritone soli, chorus, and orchestra ], from Dona nobis pacem, no. 5
- Già riede primavera by Giovanni Paisiello , 1782, first performed 1782, from opera Il barbiere di Siviglia, no. 13
- The Bells by Emma Lou Diemer , published 1961 [ satb chorus and piano four-hands ]
- Des Sängers Wunsch by Joseph Netzer , op. 25 no. 2, published 1852 [ soprano or tenor and piano ], Leipzig, Whistling; confirmed with a CD booklet
- Abendlied by Anna Bochkoltz-Falconi [ voice and piano ]
- Children by Robert M. Greenberg , 1992 [ flute, oboe, clarinet, violin, viola, violoncello, soprano, and piano ], from Iron balconies and lilies, no. 4
- The Bells by Sam Raphling , published 1958 [ 6-part mixed chorus a cappella ]
- So hast du ganz und gar vergessen by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 10
- Tell me to sing by Jeffrey Thomas King , 1964-93 [ soprano, alto, tenor, SATB chorus, and woodwinds ], from Music in the Wind, no. 6, unpublished
- Vor dem Tor by Julius Röntgen , 1931 [ solo voices, chorus, orchestra, and organ ], from Aus Goethes Faust, no. 4, title of the translation to Italian: "Fuori porta"
- The Dawn is not Distant by Christine Donkin [ women's chorus ], Cypress Choral Music
- Euntes ibant et flebant by Henryk Mikołaj Górecki , 1972 [ mixed chorus ], Polskie Wydawnictwo Muzyczne/Boosey & Hawkes
- Ariels sång nr 1 by Gösta Nystroem , 1934 [ voice and piano ], from Tre sånger ur musiken till Stormen = Three Songs from the Music to The Tempest, no. 1
- Canción de cuna by Modesta Bor , 1960, published 2015 [ voice and piano ], from Canciones infantiles, no. 3, Ediciones ARE
- Ch'io t'abbandono in periglio sì grande by Felix Mendelssohn , 1825 [ voice and piano ]
- Adieu (Complainte) by Jules Massenet , op. 14 no. 8 [ voice and piano ], from Poème d'avril, no. 8, note: the first stanza is spoken, also set in German (Deutsch)
- Memories of President Lincoln by William Harold Neidlinger , published 1920 [ baritone or tenor, piano ]
- Zigeunerliedchen II
by Robert Schumann , op. 79 no. 7b[8] (1849), published 1849 [ voice and piano ], from Liederalbum für die Jugend, no. 7b[8], Leipzig, Breitkopf und Härtel
Score: IMSLP [external link] - The Bells by Alfred Plumpton , published 1867
- Num te leaena by Michael Linton , first performed 2014 [ baritone and piano ], from Carmina Catulli, no. 13
- Denk' ich an Deutschland in der Nacht by Günter Bialas , 1991, published c1991, stanzas 1-9 of the second poem
- Glückseligkeit by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 10
- Schilflieder by Heinrich Sutermeister , copyright © 1968 [ TTBB chorus a cappella ], from Zwei Männerchöre, no. 1, Schott
- I sent my Soul through the Invisible by Elisabeth Charlotta Henrietta Ernestina Sonntag , published 1925, first performed 1925 [ voice and piano or orchestra ], from Vanitas Vanitatum, song-cycle from "The Rubaiyat of Omar Khayyam" in the translation of Edward Fitzgerald, no. 3, as Else Headlam-Morley
- Ali und Fatme by Carl Loewe , op. 10, Heft 2 no. 2 (1833), published 1834 [ voice and piano ]
- The fool's air and prophecy by Steven Ebel , 2007 [ tenor, flute, violin, cello, piano ]
- Fireflies by Ralph D'Mello , 1999 [ tenor or baritone and clarinet ], from Tagore Songs, no. 2
- Frühlings Erwachen by Carl August Bertelsmann , published 1841 [ voice and piano ], from Sechs Lieder, no. 2
- Grabschrift by Hans Gál , op. 27 no. 5 (1926), published 1927, first performed 1927 [ 4/8-part mixed chorus a cappella ], from Epigramme: Fünf Madrigale nach Gedichten von Lessing, no. 5, N. Simrock, Berlin
- [XII]. Nulla potest mulier tantum se dicere amatam by Carl Orff , 1940-43, published 1943, from cantata Catulli Carmina, no. 13
- Trunken müssen wir alle sein by Gary Bachlund , 2009 [ medium voice and piano ]
- Magnificat by Robert Fayrfax [ chorus ]
- Farewell to Arms by Gerald Finzi , op. 9 (192-?) [ tenor, small orchestra ]
- Art by Gary Bachlund , 2010 [ medium voice or high voice and piano ]
- The Bells by George Fox , published 1876 [ satb chorus and orchestra ], cantata
- Die Rose, die Lilie, die Taube, die Sonne by Reinbert de Leeuw , published 2003? [ voice with instrumental ensemble ], from Im wunderschönen Monat Mai : dreimal sieben Lieder nach Schumann und Schubert, no. 3, note: sets fragments of these poems
- Light, my light by Gwyneth Walker , 1999 [ SATB chorus and string quartet ], from The Golden Harp, no. 4
- Psalm 2 by Felix Mendelssohn , op. posth. 78 no. 1 (1843), lines 1-12 [ chorus ]
- Selbstbildnis (1922) by Ralf Yusuf Gawlick , op. 19 no. 4b (2012-2013) [ soprano and guitar ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 4b
- Epilog by Hermann Reutter , op. 31 no. 6, published 1947 [ medium voice and piano ], from Die Weise von Liebe und Tod des Cornets Christoph Rilke, no. 6, Mainz: B. Schott’s Söhne, London: Schott & Co. Ltd.
- Entflieh mit mir und sei mein Weib by Ernst Löwenberg , from Acht Lieder von Heine, no. 3
- A song (without and with accompaniment) by Matthew King , 2006 [ soprano, mezzo-soprano soli, chorus, and orchestra ], from The Season of Singing, no. 4
- Miniatur-Triptychon by Rudi Spring , op. 52a no. 1 (1990) [ soprano; hammered dulcimer (ad libitum), and piano ], from Lose Blätter, no. 1
- Ruf des Todes (1937) by Ralf Yusuf Gawlick , op. 19 no. 5b (2012-2013) [ soprano, unaccompanied ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 5b
- Frühlingslied by Anton Häring , op. 4 no. 1, published 1878 [ men's chorus ], Leipzig: Robert Forberg
- Köln by Leonard J[ordan] Lehrman , op. 72 no. 2, published 1984 [ male voice and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 2
- Entflieh mit mir und sei mein Weib by Max Wilhelm Karl Vogrich , published 1890 [ voice and piano ], from Erstes Lieder-Album, no. 3, Leipzig, Hofmeister
- Requiem by Robert Hugill [ baritone and piano ], from Four Songs to Texts by Ivor Gurney, no. 2
- Sehnsucht nach dem Vaterland by Peter Joseph Lindpaintner , op. 37, Heft 1 no. 3 [ voice and piano ]
- Rast! Gast sein einmal. Nicht immer selbst by Hermann Reutter , op. 31 no. 3, published 1947 [ medium voice and piano ], from Die Weise von Liebe und Tod des Cornets Christoph Rilke, no. 3, Mainz: B. Schott’s Söhne, London: Schott & Co. Ltd.
- O how shall I warble myself for the dead one there I loved? by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 6
- The little boy lost and found by John Austin Sykes , 1935-6, first performed 1975 [ voice and piano ], from Songs of Innocence, no. 7
- Liebestöne by Heinrich Proch , op. 131, published 1846 [ voice and piano ], Wien, Diabelli und Co.
- A Struggle for Life by Lucy Blomfield , first performed 2024 [ mixed chorus and organ ], Text for this work is taken from Hildegard von Bingen's c.1152 morality play, 'Ordo Virtutum' and the final paragraph of Charles Darwin's 1859 book, 'On the Origin of Species'. The translation of Ordo Virtutum used in this work is by Peter Dronke
- Soldatenlust by Gustav Heinrich Graben-Hoffmann , op. 107 no. 35, published c1883 [ voice and piano ], from Frühlingsstimmen: Neue Liederspende für die Jugend, no. 35, Dresden: L. Hoffarth
- Nosegay by Stephen Wilkinson [ voice and piano ], from Eternal Summer, no. 12
- The tigers of wrath by Ned Rorem , 2001-2 [ medium voice, violin, cello, and piano ], from Aftermath, no. 2, Boosey & Hawkes
- Heure pâle
by Blair Fairchild , op. 40 no. 7, published 1915 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 7, London, Augener
Score: IMSLP [external link] - Wiegenlied im Kahn by Walther von Goethe , op. 5 no. 4, published 1840 [ voice and piano ], Hannover: Nagel
- Childness fresh by M. Ryan Taylor , 2003 [ voice and piano ], from Leafs from the Diary of an Old Soul, no. 4
- Zum 8ten Juni 1873. Taufe des kleinen Enkel Felix Robert Fellinger. "Wer da glaubet und getauft wird, der wird selig werden." Marc. 16, 16 by Josephine Lang , 1873 [ voice and piano ], unpublished; translation of title to English: 'For the 8th of June 1873. Baptism of the little grandson Felix Robert Fellinger. "He that believeth and is baptized shall be saved." Mark 16, 16'
- Love me little, love me long
by Mary Hannah (May) Brahe , published c1934 [ voice and piano ], Paris : Sydney ; Boosey & Co
Score: Trove [external link] - Drittes Lied der Ophelia by Richard Georg Strauss , op. 67, Heft 1 no. 3 (1918)
- The Bells by George Wald , published 1942 [ satb chorus a cappella ]
- Eastward by Leonard J[ordan] Lehrman , op. 72 no. 3, published 1984 [ male voice and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 3, after Heine
- Eli, Eli by Joan Szymko [ soprano or SSAA chorus, cello ]
- The driving boy by (Edward) Benjamin Britten , op. 44 no. 4 (1949) [ soprano, mezzo-soprano, tenor, mixed chorus, boys' chorus, and orchestra ], from Spring Symphony, no. 4
- Das erste Sommergras und vor der Ernte by Anton Grigoryevich Rubinstein , op. 115 no. 1 (1890), published 1890 [ voice and piano ], Leipzig, Senff
- Das Zigeunerkind by Gustav Heinrich Graben-Hoffmann , op. 107 no. 40, published c1883 [ voice and piano ], from Frühlingsstimmen: Neue Liederspende für die Jugend, no. 40, Dresden: L. Hoffarth
- The bells by Juliana Hall , 2015 [ soprano and piano ]
- Wanderlied by Ludwig Stark , op. 45 no. 3, published 1864 [ baritone or mezzo-soprano and piano ], Stuttgart, Zumsteeg
- Oh! Take him gently by John Eccles , 1695, from the incidental music to Cyrus the Great
- ...Ich schrumpfe nach innen. Ich meine, ich werde merklich alt by Ralf Yusuf Gawlick , op. 19 no. 6 (2012-2013) [ soprano and guitar ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 6
- Le trébuchet by Hector Berlioz , op. 13 no. 3 (1846) [ vocal duet for two equal voices and piano ], from Fleurs des Landes, no. 3
- Now while I sat in the day, and look'd forth by Roger Sessions , from cantata When lilacs last in the dooryard bloom'd, no. 3, cantata
- Wiegenlied by Johannes Brahms , op. 49 no. 4 (1868), published 1868, first performed 1869 [ voice and piano ], Berlin, Simrock
- Recitando und Romanze by Conradin Kreutzer , 1820 [ voice and piano ], from Gesänge aus Goethe's Faust, no. 21, an edition from 1836 is mentioned by Hofmeister, published Wien, Trentsensky
- Laudate Dominum by Marcel Dupré , op. 9 no. 4 [ chorus ], from Quatre Motets, no. 4, motet
- Das Heimweh by Franz Peter Schubert , D 456 (1816), published 1887 [ voice and piano ]
- Zwei Gesänge by John W. M. Slangen , 1982, first performed 1982 [ voice and organ ], note: this piece consists of one movement with 'a succession of different characters that each find their expression in distinct styles' (from the composer's website) : Toccata, Recitativ und Arioso (XXX), kleines Prélude, Variation I, Variation II, Toccata double (XXXVI), double Intermezzo, Choral Variation III, Schluss
- Die Wallfahrt nach Kevlaar by Leopold Lenz , op. 18 no. 1, published c1840 [ alto, mezzo-soprano, or baritone, and orchestra ]
- Libera me by (Edward) Benjamin Britten , op. 66 no. 6, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 6
- Italien
by Felix Mendelssohn and Fanny Hensel , op. 8 no. 3 (<<1825), note: this was first published under Felix Mendelssohn's name
Score: IMSLP [external link] - Laudate Dominum by Florent Schmitt , op. 60 no. 5 (1917), published 1918 [ TTBB chorus and organ ], from Five Motets with Accompaniment, no. 5, Paris: Durand
- Rise, O my soul by George Dyson , 1945-9, from Quo Vadis: a Cycle of Poems, no. 2
- Les Amours lointains by Olga Yevgen'yevna Nazaykinskaya , 2011, published 2011 [ soprano and piano ], from Chansons d'une étrangère pour soprano et piano, no. 1
- Nah ist und schwer zu fassen der Gott by Siegmund Schmidt , 2010 [ alto and piano ], Texte: Friedrich Hölderlin und Flüchtlinge aus Guatemala
- Auferstehung by Gustav Mahler , 1888-94, first performed 1895 [ soli, chorus, and orchestra ], from Symphony no. 2, no. 5
- 's Herz by (Philipp) Friedrich Silcher , published 1902 [ vocal quartet for male voices ], confirmed with Volkslieder gesammelt und für vier Männerstimmen gesetzt von Friedrich Silcher, neue Ausgabe, 5. und 6. Tausend, Tübingen: Verlag der H. Laupp'schen Buchhandlung, pages 165 - 167
- The Bells by D. Ezechiels , published 1888, cantata
- Cherchez qui vous aime
by Amédée Louis Joseph Rousseau, as Amédée de Beauplan , subtitle: "Romance", published 1834 [ medium voice and piano ], Éd. Janet et Cotelle
Score: IMSLP [external link] - Zum Frieden by Hans Gál , op. 50 no. 5 (1936-7), published 1948, first performed 1948 [ SATB quartet, SATB chorus, and orchestra ], from De Profundis, no. 5, Breitkopf & Härtel, Wiesbaden
- Du dehors - du dedans by Will Eisma , published 1983 [ mezzo-soprano, orchestra, and electronics ]
- Piosenka obłąkanej Ofelii by Stanisław Moniuszko , subtitle: "Z tragedyi Hamlet" [ voice and piano ], confirmed with a score : Warszawa (Warsaw), Ferdynand Hösick, cenz. 1888 (Druk Józefa Jeżyńskiego, Nowolipki Nr 9)
- Den Kampf der Freiheit ehrt, müßt ihr die That auch tadeln! by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 15
- Mere Air
by Hana Ajiashvili , 2015, copyright © 2019 [ 2 sopranos, recorder, viola da gamba, harpsichord and guitar ], from Mere Air, no. 1, Rijswijk : Stichting Donemus Beheer
Publisher: Donemus [external link] - Paysage by Nicola LeFanu , 1973?, published 1973 [ baritone, unaccompanied ], London, Novello
- Donne-moi cette fleur by Charles Gounod , CG 375 (c1867), published 1869 [ voice and piano ]
- The voice of wisdom and Earth's answer by Gary Michael Higginson , op. 55 no. 1 (1981-2) [ SATB chorus with divisions a cappella ], from Seven Songs of William Blake, Set II, no. 1
- The Angle of Repose by Annea Lockwood , 1991 [ baritone, alto flute, khaen ]
- Selbstbildnis en face (1904) by Ralf Yusuf Gawlick , op. 19 no. 2 (2012-2013) [ soprano and guitar ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 2
- Le pauvre Pierre by Tibor Harsányi , 1923, published 1925, from Six mélodies, no. 6, Éd. R. Deiss
- Gute Nacht by Max Reger , 1890/1 [ voice and piano ], from Jugendlieder, no. 9
- Das Mädchen spricht by Klaus Miehling , op. 369 no. 4 (2024) [ voice and piano ]
- Na Wawel, na Wawel by Studziński Piotr [ voice and piano ], lines 1-4 of the Wasilewski text
- Sanctus / Benedictus by (Edward) Benjamin Britten , from oratorio Missa Brevis in D, no. 3
- An die Entfernte by Ingeborg Bronsart von Schellendorf , op. 23 no. 2, published 1892 [ voice and piano ], Berlin, Bote & Bock
- Die Göttin by Leonard J[ordan] Lehrman , op. 72 no. 10, published 1984 [ male voice and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 10
- Na Wawel, na Wawel by Stanisław Moniuszko [ voice and piano ], lines 1-4 of the Wasilewski text
- Ein Preislied by Friedrich Gernsheim , op. 58 (1893), published 1893 [ SATB chorus and piano ], Berlin: Ries & Erler
- The Bells by F. Lancelott , published 1957, cantata
- Lilith by Wilfried Hiller , 2013 - 2014, first performed 2014 [ soprano, chorus, solo violin and orchestra ], from Skulpturen der Liebe, no. 3, Schott Music
- Der Mensch by Hanns Eisler , 1942-3, from Hollywooder Liederbuch, no. 43
- Sea-Drift by Frederick Delius , published 1918 [ baritone, mixed chorus, and orchestra ]
- Meciendo
by Leanna Kirchoff , 2005 [ mixed chorus ], note: the Spanish and English texts are interwoven
Publisher: Leanna Kirchoff [external link] - Ah, moon of my delight, who know'st no wane by Liza Lehmann , 1896 [ tenor and piano ], from In a Persian Garden, no. 20
- Wie ist es doch so schön im Wald by Joseph Matthias Hubert Beltjens , op. 100 no. 4, published 1882 [ voice and piano ], from Sechs Gesänge für eine Singstimme mit Begleitung des Pianoforte, no. 4, Regensburg, Coppenrath
- The Mother by Frank Ferko [ soprano and mixed chorus ], from Stabat Mater, no. 2
- Dies irae by (Edward) Benjamin Britten , op. 66 no. 2, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 2
- Tragödie by Richard Hol , op. 66 no. 5, published 1873
- Dominus regnavit by Josquin des Prez [ chorus ]
- Qui sunt hi sermones by Roland de Lassus , published 1582 [ SATTB chorus a cappella ], from Sacrae cantiones quinque vocum, no. 11
- Drei Sprüche by Steven Ebel , 2010 [ tenor and orchestra ], from Divan songs, no. 2
- Der Abschied by Gustav Mahler , 1908, from Das Lied von der Erde, no. 6
- Cantares by Joaquín Turina , op. 19 no. 3 (1917), published 1923 [ soprano and piano or orchestra ], from Poema en forma de canciones, no. 3, Madrid: UME
- Wir wollen ihm die Krippe schmücken by (Philipp) Friedrich Silcher [ voice and piano ]
- Meeresstille und glückliche Fahrt by Ludwig van Beethoven , op. 112, published 1815 [ chorus and orchestra ], cantata
- Весёлый пир by Boris Alexandrovich Arapov , op. 7 no. 2 (1936-1937) [ voice and piano ]
- Je ne chercherai pas
by Blair Fairchild , op. 40 no. 4, published 1915 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 4, London, Augener
Score: IMSLP [external link] - Gesegnet sei by Michael Brough , op. 9 no. 2 (1996) [ voice and piano ], from Zwei Liebeslieder, no. 2
- Abendlied by August Heinrich Leberecht August Mühling , op. 36 no. 1, published 1824 [ vocal quartet for male voices ], from Zwölf Lieder für vier Männerstimmen, no. 1
- Meeresstille und Glückliche Fahrt by Anton Grigoryevich Rubinstein , op. 31 no. 3 [ four-part men's chorus a cappella ], Leipzig, Kistner
- Wunderspiegel by Rudi Spring , op. 92a (2014), first performed 2014 [ mezzosoprano, horn and piano ]
- Drei Träume by Cesar Bresgen , 1972 [ alto and piano ], from Drei Lieder für Altstimme und Klavier, nach Gedichten von Georg Trakl, no. 1
- Wake! For the Sun who scatter'd into flight by Elisabeth Charlotta Henrietta Ernestina Sonntag , published 1925, first performed 1925 [ voice and piano or orchestra ], from Vanitas Vanitatum, song-cycle from "The Rubaiyat of Omar Khayyam" in the translation of Edward Fitzgerald, no. 1, as Else Headlam-Morley
- We'll go no more a-roving by T. Wallace Southam , published 1966, stanza 1 of [ voice and piano ], from Poetry Set in Jazz
- At the cry of the first bird by David W. Guion , published 1924 [ voice and piano ], G. Schirmer
- Meeresstille und glückliche Fahrt by Theodor Podbertsky , op. 60, published 1894 [ men's chorus and orchestra or piano ], Leipzig, Leuckart
- Dominus regnavit decorem by Hildegard von Bingen
- Herziges Schätzle du by Robert Franz , op. 50 no. 1 (1879), published 1879 [ voice and piano ], Leipzig, Leuckart
- Wiegenlied by Charles Edward Ives , 1900?
- Stimmen des Gartens by Joseph (Gabriel) Rheinberger , op. 182 no. 9, published 1885 [ SATB quartet, SATB chorus, and piano ], from Vom goldenen Horn. Türkisches Liederspiel für Solostimmen, gemischten Chor und Pianoforte, no. 9, Leuckart, Leipzig
- The bishop's spring dream by Mikko Heiniö , 2005 [ chorus ]
- J'ai le pouvoir d'exister sans destin by Michael 'Mikis' Theodorakis , published 1986 [ voice and piano ], from Les six Éluard “Medieuses”, no. 6, Éd. Mario Bois
- Het licht by Jan Pouwels , 1931 [ speaker, women's chorus, men's chorus, and orchestra ], from Declamatorium Wij-zangen, no. 5
- Jauchzet den Herrn, alle Welt
by Felix Mendelssohn , op. 69 no. 2 [ SATB chorus ]
Score: IMSLP [external link] - An der Grenze by Leonard J[ordan] Lehrman , op. 72 no. 1, published 1984 [ male voice and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 1
- Mitternacht
by Emilie Zumsteeg , op. 6 no. 5, published 1842 [ voice and piano ], Stuttgart, Zumsteeg
Score: IMSLP [external link] - א שִׁיר מִזְמוֹר לְדָוִד by Leonard Bernstein , 1965, from Chichester Psalms, no. 1, Psalm 108 line 3 (ג) ; Psalm 100
- Ophelia by Johann Rudolf Zumsteeg , published 1802, from Kleine Balladen und Lieder, Heft IV, no. 2
- Traum by Fanny Hensel , 1844, English title: ``Dream'' ; French title: `` Rêve''
- The camp-meeting by Charles Edward Ives , 1912
- Kornblumen by Heinrich Rudolph Willmers , op. 90
- Roses ardentes by Mathieu Crickboom , op. 12 no. 9 (1915) [ voice and piano ]
- Magnificat by John Nesbitt [ chorus ]
- Ich denke dein by Albert Felix, Graf Amadei , op. 22 no. 6, published 1894 [ medium voice and piano ], Leipzig, Senff
- So dawn chromatically descends to day by Kate Soper , 2018 [ voice and piano ], confirmed with a concert programme booklet
- Nunc dimittis by Gustav Holst , H. 127 (1915), published 1979, first performed 1915 [ soprano, tenor, and eight-part chorus a cappella ]
- Der von Langenau schreibt einen Brief, ganz in Gedanken by Viktor Ullmann , 1944, published 1995 [ reciter and piano ], from Die Weise von Liebe und Tod des Cornets Christoph Rilke, Erster Teil, no. 5, Mainz: Schott Music GmbH & Co.
- Der Totengräber by Daniel Friedrich Rudolph Kuhlau , op. 19 no. 10, published [1819] [ voice and piano ], Hamburg: Johann August Böhme
- The Passionate Pilgrim by John C. Mucci , 1994 [ soprano and contrabass ], from Strange Attractors, no. 2
- Spanisches Ständchen by Carl Hohfeld , published 1884 [ voice and piano ], from Lieder und Gesänge, no. 2, Mainz: Kittlitz-Schott
- The crucifixion by Samuel Barber , op. 29 no. 5 (1953), published 1954 [ voice and piano ], from Hermit songs, no. 5
- Herbst by Richard Heuberger , op. 10 no. 2, published 1879 [ men's chorus a cappella ], Leipzig, Kistner
- Little boy lost and found by Rudolph T. Werther , 1960 [ voice and piano ], from Song Cycle : On Children, no. 4
- Ah rammenta o bella Irene by Gaetano Donizetti
- La jeune coquette -- La bourrasque subite by Claude Delvincourt , 1924, published 1927, first performed 1925 [ high voice and piano or orchestra ], from Ce monde de rosée, quatorze 'Uta' anciens traduits du japonais par le Docteur P.L. Couchoud, no. 3, Paris, Édition Alphonse Leduc
- Qui vuol mie sorte c'anzi tempo i' dorma by Dmitri Dmitriyevich Shostakovich , op. 145 no. 11, from Suite on verses by Michelangelo Buonarroti, no. 11
- Mein Sohn, warum hast Du uns das getan by Heinrich Schütz , op. 12 no. 4, SWV. 401 (1650), from Symphoniae sacrae III - Geistliche Konzerte für Singstimmen und Instrumente, teils mehrchörig, no. 4
- Tristan
by Sheila Silver , 2013, copyright © 2013, first performed 2013 [ soprano and piano ], from Beauty Intolerable, no. 9, Argenta Music
Publisher: Sheila Silver [external link] - Amaranths Waldeslieder by (Joseph) Anton Bruckner , published 1902, in the magazine Die Musik
- Astres, musiciens célestes by Ernest Moret , published 1919 [ high voice and piano ], from Sous le ciel de l'Islam, no. 12, Paris, Éd. Heugel
- L'infinito by Philippe Hersant , 1993 [ mixed chorus a cappella ]
- Die Städte aber wollen nur das Ihre by Tilo Medek , 1980, copyright © 1982 [ soprano, chorus and orchestra ], from cantata Gethsemane, no. 12, Unkel am Rhein : Medek
- The Bells by Hazel Gertrude Kinscella , published 1938 [ SSA chorus and piano ]
- Der Mensch ist eine Kohle by Arnold Mendelssohn , published 1900 [ SATB chorus ], from Sechs vierstimmige Chorsätze für S., A., T. und B., no. 4, Leipzig, Rieter-Biedermann ; English title for whole setting is "The human is a coal"
- Près de l'aimée
by Blair Fairchild , op. 40 no. 6, published 1915 [ high voice and piano ], from Quatrains d'Al-Ghazali, no. 6, London, Augener
Score: IMSLP [external link] - Little boy lost, found by Solomon Pimsleur , op. 11 no. 5 (1922), rev. 1930, from Songs of Innocence and Experience, no. 5
- The Bells by Frank Ahrold , published 1967 [ SATB chorus ]
- Basta, vincesti -- Ah non lasciarmi, nò, bell'idol mio by Wolfgang Amadeus Mozart , K. 486a [ soprano, orchestra ]
- The Bells by Halfdan Kjerulf
- Schlusslied by Johann Peter Cornelius D'Alquen , op. posth. 3 no. 6
- In der Frühe by Hanns Eisler , from Hollywooder Liederbuch, no. 35
- The little boy lost - The little boy found by Ken Neufeld , published c1979 [ SATB chorus a cappella ], from Three Songs of Innocence, no. 2, Fort Lauderdale, FL : Aberdeen Music (Plymouth Music Co.)
- Wo zu finden? by Christian Wilhelm Häser , op. 34 no. 4, score gives composer as "Wilhelm Haeser"
- Wanderer's night-song by Julius Chaloff , published 1919 [ voice and piano ]
- Natur by Hans Gál , op. 70 no. 4 (1955), published 1956, first performed 1956 [ SATB soli, mixed chorus (boys, SATB), and orchestra ], from Lebenskreise, no. 4, Alkor Edition, Kassel
- Die Wallfahrt nach Kevlaar von Heinrich Heine by Felix Paul Weingartner , op. 12, published 1892 [ low voice with orchestra or piano ], Berlin, Challier & Co.
- The Bells by Joseph Holbrooke , op. 50a, published 1906 [ chorus and orchestra ], note: also set in a German translation by Alice Klengel
- Wir haben viel für einander gefühlt by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 1
- O bone et dulcis Domine Jesus by Josquin des Prez [ chorus ], motet
- Siciliana by Friedrich Hegar , op. 7 no. 4, published 1874 [ mezzo-soprano or baritone and piano ]
- Abschied by (Philipp) Friedrich Silcher , op. 14 no. 12 (c1830), published 1831 [ four-part men's chorus ], from Zwölf Volkslieder für vier Männerstimmen, drittes Heft, no. 12, Tübingen, Laupp'sche Buchhandlung
- The Bells by Franz Petersilea
- Tribute to Foster by Percy Aldridge Grainger , 1913-6, based on a melody by Stephen Foster
- Tragödie by Anton Grigoryevich Rubinstein , op. 57 no. 6, published 1862 [ voice and piano ], Leipzig, Senff ; title in English (from 1864 edition?): "A tragedy"
- S'elle m'amera by Johannes Ockeghem , note: the part that begins "Petite camusette" is marked "TENOR, CONTRATENOR I & II"
- Age by Robert M. Greenberg , 1992 [ flute, oboe, clarinet, violin, viola, violoncello, soprano, and piano ], from Iron balconies and lilies, no. 5
- To the tally of my soul by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 10
- Im Mai by Ludwig Wilhelm Andreas Maria Thuille , op. 4 no. 3, published 1887 [ high voice and piano ], note: the third stanza is repeated at the end ; title in English: "In May"; Leipzig, Breitkopf & Härtel
- Choral: No sad thought by Ralph Vaughan Williams [ soprano or mezzo-soprano, tenor, and baritone soli, boys' chorus, mixed chorus, and orchestra ], from cantata Hodie, no. 15
- Irreveries from Sappho by Elizabeth Walton Vercoe , 1981 [ mezzo-soprano or soprano or SSA trio with piano ]
- Motto by Wilhelm Platz , published 1900, from Hundert Lieder, no. 1
- Psalmus 102 by Paweł Łukaszewski , 2002-3 [ chorus ]
- O timely happy, timely wise by George Dyson , 1945-9, from Quo Vadis: a Cycle of Poems, no. 5
- Sinnen und Suchen by Hans Gál , op. 70 no. 3 (1955), published 1956, first performed 1956 [ SATB soli, mixed chorus (boys, SATB), and orchestra ], from Lebenskreise, no. 3, Alkor Edition, Kassel
- Hylas will kein Weib haben by Georg Gerson , G. 139 (1818) [ voice and piano ]
- Psalm "Ich danke dem Herrn von ganzem Herzen" by Heinrich Schütz , op. 2 no. 13, SWV. 34 (1619) [ chorus and instrumental ensemble ]
- An Thyrsis by (Franz) Joseph Haydn , Hob. XXVIa no. 8 (1781/4)
- Lied by Josephine Lang , op. 15 no. 2 (1834?), published 1848 [ voice and piano ], Leipzig, Breitkopf und Härtel, also set in English
- Le matin by Paul-Jean-Jacques Lacôme d'Estalenx [ high voice and piano ]
- Alle die wachsenden Schatten by Johanna Müller-Hermann , op. 9 no. 3 (1911), first performed 1911-1914 [ mixed chorus ]
- Trunken müssen wir alle sein
by Hugo Wolf , 1889, published 1891 [ voice and piano ], from Goethe-Lieder, no. 35, Mainz, Schott
Score: IMSLP [external link] - Laudate pueri Dominum by Antonio Vivaldi , RV. 600 [ chorus ], motet
- Erstes Lied der Ophelia by Richard Georg Strauss , op. 67, Heft 1 no. 1 (1918)
- Der Tod, Dein Diener, steht vor meiner Tür by Thomas F. Schubert [ soprano, piano, and percussion ad libitum ], from Gitanjali - 2 Gesänge nach Worten von Rabindranath Tagore, no. 1
- Der Jüngling steht auf dem Verdeck
by Robert Schumann , op. 116 no. 2 (1851), published 1853 [ soli, chorus and orchestra ], from Der Königssohn, no. 2, Leipzig, Whistling
Score: IMSLP [external link] - Aria II by Elizabeth Walton Vercoe , 1989 [ mezzo-soprano, clarinet and piano ], from In the Storm, no. 3, confirmed with composer's website
- Laudate pueri by Felix Mendelssohn , op. 39 no. 2 [ SSA chorus and organ ]
- How should I your true love know by Roger Quilter , op. 30 no. 3 (1933), published 1933 [ voice and piano ], from Four Shakespeare Songs (Third Set), no. 3, London, Boosey
- The temple gates by Ralph Vaughan Williams , 1957, published 1957 [ baritone, mixed chorus, orchestra ], from cantata Epithalamion, no. 6, London, Oxford University Press
- Will niemand singen, so sing' aber ich by Ludwig Senfl
- Silur
by Ylva Lund Bergner , 2020 [ soprano, alto, baritone, tenor and instrumental ensemble ]
Publisher: Ylva Lund Bergner [external link] - My Love's a winsome wee thing by (Franz) Joseph Haydn , Hob. XXXIa:268, JHW XXXII/4 no. 277
- Magnificat by William Byrd , from oratorio Great Service, no. 5
- Sul ponte di Hiroshima by Luigi Nono , 1962 [ soprano, tenor, orchestra ], from Canti di Vita e d'Amore, no. 1
- Je ne veux plus vous voir by Michel Lambert
- The Bells by Franco Leoni , published 1908 [ vocal scene for baritone or contralto and orchestra ]
- Je goustois cent mille douceurs by Michel Lambert
- Welche Übergewichte von Stille by Erik Janson , 2008 [ soprano and violoncello ], from Fragmente nach Rilke, no. 5
- Psalm "Der Herr sprach zu meinem Herren" by Heinrich Schütz , op. 2 no. 1, SWV. 22 (1619) [ SATB chorus, instrumental ensemble, basso continuo ]
- Der Hirt auf dem Felsen by Franz Peter Schubert , D 965 (1828), published 1830 [ voice, piano, clarinet ], note: the title in Catalan : "El pastor damunt la roca"; Dutch: "De herder op de rots" ; English: "The shepherd on the rock"; French: "Le pâtre sur le rocher", Norwegian: "Gjeteren på klippen", Spanish: "El pastor en la roca"
- Come to me God ; but do not come by George Dyson , from Quo Vadis: a Cycle of Poems, no. 7
- Over the breast of the spring, the land, amid cities by Roger Sessions , from cantata When lilacs last in the dooryard bloom'd, no. 2
- Sérénade du Passant by Jules Massenet , alternate title: "Sérénade de Zanetto", 1869, published 1869 [ voice and piano ]
- Le Printemps by Théodore Terestchenko , op. 40, published 1917 [ high voice and piano or orchestra ], Paris, Éditions Ricordi
- O whither shall my troubled muse incline by George Dyson , 1945-1949, from Quo Vadis: a Cycle of Poems, no. 3
- Clouds Ephemeral by Karen Siegel [ mixed chorus ]
- Oh, temerario Arbace by Wolfgang Amadeus Mozart , K. 79, K. 73d (c1766) [ soprano, orchestra ]
- Tragödie by Charles Villiers Stanford, Sir , op. 14 no. 5, published 1882 [ voice and piano ]
- Songs of a Fool by Gary Bachlund , 2010 [ medium voice and piano ]
- The Bells by John Habash , published 1963 [ SATB chorus ], note: words adapted by Edna Lewis
- Every Night and every Morn by (Edward) Benjamin Britten , op. 74 no. 14, from Songs and Proverbs of William Blake, no. 14
- Une ombre à chaque enfant du soir by Bruno Gousset , op. 17 (1985) [ high voice and piano or orchestra and harp ]
- Laudate pueri Dominum by William Byrd , published 1575, from Cantiones Sacrae, no. 17
- If love be all by Gary Bachlund , 2009 [ medium voice or high voice and piano ]
- At the border by Leonard J[ordan] Lehrman , op. 72 no. 1, published 1984 [ tenor and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 1
- Psalm "Ich freu mich des, das mir geredt ist" by Heinrich Schütz , op. 2 no. 5, SWV. 26 (1619) [ chorus and instrumental ensemble ]
- א מִזְמוֹר לְדָוִד by Leonard Bernstein , 1965, from Chichester Psalms, no. 2
- Nunc dimittis by Thomas Tomkins , from oratorio Great Service, no. 4
- Selbstbildnis (1916) by Ralf Yusuf Gawlick , op. 19 no. 3 (2012-2013) [ soprano and guitar ], from Kollwitz-Konnex (…im Frieden seiner Hände), song cycle for soprano & guitar, no. 3
- Es stehen unbeweglich by Oscar Strasnoy [ duet for soprano and tenor with piano ], from Heine, no. 4
- Antique by (Edward) Benjamin Britten , op. 18 no. 3 (1939), published 1940 [ high voice and strings ], from Les Illuminations, no. 3
- Provençalisches Lied
by Robert Schumann , op. posth. 139 no. 4 (1852), published 1885 [ tenor and orchestra ], from Des Sängers Fluch : Ballade nach Ludwig Uhland bearbeitet von Richard Pohl für Solostimmen, Chor und Orchester, no. 4, Leipzig: Breitkopf & Härtel
Score: IMSLP [external link] - Mein Lieb braucht keinen Demantschrein by Carl Theodor Emanuel, Freiherr von Perfall , op. 17 no. 4, published 1851 [ voice and piano ], from Walthers Lieder aus Amaranth, von Redwitz, no. 4, Mainz, Schott
- Hvid og blaa Anemone by Agathe Ursula Backer-Grøndahl , op. 23 no. 3, published 1888 [ voice and piano ], from Blomstervignetter, no. 3, Kristiania [Oslo] : Norsk Musikforlag
- The Bells by Phil Ochs , published 1967 [ satb chorus and piano ], arranged by Herbert Haufrecht
- Rheinfahrt by Johanna Kinkel , op. 16 no. 5, published 1841 [ voice and piano ]
- Auf ein Grab by (Friedrich) August Bungert , op. 32 no. 3 (1889-91), published 1891 [ low voice and piano ], from Verlorne Liebe, verlornes Leben, no. 3, Berlin, Fr. Luckhardt
- Ach, wie nichtig by Ferdinand von Hiller , op. 71 no. 2, published [1858] [ SATB chorus ], from Sechs geistliche Gesänge für gemischten Chor, no. 2, Leipzig, C.F.W. Siegel
- Elternstolz by Max Reger , op. 70 no. 6 (1902-3)
- There's a land by Frances Allitsen , published 1897 [ voice and piano ], London : Boosey & Co., 1897
- The cuckoo and the owl by Mario Castelnuovo-Tedesco [ high voice and piano ], from Shakespeare Songs, Book VII, no. 3
- Si la mort est le but by Charles Gounod , CG 439 (1866), published 1866
- Part 5 by Henry Houseley , published 1917 [ soli, chorus, orchestra ], from cantata Omar Khayyám, no. 5, New York : H. W. Gray
- Springlets by (James) Albert Mallinson , published 1898 [ voice and piano ], from Gesänge für 1 Singstimme mit Pianoforte, no. 1, Leipzig, W. Hansen
- Tragödie
by Robert Schumann , op. 64 no. 3 (1841), published 1847 [ voice and piano ], Leipzig, Whistling
Score: IMSLP [external link] - Es sei kein Gott: und tot sind diese Himmelsflammen by Friedrich Heinrich Himmel , 1814, published 1880, from Gesänge aus Tiedge's Urania, no. 7
- Psalm "Warum toben die Heiden" by Heinrich Schütz , op. 2 no. 2, SWV. 23 (1619) [ chorus and instrumental ensemble ]
- Totalität -- Kläffer by Justus Hermann Wetzel [ voice and piano ]
- In old days Kretan girls danced by Cindy McTee , 1983 [ soprano and instrumental ensemble (8 instruments) ], from Songs of Spring and the Moon, no. 5
- Eterno / Stasera/ Girovago by Michael Mantler , 2024 [ voice and instrumental ensemble ], from Sempre notte. Songs for Chamber Ensemble and Soloists, no. 9
- Somerkersfees by Koos (Jacobus Johannes) Du Plessis , 1971 [ voice and piano ], title in German: "Sommerweihnacht" ; confirmed with Liedboek van die kerk: begeleiersboek, Wellington, South Africa: NG-Kerk Uitgewers, 2001; harmonized by Albert Troskie, 2001
- Süßer Tod by Gustav Adolph Hölzel , op. 71 [ voice and piano ]
- Meeting at night, parting at morning by Edwin Gerschefski , op. 8 no. 2 [ voice and piano ]
- Die Wartende by Walter Braunfels , op. 62 no. 1 (1944-45) [ soprano and orchestra ], from Vier Japanische Gesänge, no. 1
- Bonum est praestolari by Jakub Blycharz [ chorus a cappella ]
- A Song of Darkness and Light by Charles Hubert Hastings Parry, Sir , published 1898 [ soprano, SATB chorus, and orchestra ]
- Psalm "Ach, Herr, straf mich nicht in deinem Zorn" by Heinrich Schütz , op. 2 no. 3, SWV. 24 (1619) [ chorus and instrumental ensemble ]
- Sir Aethelbert by Karl Pieper , op. 30, published 1899 [ men's chorus a cappella ], Köln, vom Ende
- Cologne by Leonard J[ordan] Lehrman , op. 72 no. 2, published 1984 [ soprano and piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 2
- Nisi dominus by Antonio Vivaldi , RV. 608
- Un vieux prêtre -- Le printemps -- Le saule léger by Claude Delvincourt , 1924, published 1927, first performed 1925 [ medium voice and piano or orchestra ], from Ce monde de rosée, quatorze 'Uta' anciens traduits du japonais par le Docteur P.L. Couchoud, no. 1, Paris, Édition Alphonse Leduc
- As then the Tulip for her morning sup by Liza Lehmann , 1896 [ bass and piano ], from In a Persian Garden, no. 21
- Sabre en main by Charles Camille Saint-Saëns , op. 26b no. 9 (1891), published 1892 [ tenor and chorus and piano ], from cantata Nuit persane, no. 9, Paris, Éd. Durand
- Som den fria vinden
by Ulrika Emanuelsson , 2025 [ women's chorus ], Gehrmans
Publisher: Gehrmans [external link] - Einst kommt der Tag by Robert Goldbeck
- Part 6 by Henry Houseley , published 1917 [ soli, chorus, orchestra ], from cantata Omar Khayyám, no. 6, New York : H. W. Gray
- Gentle little Dauphin -- Come, come from behind by Elizabeth Walton Vercoe , 1986 [ mezzo-soprano or soprano and piano ], from stage composition Herstory III: Jehanne de Lorraine, no. 7, confirmed with composer's website
- א שִׁיר הַמַּעֲלוֹת, לְדָוִד by Leonard Bernstein , 1965, lines 2-10, from Chichester Psalms, no. 3, Psalm 131 and Psalm 133:1
- Schneller Abschied und Liebesnot by Walter Braunfels , op. 62 no. 2 (1944-45) [ soprano and orchestra ], from Vier Japanische Gesänge, no. 2
- Le Mirliton d'Irène by Vincent Bouchot , 2023 [ medium voice and piano ]
- The Bells by C. Alexander Peloquin , published 1964 [ mixed chorus, 2 pianos, 2 contrabasses, percussion ]
- Und bist du mir auch nicht beschieden by Carl Theodor Emanuel, Freiherr von Perfall , op. 16 no. 2, published 1851 [ voice and piano ], from Amaranth's stille Lieder, no. 2, Mainz: Schott
- Erwache, Friederike by Johann Valentin Görner , 1744
- De moins que riens l’on peut à peu venir by Hubert Naich
- Die schönste meiner Lieder by Gustav Hasse , op. 14 no. 2, published 1874 [ voice and piano ], Berlin, Bote & Bock
- The Iron Bells by Arsene Siegel , published 1945 [ medium voice and piano ]
- Jubilate by Thomas Tomkins , from oratorio Great Service, no. 2
- Die Rose, die Lilie, die Taube by Giacomo Meyerbeer , 1838, from Drei deutsche Lieder, no. 1, also set in French (Français)
- The Bells by William Wallace Gilchrist , published 1913 [ SSAA chorus and piano ]
- Der Tod by Siegfried Matthus , published 1987 [ baritone, string quartet, and harp ], from Nachtlieder, no. 7
- Die helle Sonne leuchtet by Anton Deprosse , op. 31 no. 3, published 1870 [ bass or baritone and piano ]
- Canción del Duero by Joaquín Rodrigo Vidre , published 1971, from Con Antonio Machado, no. 10
- The minstrel's song by Ralph Vaughan Williams , 1957, published 1957 [ baritone, mixed chorus, orchestra ], from cantata Epithalamion, no. 9, London, Oxford University Press
- When lilacs last in the dooryard bloom'd by Roger Sessions , from cantata When lilacs last in the dooryard bloom'd, no. 1
- Beatus vir by Tomás Luis de Victoria
- Schon lacht der holde Frühling by Wolfgang Amadeus Mozart , K. 580 (1789) [ soprano and orchestra ]
- Des kleinen Friedrichs Geburtstag by Wolfgang Amadeus Mozart , K. 529 (1787), Title of French translation: "L'anniversaire du petit Friedrich"; title of Dutch translation: "De verjaardag van de kleine Frits"
- Psalm "Singet dem Herrn ein neues Lied" by Heinrich Schütz , op. 2 no. 14, SWV. 35 (1619) [ chorus and instrumental ensemble ]
- Auerbach's Keller in Leipzig. Zeche lustiger Gesellen by Conradin Kreutzer , 1820 [ bass, chorus, and piano ], from Gesänge aus Goethe's Faust, no. 8, an edition from 1836 is mentioned by Hofmeister, published Wien, Trentsensky
- Tragödie by Zdenko Antonín Václav Fibich , op. 7 no. 4, H. 181 no. 4 (1873), published 1874, orchestrated 1875 [ voice and piano ], Leipzig, Lichtenberger
- Oi muistatko vielä sen virren by Oskar Merikanto [ voice and piano ], confirmed with sheet music researched and rewritten by Riittaliisa Hakulinen and Juha Hakulinen
- Magnificat by Thomas Tomkins , from oratorio Great Service, no. 3
- Elegy by Frank Ferko [ soprano and mixed chorus ], from Stabat Mater, no. 4
- Come, said the Muse by Homer Albert Norris , published 1903 [ vocal trio for soprano, tenor, and baritone with piano ], from The Flight of the Eagle
- The Bells by Harry Robert Wilson , published 1968
- O Tannenbaum by (Philipp) Friedrich Silcher
- Du, der ichs nicht sage
by Anton von Webern , op. 8 no. 1 (1910)
Score: IMSLP [external link] - The goddess by Leonard J[ordan] Lehrman , op. 72 no. 10, published 1984 [ duet for tenor and soprano with piano ], from Ein Wanderer durch Deutschland, nach Heines Wintermärchen (A Wanderer through DEUTSCHLAND after Heine's Wintermärchen), no. 10
- O gönne mir den Frühlingstraum by Franz Wilhelm Abt , op. 485 no. 2, published 1875 [ voice and piano ], Offenbach am Main: Johann André
- Two nonsense verses by Jürg Wyttenbach , 1964, from Two Nonsense Verses, an Epigram and a Madrigal, no. 1
- Will Niemand singen, so sing' aber ich by Wilhelm Tappert , published 1880 [ voice and piano ], from Lieder für 1 Singstimme mit Pianoforte, aus der Sammlung: Deutsche Lieder aus dem 15., 16. und 17. Jahrh. , no. 2, Berlin, Challier & Co.
- Oh God, How Many Are Them That Hate Me by Undine Eliza Anna Smith, as Undine Smith Moore [ narrator, chorus and orchestra ], from oratorio Scenes from the Life of a Martyr, no. 14
- The Bells by Clarence Lucas , op. 56, published 1913 [ madrigal: satb chorus a cappella ]
- Clouds that veil the midnight moon by (Robert) Houston Bright , published 1971 [ SSA chorus and piano ], stanza 1 of "Mutability" is followed by a stanza by the composer.
- Ode to Ethiopia / Compensation by Adolphus Cunningham Hailstork , 1994, from Common Ground: An Operatic Songfest, no. 11
- Part 4 by Henry Houseley , published 1917 [ soli, chorus, orchestra ], from cantata Omar Khayyám, no. 4, New York : H. W. Gray
- Meeresstille und glückliche Fahrt by Wilhelm Dörr , published 1882 [ voice and piano ], from Fünf Lieder für 1 Singstimme mit Pianofortebegleitung, no. 5, Wien, Gutmann
- Tragödie by (Johann Gottfried) Heinrich Bellermann , op. 2 no. 4, published 1856 [ SATB quartet ], Berlin, Bahn
- Myself when young did eagerly frequent
by Liza Lehmann , 1896 [ bass and piano ], from In a Persian Garden, no. 10
Score: Ball State University Digital Media Repository [external link] - Sous la lune argentant les palmes by Ernest Moret , published 1919 [ high voice and piano ], from Sous le ciel de l'Islam, no. 9b, Paris, Éd. Heugel
- Singe die Garten by Per Nørgård [ chorus and instrumental ensemble ]
- 九十九里浜 (Kujū-kuri-hama) by Kōzaburō Y. Hirai , 1935 [ voice and piano ]
- Over the breast of the spring, the land, amid cities by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 3
- Ophelia's Song by Maude Valérie White , published 1882 [ voice and piano ], London: Boosey & Co.
- Nine Epigrams from Poor Richard by Elizabeth Walton Vercoe , 1986 [ voice and tape ]
- Sanctus - I will lift up mine eyes by Herbert Norman Howells , 1936-8, published 1951, first performed 1950 [ soprano, tenor, mixed chorus, and orchestra ], from Hymnus Paradisi, no. 4
- Près de ton âme by Ernest Moret , published 1919 [ high voice and piano ], from Sous le ciel de l'Islam, no. 6, Paris, Éd. Heugel
- Tragödie by Frank Valentin Van der Stucken , op. 30, published 1904
- Magnificat by Paul Patterson , op. 75 (1986) [ chorus, instrumental ensemble, and organ ]
- A Single Flower by Scott Wheeler , 2011 [ voice and piano ], Scott Wheeler Music
- Mon Dieu, que j'aim' à baiser les beaus yeus by Jean de Castro
- Dilectus meus by Giovanni Pierluigi da Palestrina [ chorus ], motet
- Chimères by Théodore Terestchenko , op. 21 [ medium voice and piano ], from Reflets d'Orient, pour une voix avec accompagnement de piano, no. 2, Paris, Éd. Jules Hamelle, ancienne maison J. Maho
- Buch der Lieder - Junge Leiden by Richard Farber , 2014 [ voice and piano ]
- Now while I sat in the day, and look'd forth by Paul Hindemith [ baritone, mezzo-soprano, chorus and orchestra ], from cantata When lilacs last in the dooryard bloom'd, no. 9
- Le livre de la vie by Jean-Baptiste Faure , subtitle: "Feuillet d'album" [ baritone or mezzo-soprano and piano ], from Quatrième recueil de vingt mélodies, no. 12, Édition Heugel 'Au Ménestrel'
- Wiegenlied by Gustav Jenner , op. 6 no. 9, published 1900 [ voice and piano ], from Neun Kinderlieder für 1 Singstimme mit Pianoforte, no. 9, Leipzig, Breitkopf & Härtel
- The Bells by H. Stanley Hawley , published 1894 [ reciter with piano ]
- Herziges Schätzle du! by Philipp Rödelberger , published 1903 [ voice and piano ], in the collection Im Volkston II. Sammlung: moderne Preislieder komponiert für Die Woche, Druck und Verlag von August Scherl G.m.b.H. Berlin
- Здесь рок послал безвременный мне сон by Dmitri Dmitriyevich Shostakovich , op. 145 no. 11 (1974), from Suite on verses by Michelangelo Buonarroti, no. 11
- Venite by William Byrd , from oratorio Great Service, no. 1
- Sonntagsfrühe by Franz Wilhelm Abt , op. 517 no. 4, published 1877 [ voice and piano ], Leipzig, Forberg
- Night hath no wings by George Dyson , 1945-9, from Quo Vadis: a Cycle of Poems, no. 4
- Nymphs and shepherds by Henry Purcell [ SATB chorus a cappella ], arranged by W. McNaught
- Sanctus by (Edward) Benjamin Britten , op. 66 no. 4, published 1961 [ soprano, tenor, baritone, satb chorus, boys' chorus, orchestra, chamber orchestra, organ ], from War Requiem, no. 4
- Die Spröde und die Bekehrte by Lenhuk , published <<1815 [ voice and piano ], from Zwölf Gedichte von Goethe und Schiller, no. 9
- A ballad by Josephine Lang , op. 15 no. 2, published 1849? [ voice and piano ], London: T. Boosey & Co., also set in German (Deutsch)